Month: February 2005

  • sports nut
    The Lamest Dynasty in Sports
    The Patriots win. Again.
    By Robert Weintraub
    Posted Monday, Feb. 7, 2005, at 5:00 AM PT



    The most memorable image of New England’s 24-21 victory in Super Bowl XXXIX wasn’t Tom Brady hoisting his third Lombardi Trophy or the traditional confetti drenching the field at the final gun. Rather, it was a third quarter cutaway to Bill Clinton, who was seated in a luxury box with a look of utter boredom on his ordinarily expressive mug. Forty-two has always had a clear sense of what is hip. The New England Patriots, despite their third Super Bowl win in four years, are anything but.


    The metronomic, death-by-a-thousand-cuts offense. Coach Bill “Genius” Belichick’s ratty sweatshirt. Linebacker Tedy Bruschi’s 7-Eleven clerk bangs. That ridiculous mascot. The blah uniforms. The incessant “we’re the ultimate team in the ultimate team game” platitudes. Snore. Let’s face it—more people will remember this Super Bowl for Terrell Owens’ amazing performance after getting screws in his ankle than for Deion Branch’s 11-catch MVP performance. Yes, the Patriots are a great team and their fans will obviously trade compelling play for victory after victory. But I think I speak for the rest of us when I say: Bring back the Jimmy-Troy-Emmitt-Irvin-Deion-Jerry Cowboys.


    Grant the Pats this—for all their supposed sportsmanship, unselfishness, and playing the game “the right way,” they bring a lot of “hey, dig me” to the ballgame. Players on both sides seemed more concerned with cracking SportsCenter‘s “Ultimate Highlight” than with blocking and tackling. The Eagles mostly stuck with the breaking-the chains, fists down, head arched, primal scream perfected by Jeremiah Trotter. The Patriots, lacking any distinctive celebrations of their own, took to mimicking Owens’ patented arm flapping. Linebacker Mike Vrabel, who caught yet another TD pass in the big game, was so intent on flying like an Eagle that he did two celebratory flaps—once after his juggling grab and a second time when he realized that nobody had been watching the first celebration.


    One guy who didn’t do much flapping was Donovan McNabb. The Eagles QB looked nervous—at one point Fox’s camera caught Owens telling him to relax after tossing one of his three interceptions. While his stat line—357 yards passing and three touchdowns—looks pretty, many of his 30 completions required spectacular catches, and only the second TD pass, a howitzer to Brian Westbrook, was vintage McNabb. With his tosses sailing high and wide, you’d think he would have gone to his legs, but for some reason McNabb didn’t take off downfield a single time. Sure, the Pats’ often-overlooked defensive line—Jarvis Green in particular—was in McNabb’s face much of the night. But a lot of the time, it looked like the usually shifty Eagles quarterback simply forgot that he was allowed to run past the line of scrimmage.


    The broadcast team of Joe Buck, Cris Collinsworth, and Troy Aikman had a solid if unspectacular game. Buck, amazingly calling his first game involving Tom Brady, avoided the hyperbolic love-in many of his peers fall into when assigned Patriot Games. Aikman’s best moment came when he pointed out that that a new, slick football gets put into play before every Super Bowl snap. And all of the broadcasters were properly aghast at Philly’s unforgivably lackadaisical approach to the final few minutes. Down 10 with five minutes to go, the Eagles played like they were desperately trying to cover the seven-point spread rather than, you know, win the game outright. Where was the no-huddle offense? Where were the sideline routes? And wasn’t anybody thinking of the millions of fans who bet the over?


    The usually graphics-worshipping Murdochs did win me over by keeping the bells and whistles to a refreshing minimum. When Fox did make with the technological flourishes, they weren’t worth the fanfare. The sky cam proved great for short passes, terrible for long ones—director Artie Kempner won the gamble of calling it up live about half the time. Pylon cam was harmless if completely unrevealing. A heavily promoted sideline camera showed nothing but a few players milling around. Most ridiculous of all was “turf cam,” a lipstick camera planted in the field. Its shining moment was a full-on, glorious close up of the Patriots’ long snapper’s groin.


    As Donovan McNabb threw his final interception, I was busy sending in my text-message MVP vote. Even though I suspect that nobody counts us cell-phone voters, I’ve always wondered if these things actually work. When my call did go through, I couldn’t think of any current Eagle or Patriot that I wanted to punch the ballot for. Instead, I went for Chuck Bednarik and Gino Cappelletti. By the time I finished daydreaming about the gridders of yore, Deion Branch had already won the award. There was nothing I could do but yawn.

    Robert Weintraub, a freelance TV producer/writer based in Atlanta, writes about sports media for Slate.

    Article URL: http://slate.msn.com/id/2113212/

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  • Actors and extras re-enacted the rape of the Sabine women in 60′s dress at the Prospect Park tennis courts for the video director Eve Sussman.


    Eve Sussman is the director of the video opera “Raptus,” which may or may not end up including a version of the battle scene she supervised in Brooklyn, loosely inspired by a Jacques-Louis David painting.


    “Intervention of the Sabine Women,” by Jacques-Louis David


    Into the Mosh Pit With the Old Masters


    By PHOEBE HOBAN





    THE Prospect Park tennis courts in Brooklyn are an unlikely setting for an ancient Roman tragedy. But that did not deter the artist Eve Sussman, who had brought her actors’ collective to this tennis bubble on a miserably wet day in January to rehearse a battle scene loosely inspired by David’s “Intervention of the Sabine Women.”


    A small, dark, wild-haired woman, Ms. Sussman darted around like a hummingbird, checking in with her composer, her choreographer and her cameraman. Before long, a motley crew of about two dozen Greek and American actors dressed in vintage 60′s clothing – the men in suits, the women in mod dresses – had gathered in the middle of the tent. A cacophonous four-piece band was warming up.


    Ms. Sussman grabbed a video camera, and the rehearsal began. “Just walk around,” her choreographer, Claudia de Serpa Soares, told the actors. “O.K., now find somebody in the group and lock eyes with them, like they are a magnet pulling you together. Now lean your body against theirs.” A group of extras, including children, joined in. A smoke machine began blowing mist.


    Over the course of the next hour, the motion accelerated into a full battle scene: men toppling onto one another, suits ripped off, children hoisted aloft, women crying and weaving through the carnage. The music escalated. “Mosh pit!” a child shouted.


    This extraordinary scene may ultimately serve as the climax of “Raptus,” Ms. Sussman’s video opera based on the myth of the Sabine women. Or perhaps it will be scrapped. It is part of an elaborate improvisational process developed by Ms. Sussman, 43, whose last piece, “89 Seconds at Alcázar,” was a huge hit at last year’s Whitney Biennial. The large-scale projection, a numinous exploration of Velázquez’s “Meninas,” wowed viewers and critics alike with its ravishing colors, ornate costumes, oddly balletic gestures and ambient soundtrack. (Beautiful, yet with the subversive sensibility of a David Lynch film, “89 Seconds” could be the avant-garde answer to “Girl With a Pearl Earring.”)


    That piece was sold in a limited edition of 10, for as much as $65,000 each. In addition to putting Ms. Sussman seriously on the map, “89 Seconds,” now on view at the Museum of Modern Art, gave birth to the Rufus Corporation, a band of actors, artists, dancers and musicians that now includes 22 members. Its core group – Ms. Sussman; the composer Jonathan Bepler (who worked with Matthew Barney on the “Cremaster” series); Ms. de Serpa Soares, the choreographer; the costume designer Karen Young; and the actors Jeff Wood, Helen Pickett, Walter Sipser, Annette Previti, Nesbitt Blaisdell and Sofie Zamchick – all worked on “89 Seconds.”


    During the production, they developed a collaborative technique using improvised choreographical and vocal exercises to create a visually impressionistic nonverbal piece. It worked so well that Ms. Sussman decided to form Rufus and apply the same method to other projects, including “Raptus.” Using high-definition video to capture this innovative performance process, Ms. Sussman has created the perfect vehicle for her continuing interest in light, space and what she calls “gesture implying narrative.”


    “I’ve never been a studio artist – I was always working out in a space somewhere out in the world, or going into a space and trying to change it,” said Ms. Sussman, who was brought up in a landmark house in Lexington, Mass., renovated by her mother, an interior designer specializing in historic restoration. She also lived in India, Turkey and Israel because her father, a professor at Tufts, took sabbaticals abroad. Ms. Sussman studied photography and printmaking at Bennington College in Vermont. A nine-week residency at Skowhegan in Maine got her started on sculpture and installation art.


    Over the last decade, she has turned a shaftway at Long Island University into a canal; installed a giant cantilevered mirrored periscope on Roosevelt Island that reflected a view of the East River into a building; built a ledge and tower for “Ornithology” (1997), a live-action aviary for pigeons; and, for the Istanbul Biennial that same year, placed 12 surveillance cameras in the Sirkeci Train Station to create random stories by combining images with four concurrent scripts.


    What links all her work is that Ms. Sussman, like Chauncey Gardiner in “Being There,” likes to watch, whether it’s wind and water or people. “I’ve always played with surveillance cameras, watching people and body language,” she said. “Human gestures are sort of ubiquitous, and you can use them in any way to imply a narrative. What’s nice about closed-circuit cameras is that you are kind of innocuous and can just wander around and film these beautiful, delicate, intimate things,” she continued. “You can be sort of an anthropological spy. But after a while, just taking stuff from live feed wasn’t quite enough anymore. I wanted to work with real actors.” And “89 Seconds” provided an epiphany: she wanted to direct people, not just observe them.


    She may be an anthropological spy coming in from the cold, but Ms. Sussman differentiates her work from that of a film director. “The bar is lower for video pieces than it is for movies,” she said. “I am trying to make video art that is as emotionally involved as a feature film or novel – as psychologically rich and stunningly beautiful – but might only be 15 minutes or half an hour long. I have no shame or embarrassment about trying to make beautiful things. But I also want to make things that are edgy and a little bit emotionally twisted and convey a strange sort of energy.” Unlike the familiar postmodern appropriation of the 80′s, in which artists like David Salle used canonical references to deconstruct art history itself, Ms. Sussman uses cutting-edge technology to revel in the very painterliness of her subjects. And unlike such early video artists as Bill Viola and Gary Hills, who used video to create metaphorical landscapes, Ms. Sussman has used video to explore the pictorial evolution of a masterpiece.


    In “89 Seconds at Alcázar,” she recreated the moments just before and after the image of the royal family in “Las Meninas” coalesces. “You look at that painting and you think, ‘This is the first cinéma vérité moment,’ ” Ms. Sussman said. “It has the feeling of a snapshot, of a Tina Barney photograph, as if the Enfanta could walk out and come back again. And you think, if this is a film still, then there is a still that came before, and one that came after. It was that simple. There’s no big conceptual sort of rumination other than that.”


    Michael Lynne, co-chairman of New Line Cinema, bought the video work as well as one still for his art collection. “She took one of the great works of art and allowed you to look into the cinematic fantasy of almost living it, as if it were happening in front of your very eyes,” he said. Chrissie Isles, a video curator at the Whitney Museum of American Art, noted that while “Las Meninas” has inspired many artists, Ms. Sussman was the first to reinterpret it as a projection. “She succeeded in actually transforming a very potent cipher of art history into an artwork that’s very much her own,” Ms. Isles said. “She’s captured what Roland Barthes would call the ‘punctum’ of that painting, that climax of the moment when it finally arrives.”


    “Raptus,” which retells the myth of the Sabine women in a 60′s setting, is Ms. Sussman’s most ambitious project yet. Last September, the Rufus Corporation spent six weeks in Greece auditioning actors (the 10 Greek actors were chosen from among 200), scouting locations and improvising. The opera, which may run around 30 minutes, will be shot in Athens, Hydra and Berlin. While her previous video work began with a budget of $40,000 (it ultimately cost more than $100,000) “Raptus,” sponsored in part by the Hauptstadtkulturfond-Berlin, is starting off with a budget of $250,000. Like “89 Seconds,” which was also spun off into a limited edition of photographic stills as well as a “Making 89 Seconds” video, it will be sold in a limited edition of 10.


    Ms. Sussman’s rambling, gritty studio in South Williamsburg, with its wraparound view of three bridges spanning the East River, is Raptus central. (She and her husband, the artist Simon Lee, have two spaces in the building.) A long desk holds various reference books – “The Sixties: A Decade in Vogue,” “Graffiti in the Anthenian Agora,” a copy of Life magazine from May 1967. Stills from the shoot in Greece line the wall, and there is a rack full of vintage 60′s clothing. It is here that the cast and crew (many of whom are also living in the loft during the one-week rehearsal) rehearse, relax and meet for frequent group-therapy-like postmortems.


    Sitting in mismatched chairs and on a huge blue fur dais, eyes fixed alternately on Ms. Sussman and on the monitor, the Rufus collective is watching a run-through of video shot in Greece – a marketplace, a fight in a village square, a feast in a hunters’ lodge and an improvised choir in a chapel at an extraordinary 60′s-era villa in Hydra. The town-hall-style meeting illustrates Ms. Sussman’s modus operandi: auteurism by committee. Virtually everyone volunteers ideas. (Should there be a battle of the bands? A bouzouki concert? A fight on a football field? Are the Greeks modern-day C.I.A. operatives, and the Sabines the wives of the local butchers?)


    “This way of working is very attractive,” said Katarina Oikonomopoulou, an opera singer. “Everybody can say what they want. It’s like a democracy.” Mr. Sipser, the actor, said: “I’ve never met anyone more open to collaboration than Eve. She’s someone who thrives on creating a world around her, whether working at home or in Greece, and she has an uncanny ability to get people that work well together.”


    While “89 Seconds” embellished on an existing work of art, the Rufus Corporation is making “Raptus” up as they go along. “We are trying to do our own version of a myth,” Ms. Sussman said. “We are not working with a traditional script, just a loose outline of a story, and how we interpret it can be as abstract or linear as we want it. We know we want a fight involving the Sabine women, and other than that we don’t have a clue. We are inventing the whole narrative as a group, with the actors being who they are as people.”


    The music is equally improvisational. “It won’t be explicitly operatic,” Mr. Bepler said. “I like the idea of an ensemble, and possibly a concert scene. There could be a kind of number constructed at an outdoor meat market in which the work gestures, the rhythm of the knives and the vocal calls take on a musical choreography.”


    But that doesn’t mean Ms. Sussman doesn’t have a very specific idea in mind. “I’m really interested in the love triangle aspect, where the love triangle becomes a cancer that has sort of epidemic proportions,” she said. “One group of foreign men, operatives, come into the meat market in Athens and steal the daughters of the butchers, and then the men within the group start to steal from each other. So the final choreography will evolve from that.”


    It remains to be seen whether the “89 Seconds” treatment, in which visual atmosphere, physical gesture and ambient sound design are the major motifs, can be successfully sustained in a piece that lasts 30 minutes or even longer.


    But Ms. Sussman says she hopes to achieve with “Raptus” what she aimed for in “89 Seconds.” “I think that I am trying to find that cogent, ineffable moment where the banal meets the sublime,” she said. “I want to take people’s breath away and make them cry, and I think every artist wants to do that. You want to stop people in their tracks the same way ‘Las Meninas’ stops people in their tracks when you walk into the Prado. Or the same way ‘Apocalypse Now’ is able to stop you in your tracks. If you can do that with a measly little 10-minute video, you are pretty lucky.”




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  • today’s papers
    Don’t Let me Down, Truce
    By Eric Umansky
    Posted Tuesday, Feb. 8, 2005, at 12:40 AM PT


    Everybody leads with the trucelike promises scheduled to be unveiled by Israel Prime Minister Ariel Sharon and Palestinian President Mahmoud Abbas at their summit today. There won’t be a formal paper-signing ceasefire, but both sides will promise to, eh, try to stop attacks so long as the other side does too. Meanwhile, Secretary of State Condoleezza Rice, who’s been hanging around the region, signaled the U.S.’s re-entry to negotiations: She named a top Army general, Gen. William Ward, as “senior security coordinator” to help whip Palestinian forces into shape so that, if necessary, they can ultimately whip the militants. President Bush will also host Abbas this spring, the first meeting between the president and a Palestinian leader in nearly five years.


    Abbas has convinced most Palestinian militant groups to hold off attacks, at least for now. But there’s a lot of wariness in the Israeli government about meeting Palestinian demands, such as releasing loads of prisoners, with the New York Times citing “fierce debates” within Sharon’s cabinet.


    The Washington Post also picks up on doubts, and not just among Israelis. “I am very pessimistic,” said one Palestinian cabinet minister, who said Rice hadn’t pushed some key concerns, such as freezing settlement growth. “It was a public relations visit.”


    Everybody fronts Bush’s proposed $2.57 trillion budget that has big bumps for the Pentagon (5 percent) and homeland security while taking a small knife (1 percent) to non-security domestic discretionary spending. The proposed cuts run the gamut, and some of them, such as farm subsidies, are non-starters in Congress. Among the programs to face the hypothetical scalpel: The EPA would be cut nearly 6 percent, with the biggest chunk coming from a clean-water fund. A program to help people pay their heating bills would be cut by 8 percent. And that good-for-nuthin’ bureaucracy known as the Centers for Disease Control and Prevention would be trimmed by about 12 percent.


    Of course, not all programs are facing cuts. From the Post: “Financing for the apprehension of Army deserters would double.”


    Don’t get used to any of the numbers. Democrats hated the budget, while Republicans, as the Post gently puts it, reacted “cautiously.” Regarding the proposing slashing of farm subsidies, influential Republican Sen. Thad Cochran said, “Frankly, I don’t think anyone in the administration really thought Congress would go along with this.”


    The proposed budget is perhaps most notable for what it leaves out: expected war costs, the couple hundred billion the administration’s estimates it would need to kick off the Social Security privatization plan, and dealing with the alternative minimum tax, which the administration has talked about. The WP‘s Dana Milbank calls such negative space “a part of every budget, to be sure, but particularly big this year.”


    President Bush has promised to halve the deficit by 2009. But there are no immediate plans to rein in defense spending or entitlements, which make up 80 percent of the pie. The Los Angeles Times notices that the proposed budget is a third bigger than the one Bush offered four years ago. The paper’s conclusion: “The era of big government is back.” One former Reagan economist told the Wall Street Journal, “This is not a serious budget if the objective is to reduce the deficit and constrain budget growth.”


    The Post‘s editorial page sees two ways to consider the proposed budget: “the first as farce, the second as tragedy.”


    Nobody fronts the bloodiest day in Iraq since the elections. Two suicide bombs killed about 30 people. One was outside a police station in Baquba, and another was in the northern city of Mosul. Four Egyptian hostages were also released. And the Associated Press—via the Journal—mentions that elections officials conceded that complaints about disenfranchisement in Mosul are legit: “Fewer than a third” of the polling stations in and around that restive city were open on election day. The Christian Science Monitor notices which city in the Sunni-dominated Anbar province had the highest turnout: Fallujah.


    The LAT has a memo suggesting that drugmaker Merck knew back in 1991 that some of its vaccines were giving babies mega-doses of mercury. That’s about a decade earlier than previously thought.


    The NYT previews a government commission’s conclusions that refugees seeking political asylum in the U.S. are often treated like criminals, strip-searched, shackled and often thrown into solitary confinement.” (Times‘ words) Standards for granting asylum also seem to vary. Four percent of applicants were granted at a N.J. detention center versus 81 percent in Chicago.


    Exxxcellent… A Post correction:



    A Feb. 5 Names & Faces item on an Evite e-mail invitation to Michael Saylor’s birthday party was based on a copy of the invitation that had been partially forged before it was sent to the Post. The original Evite from MicroStrategy’s chief executive said the party will be “exotic, mysterious and ebullient,” but it did not say “erotic.” The original also specified “cocktail dresses” but did not say “the shorter the better.” And, the original did not end with—or even contain—the words “no one leaves alone.”

    Eric Umansky writes “Today’s Papers” for Slate. He can be reached at todayspapers@hotmail.com.

    Article URL: http://slate.msn.com/id/2113271/

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  • UP NORTH

    by CHARLES D’AMBROSIO

    Issue of 2005-02-14 and 21
    Posted 2005-02-07


    We angled our heads back and opened our mouths like fledgling birds. Smoke gave the cool air a faintly burned flavor, an aftertaste of ash. A single flake lit on my wife’s eyelash, a stellar crystal, cold and intricate. I blew a warm breath over her face, melting the snow.


    “It’s been falling since Saginaw,” I said.


    “Listen,” she said.


    The flight from New York had been rough, and my ears were still blocked, but somewhere in the distance, beyond the immediate silence of the falling snow and the thick woods, I heard the muffled echo of rifle shots.


    “Deer season,” Caroline said.


    “Your father go out?”


    “He usually goes,” she said. “He and the boys. And now you. Now you’ll be one of the boys.”


    Caroline brushed her hair free of a few tangles and clipped it back in a ponytail that made her look a decade younger—say, twenty years old, taking her back to a time before I’d met her. Perhaps in reflex I remembered the sensation I’d had the first night we slept together, thinking how beautiful she was, how from every angle and in every light she was flawless, like some kind of figurine. Now she examined herself in the small round mirror she’d pulled from her purse, grimacing. The shallow cup of the compact looked to be holding a kind of flesh dust, a spare skin. She dabbed powder around her cheeks, the set line of her jaw. She took a thick brush and stroked a line on either side of her face, magically lifting her cheekbones. She traced her lips lightly with a subdued shade of red and suddenly she was smiling.


    “Up a ways there’s a fork,” she said. “You want to stay right.”


    Before I could start the car again, two men in orange caps crossed in front of us, rifles slung over their shoulders. They stopped in the road and waved, the ears beneath their caps like pink blossoms in the raw cold, and then they bumbled into the woods. I stared at their fresh footprints in the snow.


    “You know them?” I asked.


    “No,” she said.



    At the cabin, we ate a late lunch without the men, who were out on a mission that was, it seemed, top secret. Caroline’s mother, Lucy, had been kept in the dark, and so had Sandy Rababy, whose husband, Steve, was a partner in the accounting firm founded by Caroline’s father. We ate tuna sandwiches and potato chips on paper plates that had been gnawed by mice. Lucy set out a plastic tray of carrots and celery sticks and black olives. We drank mulled wine in Dixie cups, from which I nervously nibbled the wax coating.


    “They took their guns and vests and packed peanut-butter sandwiches and a half gallon of Scotch,” Sandy said. “Now, where do you think they’re going?”


    “We heard guns on the drive in,” I said.


    “Isn’t it awful?” Lucy said.


    “What’s worse,” Sandy said, “the toilet’s busted.”


    “It froze,” Lucy said, “and the bowl cracked. Or the pipes broke or something. We’re using the outhouse.”


    She pointed, and through the window I saw a rickety, leaning structure, and a dirty trough of footprints in the snow where people had traipsed back and forth.


    “You need to wear a fluorescent hat out there,” Sandy said, “so you don’t get shot trying to relieve yourself.”


    The cabin was open and cozy, a single large room with a high ceiling, and although I’d never been there before, it struck me as familiar. It was rustic and unpretentious, with that haphazardly curatorial décor that accumulates in old family haunts. At one end was a large fireplace constructed of smooth stones hauled up from the lakeshore, and at the other end were the log bunks where we’d all sleep. Everything that had ever happened here was, in a way, still happening: the smell of wet woollens steaming by the stove, of dry leather gathering dust, of iodine and burned logs and Coppertone—all of it lingered in the air. Two persistent grayling, long extinct in Michigan, surfaced in the wash of light above the back windows, and even the mounted deer and elk heads flanking the fireplace suggested souvenirs from some gone, legendary time. It was exactly the kind of abiding paradise people create for their kids just so that, long after the last summer, the past will live on.


    “Caroline, you’re quiet,” Lucy said to her daughter, my wife, who sat with her legs crossed at the head of the table.


    The minute we arrived, Caroline had gone directly to an old gouged dresser and, from the bottom drawer, pulled out a man’s bulky knit sweater, which she wore now—it was green and moth-eaten and voluminous, belonging to her father, whose girth was still a ghostly, orotund presence in the stiff wool. As soon as she sank into the sweater, it was as if she were officially home, and no longer had to explain herself. She took a bite of her sandwich, and her silver earrings shivered against her neck, catching the light. They were a gift, I imagined, from S.J., the man whose initials now coded her journal and datebook. She bunched a sleeve of the sweater above her elbow, and said, “Tell me the news.”


    “You know Lindstrom’s wife passed away?” Lucy said.


    Caroline said, “Poor Lindy.”


    “He’s very depressed, especially coming up here,” Sandy said. “This is the first Thanksgiving without her.”


    I’d met Lindy and his wife, Beth Ann, on several occasions when the whole group had come to New York for a weekend of theatre. They, like Sandy and Steve Rababy, were lifelong friends of the Jansens. They’d all met in college, when the men were brothers at the Phi Delt fraternity in Ann Arbor, and now, years later, the group remained intact and inseparable except for this death.


    “Hey, Daly, what about these lips?” Sandy said, sliding the torn page of a magazine toward me. She’d had cheek implants and was currently in the market for new lips. I was meant to offer a proxy opinion for all men. The woman in the magazine was pouting sadly or seductively, it was hard to tell, and she was looking confused or far off into the distance, also hard to tell.


    “Those are Caroline’s lips,” I said.


    Sandy held the page to her nose, and then looked at Caroline, who modelled a little moue.


    “You’re right, they are,” Sandy said. “I want your lips.”


    “They’re spoken for,” my wife said, touching my knee under the table, quaintly.



    Caroline heard the men come up the tote road around nine o’clock. I went outside and watched as her father horsed the truck over a hillock of snow, rocking it back and forth and stubbornly and finally into the yard.


    “Where’s my little girl?” Robert Jansen said as soon as he saw me. His voice boomed, a deep bass that echoed away, bounding into the woods. He looked past me toward the lighted door of the cabin, where Caroline stood, her long blue shadow thrown on the snow.


    “Hi, Daddy,” she said.


    “How’d it go?” Sandy shouted from the kitchen.


    It was obvious as the men stood warming their hands at the fire that part of what had been top secret about their day involved a bar. Their cheeks flushed red and their eyes sparked wetly and none of them were able to stand perfectly still—they looked like a trio of overweight crooners, swaying boozily in the soft light for a last song.


    Lucy rattled a plastic jar of aspirin and set it out on the table with a pitcher of ice water.


    “So?” she said.


    Lindy lifted a log into the fire, raking the bed of coals with an iron, and wiped his hands.


    “No luck,” Steve said.


    “But you found the bar all right,” Lucy said.


    “Huh—yeah,” Sandy said. “The bar wasn’t running through the woods.”


    “Tomorrow,” Mr. Jansen offered. He was a large man, so large he always struck me as unfinished, the rough framing of a man who would never fully occupy the space he’d annexed. He had a flat owlish face and arched gray eyebrows and a pounding, theatrical voice. It was he, more than anyone else, who had encouraged my wife in her acting career. “And Daly’ll come along.”


    I knew better than to object, although I’d fired a gun only twice in my life, and both times I’d missed the can. There was no romance for me in weapons, and I found it effortful to be around men who liked to shoot. I always had, beginning with my father, who was an avid gun collector and fancied himself a marksman. In an act of adolescent defiance, I’d become an equally avid birder, a member of the local Audubon, and a preachy vegetarian, turning the table into a pulpit while my father, ignoring me, packed it away, head bent over his plate. Now I stared at the men, looking them in the eye, one by one—I had rehearsed this moment for weeks—but learned nothing when, to my surprise, each of them averted his eyes.


    “How about fixing the damn toilet instead?” Sandy said.


    “What’s wrong with the outhouse?” her husband countered.


    “The forest is full of drunks with guns,” Sandy said. “Girls don’t like that.”



    When I thought I was the only one awake, I reached for Caroline’s thigh, sliding my hand inside her nightgown. In the cold cabin, she was like the discovery of buried warmth, of hibernating life. I heard the fire pop and hiss, the crumbling sound as the pile of logs collapsed and settled. Stirred by the noise, Lindy rose and stoked the fire, adding a few logs and some split cedar shakes. Steve snored loudly, and Sandy whispered something to him, and I heard them both grunt and turn over in bed. With the fire rekindled, a cobweb fluttered in the waves of rising heat, and the thin gray filament threw a shadow that wound and unwound, snaking along the far wall. I moved my hand up Caroline’s thigh until I felt the rough edge of pubic hair curling out from beneath the elastic band of her G-string. I slipped a finger under the band, and then I reached for myself. Caroline rose up, startled, and said, “What, what,” but I don’t think she ever fully woke. She stared around herself, still safely in her dream, and then she lay back down, balling up beneath the comforter with her back to me.


    My wife was raped the summer she turned eighteen. She told me this after we’d been together for a year, on a night when I’d once again caught her crying for no apparent reason. I felt instantly that I’d known all along. An entire history and sensibility suddenly pulled into focus, and there was Caroline, my wife, the blur of herself resolved into something sharp and clear. Our whole time together, I sensed that I had been tracing the contours of that moment, describing and defining its shape. This was, I thought, the elusive thing I’d been trying to put my hands on.


    For months afterward, I found myself drifting away from conversations as I rehearsed the scenario in my mind. What I imagined was horrible for me—the rain and the bushes, a black man, a knife. I saw things. I saw the underpants she’d have to pull on again when he was done, I saw her walk home in a world suddenly gone strange, I saw the mud she’d have to wash off the backs of her thighs and the way the stream of gray would circle the drain, I saw pebbles embedded in her knees, I saw her days later, alone and crying, dropping the knife the first time she cut into a tomato, I saw the halved red fruit on the white cutting board the next morning, the spilled seeds now dried to the plastic. I saw these things, I imagined them. Our life together took on a second intention, and a sock on the floor would stop me cold. My eyes would lose focus and I’d daydream, trying to capture the moment and make it less strange, trying to inhabit the past, intervening. I wanted to be there, and, failing, I developed instead a tendency to ascribe every dip and depression to the rape, organizing our shared life around it, carrying it forward into our future like a germ.


    I now understand that rape is more often than not a domestic matter, but I was deeply confused when, after pressuring my wife relentlessly, she told me that the rapist was a close friend of her father’s. I had staked all my understanding on increasingly elaborate and far-fetched horrors, but the dark stranger I had been improvising was a grotesque cliché. She had been raped here, in this cabin, on her annual trip up north. My desire to know more—I wanted his name, I wanted her to say it—was met with a steady resistance, an intricate system of refusals, with the result that, constantly sparring, skirmishing, denying, we were never very deeply honest with each other. Caroline was resolute. She wouldn’t talk about it, except to say that the truth would kill her father. “He wouldn’t be able to take it,” she said. I had never been up north, refusing until now to make the annual trip.


    This is not easy for me to say, so I’ll start with the clinical by saying that Caroline was anorgasmic: she’d never had a climax, not with me or anyone else, not even by herself. Like many other men before me, I believed that I would remedy that problem, that it was merely a matter of prowess and patience, of a deeper love and a greater persistence, but no matter what we did—the books, the scents, the oils, all the hoodoo of love—none of it changed a thing. With time, my conceit broke down. In defeat I came to feel weak and ashamed. In some way, her lack of sexual fulfillment accounted for her promiscuity: what she missed in intensity she made up for in scope. She had never been a faithful lover, either before or after our marriage; she preferred sex with strangers, which I could never be, not again. It was as if she were determined to revisit, over and over, that original moment of absolute strangeness. And yet she continued to need the scrim of familiarity I offered, so that the world would fill more sharply with the unfamiliar. Daily I lost more and more of my status as a stranger, and our marriage was like a constant halving of the distance, without ever arriving at the moment in time where, utterly familiar, I’d vanish.


    Caroline was currently having an affair with a talent agent, a man from London who, roughly a month ago, had begun to make regular appearances in her diary and datebook as S.J. In her Filofax: “Lunch w/ S.J.” “S.J. for drinks.” A page with his home number, then his address scribbled on the square for October 23rd. (Before S.J., there’d been an M., a D., a G. She always used initials, some nicety of convention she must have come across in adolescence.) I had, of course, taken to reading her journal, hoping it contained some sort of truth. I’d read the most recent entry as I read all of them, at three in the morning, crouched on the side of the tub in our tiny bathroom, in terror of being discovered, my skin blue and bloodless under the frank fluorescent light. In that entry she considers whether she should go with S.J., the week after Thanksgiving, to his house in Vermont, telling me—what, she wonders. That she’s landed a part in a commercial shoot that will take her overnight to Boston? What part? And what commercial? she asks herself, plotting for the plausible, the approximate, some arrangement of words that would deceive and soothe and sound, recognizably, like our life.



    The truck was loaded and we were off before dawn, while the women still slept. The sky was slate blue and brittle, and at one point I saw the green flare of a meteor burn out above a line of trees. It happened so fast that I doubted myself in the very moment of wonder, and, feeling sleepy and uncertain, decided not to mention it to anybody. I imagined that a kind of fraternal ridicule kept this group cohesive, and I didn’t want to become the scapegoat who helped them bond.


    Mr. Jansen stopped for coffee at a filling station, where trucks and cars idled in the raw air, their headlamps lighting the tiny lot. Hunters were already heading back to the city with their kills. Nearly every car was tricked out with a carcass—a six-point buck strapped to the roof of a yellow Cadillac, the head of a doe lolling beneath the lid of a half-closed trunk.


    Steve reached into his pocket and pulled out a pack of cigarettes. He tapped a few loose and, turning to me, said, “Smoke?”


    “Can’t you wait?” Lindy said.


    “I’ll crack the window.”


    “Fuck, just wait.”


    “No, thanks,” I said, waving away the offer.


    Steve had been the first up that morning, and he’d taken the time to shave. His red jowly face was smooth and smelled of lime. Below his ear a spot of blood had dried where he’d nicked himself. I’ve never really liked men on whom I can smell cosmetic products, and it was that morning, in the truck, so close to Steve, that I realized it had nothing to do with the particular soap or aftershave but with the proximity. If I could smell a man, he was too close. Now Steve lit a cigarette and inhaled with a grimace, relishing the pain.


    “How’s things in insurance?” he asked.


    “Good enough,” I said.


    “You’re an adjuster, right? Claims?”


    I nodded.


    Mr. Jansen returned with the coffee. He poured a cup from the thermos, and we passed it around, heading up the highway.


    We turned onto a narrow rutted road, which ended in a blinding expanse of white. A dirty beige Pontiac was parked next to a rotted fence—dark leaning posts from which coils of rusted barbed wire ran like cross-stitching through the quilted fields of snow. We got out of the truck.


    “Hey, Tennessee,” Mr. Jansen said.


    The man in the car rolled down his window. A cigarette hung from his lip and toast crumbs flecked his beard. He had hard blue eyes and a red scar along the side of his nose. A little girl slept next to him, wrapped in a blanket.


    “Boys,” he said, with a faint nod. He gazed through the windshield, his eyes fixed on something distant and still. “Cleared off a patch in the snow and put down corn.”


    Steve reached for his wallet. It was fat with credit cards, and an accordion of brittle plastic held photos of his wife and two kids. He leaned through the window.


    “C-note?” he said.


    Tennessee nodded.


    “That’s a costly turkey,” Steve said.


    Tennessee swallowed. “You only get one, I guess it might be.” He continued to stare through the windshield. He didn’t seem unfriendly, just far away, preserving his distance, as if he weren’t really a party to this. Next to him, his little girl turned in her sleep, and he adjusted the blanket over her bare legs.


    Steve handed him the money. Tennessee put the folded bill in his shirt pocket without looking at it and slipped the car into gear, easing through the dry snow.


    When he was gone, Steve said, “Hard-up fucking hillbilly.”


    Mr. Jansen was unracking the guns and gathering our packs. We wore bulky camouflage snowsuits, each the same pattern—dark branches on a white background. We had only three guns, and so I carried the decoy, a brown plastic hen with galvanized-steel legs. Thinking of Tennessee, I wondered if we were trespassing. I guessed that baiting was illegal but kept quiet. Despite myself, I was looking forward to the hunt, and I hurried along in step with the others, through the deep drifted snow until, at the edge of the field, we came to the blind.


    “Jesus,” Steve said, after we’d crowded in. He pulled out a monogrammed silver flask and poured us each a jigger of Scotch, as “an eyeopener,” he said. He winked at me, and said, “Sitting all day in a blind with a bunch of liberals.”


    “I think you’ll survive,” Mr. Jansen told him.


    “If we got stuck here, I’d eat you. I’d have no problem with that.”


    The blind was a small dark hut with a flat tarpaper roof and a packed-dirt floor and two rectangular holes cut in the weathered boards. It sheltered us from the wind, and our huddled bodies seemed to warm it somewhat.


    “Ben Franklin wanted the turkey for the national symbol,” Lindy said.


    “Smart birds, no doubt about that,” Steve said. “Wily.”


    Mr. Jansen brought out the thermos of coffee.


    “How about a toast?” he said.


    My own silence was making me increasingly self-conscious, and I felt an old inadequacy, not joining in on the banter.


    “Whose property is this?” I asked.


    “Some union big shot in Detroit,” Mr. Jansen said. “Tennessee’s the caretaker.”


    “You wouldn’t think a couple of Democrats would go in for poaching,” Steve said. “But I guess turkey hunts make for strange bedfellows. Like politics.”


    I couldn’t follow the drift of his political beliefs, the precise arrangement of bigotries that he used to sort the world, but I raised my cup with everyone else.


    Lindy said, “To a big fat tom.”


    The coffee and the Scotch parted ways immediately, one warming my stomach, the other rising in a vapor to my head.


    “Daly,” Mr. Jansen said, “why don’t you set the decoy?”


    “Sure,” I said, glad for something to do, a small role.


    Outside the blind, the snow spun like shifting sand. I planted the decoy off to the left of the corn, driving the steel legs into the frozen ground. I squinted across the white moving expanse, and my eyes ached. Everything was either black or white, flat or upright, reduced to the stark lines of winter. I couldn’t believe this plastic turkey had a prayer, it looked so obviously counterfeit. I looked back to the blind, wondering if my snowsuit disguised me at this distance. Steve Rababy’s head was squarely framed in the window. His face was round and ruddy, blown up in some beefy sated English way. In the asperity of early winter, he seemed grossly overfed.


    “Who wants to call?” Lindy asked as I was crawling back in.


    “More important,” Steve said, “who gets first crack at him?”


    “I thought we’d let Daly have the honor,” Mr. Jansen said.


    “I think we should draw lots,” Steve said. “That’s tradition.”


    Before I could say, “Leave me out of it,” Mr. Jansen said, “O.K., choose a number between one and ten.”


    “Five,” Lindy said.


    “Three,” Steve said.


    I chose nine, and Mr. Jansen said, “Nine it is.”


    “Fuck you it’s nine,” Steve said.


    Mr. Jansen laughed heartily, while Steve removed his mittens and worked the call, rubbing the wooden slat over the box. A dry squawking was carried downwind from the blind. He waited a short while and then, leaning one ear to the instrument, like a violinist, gave the call another grating, followed by a couple of percussive clucks. The call was faint, unequal to the wind, the gusting snow. It sounded lost and weak, too plaintive, and it was hard to imagine the sort of hunger that would mishear these false notes.


    “With steel shot,” Lindy said, “you’ve really got to call them in. Killing range isn’t the same as lead.”


    “Use my gun,” Steve said. He blew on his freckled red hands. “I’ve got some old lead shot in there. I packed a couple of those babies last night.”


    “I don’t know about a 10-gauge,” Lindy said. “You get some extra distance, but you pay for it in recoil.”


    “I don’t like to be undergunned,” Steve said.


    Lindy said, “Choke matters more.”


    “That’s full,” Steve said. “Pretty tight. The pattern density’s fine at forty yards. I just tested it.”


    “What Steve’s doing,” Mr. Jansen explained, “he’s trying to imitate a hen and draw a gobbler out of the trees. He’ll keep calling until he gets an answer.”


    Steve said, “Right now I’m telling him there’s a chance for poon out here, so he’d better get his ass out of the woods while the gettin’s good.” He looked away from his post to see if I was listening. “After we spot him—way out there on the edge of the field—I’ll space out the calls. That’s my style. I like to let the silence draw the bird in. Turkeys are skittish—they’ve got amazing hearing and eyesight—but they’re curious, too, and that’s their doom.”


    “Killing range is anywhere inside forty yards,” Mr. Jansen continued, “but let’s try to hold off until Steve gets him to more like twenty.”


    “You’ll probably feel a little hot,” Steve explained, “and your face’ll flush. That’s turkey fever. But just recognize it and relax and breathe deep and blow out and squeeze. You don’t want to do what most guys do, you don’t want to flock shoot. Aim—aim for the neck and head, not the turkey.”


    Mr. Jansen lit a cigarette. He said, “You want to kill it without pumping the meat full of lead.”


    Steve coaxed a steady confab of calls out of the box, playing the wooden tongue back and forth. To my ears, the sound remained ugly and discordant, certainly not musical and harmonious in the way of the passerine birds, like finches or warblers, with their contralto trilling in spring. Mr. Jansen seemed content to be out early, away from the women, with a drink in his hand and plenty more in the flask. Lindy was crouched in the corner, sunk into himself. He’d showed no real animation since we’d arrived.


    “It wouldn’t do to eat the national symbol,” I said, trying to pick up the conversation where Lindy had left off. I felt instantly that I’d made an awkward, pointless comment. “Taboo,” I added, trying to cover myself.


    “Daly here is an R.C.,” Mr. Jansen said.


    “You eat your Saviour every Sunday,” Steve said. “Isn’t that what those crackers are?”


    “Beth Ann was Catholic,” Lindy said. He ran his finger in the dirt floor, drawing a cross. He pinched some of the dirt and threw it at the walls of the blind. “She wanted a Catholic funeral, and that’s what she got.”


    Steve Rababy and Mr. Jansen averted their eyes, staring vacantly at different walls, as if trying to keep the separate lines of vision from tangling. Lindy looked at each of us, a soft well of tears pooling in his eyes. He rubbed a thick mitten across his face.


    “I never converted,” he said, in a very small voice. “At the funeral, it was like a foreign language. They were saying goodbye to my wife, using words I didn’t understand.”


    “Get over it,” Steve said. He had stopped working the call, but now he leaned out the window, scraping the wooden tongue over the box.


    “That’s a little cold,” I said.


    “Well,” Steve said, “we’ve heard all this. We heard it yesterday and the day before and the day before that. We drove up goddam I-75 singing this song.” He aimed a hard stare at Lindy. “It was almost a year ago. It’s just sentimental bullshit at this point. It’s fucking weak.”


    “Take it easy, Steve,” Mr. Jansen said. He helped himself to another cup of hot coffee, cooling it with a measure of Scotch. “Everybody has their own time, Lindy most of all.”


    “She knew everything about me,” Lindy continued, as if he hadn’t heard Steve. “Everything.” Tears streaked shamelessly down a face that crying contorted and turned ugly, a squalling baby’s face that was not sympathetic in a grown man. “Now no one does.”


    “No one ever does,” Steve said. “You know, here’s your goddam marriage. All right? O.K.? Let me recap. For thirty-five fucking years I listened to you bitch and moan about Beth Ann. All right? Every afternoon at the bar, starting the day after you came back from your honeymoon. Five o’clock and I could fucking count on it. How she didn’t give it up enough, how she wouldn’t swallow, how she didn’t look young anymore, blah blah blah”—with each blah, he swiped a strident cluck from the call—“on and on and on. And now she’s dead and it’s like, mamma mia, she’s some kind of fucking saint.”


    “Lucy knows everything about me,” Mr. Jansen offered. It seemed a silly, conciliatory remark, not at all the kind of thing my wife’s father believed.


    Steve called him on it. “Yeah, right—I know more about you than she ever will.”


    Steve continued to scrape the call, but the wind had blown the horizon blank and there was no sign of a bird.


    “And both of you know a fuck of a lot more about me than Sandy does,” he said. “The way I see our marriage is, like, finally, after thirty-nine years, we understand we don’t understand each other. We finally got that cleared up.


    “Give me another drink,” he said, beating senselessly on. “She could give a rat’s ass about hunting—sitting out here in this box would seem stupid to her.


    “Forget the turkey,” he said. “I have a mind to shoot myself.”


    “Why don’t you,” I said.


    Steve barked a frantic, nearly hysterical call, working the tongue rapidly, like honing a knife against a whetstone.


    “You don’t like me, do you? You got a problem with me.”


    “Jesus, how’d we end up here?” Mr. Jansen said. “Let’s just everybody shut up for a minute.”


    Steve said, “There’s key shit Sandy doesn’t know and never will. Stuff about Katrina, and that whole saga, right?” He sniffed and spat through the window. “And yeah, every Friday about eleven, twelve o’clock you could always find Lindy’s car parked outside the massage parlor on Warren. Those Oriental girls, they look like teen-agers until they’re forty, eh Lindy? And you,” he said, turning on my father-in-law. “You—”


    “That’s enough, Steve.”


    “Hey,” Lindy said.


    “And you,” Steve said to me. “You obviously got some kind of fucked-up agenda—”


    “Look,” Lindy said.


    “Where?” Steve said.


    Moving against a low sea current of snow, a turkey, its narrow neck bent, came toward us, following the call. Lindy grabbed a spotting scope from one of the packs, adjusting the focus. “It’s got a beard and a half,” he said, passing me the scope. I slipped off my mittens. Steve worked the wooden slat in a new rhythm, as if mating the tempo to his excitement, locating the music of his desire. I looked through the scope and saw the turkey, its long straggling beard and chocolate-brown feathers and beady black eyes, narrowed in a heavy-lidded squint against the blowing snow. I passed the scope to Mr. Jansen and he slid the gun into my hand.


    We were all silent now, and even the smallest sounds—Lindy’s labored breathing or Mr. Jansen absently rubbing his thigh—seemed a gross and fatal intrusion. Steve let the call fall silent for a moment, and then resumed, and when he did we could hear for the first time the low guttural of the old tom’s response. The turkey drummed and strutted in what seemed to me like hesitation, and then, in a sudden dash, hurried straight toward the decoy.


    The gun had a satisfying heft, a weight in my hand that was exactly right. I raised the stock to my shoulder and looked with one eye down the barrel, arranging the red wattle neatly within the notched iron sight. In this snow the dark-brown bird was exposed, and I had a vague sense of understanding the risk it took, the declaration it was making. The tom’s beard blew in the wind, and he began to circle the hen, spreading his wings and fanning his tail. The bird puffed up to three times its size. It was a terrific display, cocky and proud and blustery and, I thought, soon to be irrelevant; my father-in-law gave a nod and I drew a breath and my mind went blank and I let go of the breath as I squeezed the trigger and nothing, nothing at all, happened. I went cold and, confused, stopped sighting the bird. Lindy said, “The fucking safety.” He grabbed the gun, raised it to his shoulder, and fired. A deep blast echoed and unrolled, just as the tom seemed to know it had been fooled. Instantly, the fan of feathers folded and the turkey collapsed.


    We rushed from the blind and gathered in a circle over the bird. The shot had been a good one; the turkey’s head was gone, and its neck was now hardly more than a hose filling a hole in the snow with blood. No one bent to touch it, as if this were the scene of a crime and we were waiting for some other, final authority to arrive. At last, Steve Rababy lit a cigarette and, covering his heart with his hat, gave the bird a brief eulogy.


    “He was looking for pussy and now he’s dead. Let that be a lesson to you liars.”


    Lindy offered a sentimental rephrasing, managing to work a trace of irony into his voice: “He died for love.”


    “Dinner,” Mr. Jansen said, putting his vast appetite where it belonged, before all.


    The shell had detonated inches from my ear. I worked a finger in it to clear the ringing.


    Lindy said to me, “I had to take your shot.”


    “I didn’t know about the safety,” I said.


    “That’s my fault,” Mr. Jansen said.


    “Let’s agree on a story,” Steve said.


    “Fine by me,” Lindy said.


    They looked at Mr. Jansen for ratification, and then he said, “O.K., we’ll say it was Daly.”



    After the high of the hunt, the rest of the afternoon had the long, languid feel of a Sunday. People kept up a compensatory busyness. Mr. Jansen plucked the bird in the garage and brazed the remaining nubs with a blowtorch. He wore an orange watch cap with a comical fur ball dangling from a string, and drank steadily from a cache of beers he’d buried in a mound of snow. Sandy Rababy worked a wooden spoon in a big pink bowl, and Lindy sat on the couch reading the newspaper. Caroline and Lucy discussed acting careers, my wife’s in particular, although now and then my mother-in-law offered an item of gossip she’d gleaned from the tabloids, re-stating fantasy and rumor as if they were fact. I listened, not so much to the content as to the lilt in my wife’s voice, the English phrasing in some of her sentences, a strange cadence that rose up, seeming to free itself, now and then, from her flat Michigan accent. She had an actor’s gift for mimicry, a hunger for imitation, absorbing the speech of others unself-consciously, and on several occasions in the past her affairs had chillingly registered for me first in a new sound, a surprising word in her vocabulary, a foreign inflection in her voice.


    Late in the afternoon, in guest mode, with no specific chore, I went for a walk. The trail I took led through a stand of white pine, ending at the lake behind the Jansens’ cabin. A diving raft was beached on the icy shore, and a string of rental boats was chained to a tree, each boat filled with snow, its gunwales whelmed by deep drifts. I felt as though I were seeing a sculptor’s rendition of my wife’s memories, a summer dream hacked into ice. The lake was fairly large, the surface sealed shut as though paraffin had been poured over it. I walked to the end of the dock. Below the ice, a blue sand pail and a yellow shovel from summer had sunk into the murk. Then I saw my wife out on the lake, perhaps half a mile from the dock, bundled in a shapeless red snowsuit. Her progress over the ice was painfully slow, as though she feared falling through, but then she was gone, and I heard a loon and tilted my good ear toward its call. Their cries make a haunting music on summer evenings, a tremolo you hear in the dark—eerie, because the two alternating notes mimic the sound of an echo, a call going out and then returning unanswered, a prayerful lament without a response. It was very late in the season to be migrating. The black bird was standing on the ice. Loons are ungainly, barely able to walk, achieving flight only after a long awkward struggle. In the air, they’re graceful and capable of flying sixty miles an hour. I watched until the bird rose up and the black speck, clearing the trees, dissolved like a drop of tint in the darkening sky.



    Trussed and displayed, our bird seemed to have been sitting on the table for ages, waiting for a banquet to begin. On either side of it, tall white candles flickered in a crosscurrent of the cabin’s many drafts, sending uncertain shadows over the table and lending a layer of depth to the setting. McIntosh apples were mounded in a bowl lined with yellow and brown satin leaves, and a wicker cornucopia at the opposite end of the table had been filled with Indian corn, as well as acorns and walnuts and filberts, gourds, sprigs of dried sweet william, figs, a pomegranate—the open mouth of it overflowing with the stuff of harvest. A basket of warm, glazed buns was wrapped in a white cloth, and a rich, earthy stuffing, steaming like a bog, was kept hot in a glass-lidded serving dish. China and silver settings had been brought north from Detroit, and there were goblets for both wine and water. With the pipes broken, water was the scarcer commodity. But there was wine. Two bottles had been uncorked and were breathing on the table, and six more sat on a sideboard, above which, on the wall, a large ornately framed mirror, slightly canted, held the whole scene like a still-life.


    Mr. Jansen poured wine for everyone, and then, as people settled into their seats, stood at the head of the table, flipping open the brass latches of a wooden box and pulling his carving knife and fork from a bed of red crushed velvet. He scraped the knife against a hone, crossing them above his head like a swashbuckler, and then, asking for silence, cleanly cut a first slice of white meat and placed it ceremoniously on my plate. The others clapped and cheered and stomped their feet, and I felt that my face must have reddened. I looked into the mirror and was able to see, as if I were hovering above the table, everyone but myself.


    “To Daly, after all these years,” Lucy said.


    “Here, here,” Steve and Lindy and Mr. Jansen all said together.


    The toast’s concluding ring of crystal rang dully in my right ear, still numb from the shotgun blast. We all drank in my honor, and then drank again when Steve, winking my way, rose to salute the turkey I’d shot.


    “I’m surprised,” Caroline said. “It doesn’t seem like you, Daly.”


    A gravy boat came down the line, and I ladled a thick, brown, floury paste over everything.


    “Yeah,” Lucy said.


    “Well . . .” I didn’t know what to say.


    Mr. Jansen jumped in. “Why not, Lucille? What, may I ask, is your idea of him?”


    “I don’t know.”


    Sandy answered. “More passive—not more passive, like, more a pacifist, I mean, a pacifist, not a killer.”


    “Oh, no,” Lindy said. “Not the killer conversation again.”


    “Hunting,” Steve said, cluing me in, somewhat vaguely, as he had with his politics. His assumption that we shared something unspoken only sharpened my resentment of him.


    “You eat, you can’t complain,” Mr. Jansen said.


    “But it’s true,” my wife said. “He’s a major bird-watcher. He keeps this stupid little book—I’m sorry, I don’t mean stupid. I mean . . . you know what I mean.” She paused, patting my forearm, and then, covering the awkward silence, continued. “You should have seen how excited he was the day he saw a pileated woodpecker in Central Park.”


    “I’ll show you a pileated woodpecker,” Steve said.


    “Oh, God, not that pecker conversation again,” Sandy yelled.


    “What’s the point of that, anyway, Daly?” Mr. Jansen asked, steering the conversation off the subject of sex. For a pleasure-loving, hard-drinking barfly, my wife’s father was surprisingly prudish. His face was flushed. He’d tucked a corner of his napkin into his shirtfront, like a little boy. He swivelled his head from side to side as the discussion jumped around, slashing his knife and fork in the air, as if he were trying to stab a word out of the conversation and eat it. “And what’s a pileated? That needs to be cleared up.”


    “What’s the point of what?” I asked stiffly. I was seated at the far end of the table, with everyone to my right, and I couldn’t keep pace with the conversation. I was beginning to think my eardrum was punctured. A warm fluid seemed to be leaking from it.


    “Watching birds.”


    Between the sound of his booming voice and my comprehension, there was a distracting lag, and the only replies I could make were serious and plodding, out of synch with the rising hilarity.


    “A pileum. It’s the top of a bird’s head.”


    “Don’t all birds have tops to their heads?”


    “Some birds are topless,” Lindy said.


    All this badinage was just crashing and piling up in front of me. It seemed really cornball and canned, but I couldn’t quite catch the tone and join in. I reached for my water and held the glass in my palm, cool against my skin.


    “Come again,” I said.


    “What?” Lindy said. “Huh?”


    “What—” I began, and then everyone at the table started in.


    “What? What?”


    “What? What? What?”


    “What?”


    “I’m sorry,” I said. “I can’t hear.”


    “Ah,” Steve said, “from the shotgun.”


    “Just in my right,” I said.


    Before I could refuse, Steve was standing beside me with his plate and utensils in hand.


    “Trade places,” he said.


    “That’s O.K.”


    “No, come on. You still got one good ear, right? Let’s switch. It’s no problem.”


    Stubbornly insisting on my seat would only have caused a scene at this point.


    “Maybe he doesn’t want to hear,” Lindy said.


    Sandy laughed. “Lord knows, he’s better off.”


    “Switch over,” Mr. Jansen said with a preëmptive wave of his knife.


    By the time I was seated again, the entire conversation had moved on. Caroline was playing with her food, and I wondered what she was thinking. The silver earrings S.J. had given her caught the firelight and flickered as she brought her hand to her lips. Something dropped on her plate, tinging loudly enough for all of us to hear.


    Her mother said, “I got one, too.”


    “Lead?” Mr. Jansen asked.


    “Me, too. That’s lead?” Sandy turned to her husband. “Isn’t lead illegal? That’s what you told me.”


    “Baiting turkey itself is illegal,” Steve said. “So whether or not we used a little lead didn’t seem to matter much.”


    Sandy looked at me, and I made an exaggerated shrug, absolving myself of any accessory role in the crime.


    “There’s nothing really wrong with it,” Steve said.


    “Except it causes brain damage,” Lucy said.


    “Well, don’t swallow any,” Steve said.


    Lucy said, “But won’t it taint the meat around it, too?”


    Sandy said, “The whole bird is poisoned!”


    “God damn,” Steve said.


    “I don’t like being reminded of this dead thing that was alive,” Sandy said. “That’s my other point. I for sure don’t like during dinner biting into the bullets that killed it.”


    “Those aren’t bullets, for fuck’s sake,” her husband said. “It’s just shot, No. 6 shot.”


    Sandy said, “I like to make believe my turkey was grown on a tree or bush.”


    “Yeah, well, it wasn’t,” Mr. Jansen said.


    “You liked that fancy squab in Paris plenty,” Steve said to his wife, working the hypocrisy angle that always seemed to crop up at the end of these discussions. It was as if the interminable debate—men on one side, women on the other—would end only when it swallowed its own tail.


    “You owed me that squab,” Sandy said. She was drunker than the rest of us, or less capable of hiding it. “You owed me that squab for fucking Katrina.”


    “Sandy,” my wife’s mother said.


    “Ten years. Ten goddam years.”


    Sandy reached for one of the bottles of wine that had been left to breathe on the sideboard. She rose from her chair and said, “You all just go out and hunt and sit around and swap stories. You all think it’s funny.” She walked unsteadily around the table. “And no one’s ever hurt and it’s all just stories. Ha ha. Oh, yeah.” She bent as if to kiss her husband on the ear. “I hate guns,” she said. “I hate guns. I hate guns.” She straightened up and looked over the table as if waiting for applause, and when none came she filled her glass, and then poured the rest of the bottle of wine over her husband’s head. His knife and fork were poised above his plate, and he smiled patiently as the wine dripped down his face. When the bottle was empty, he put a piece of meat in his mouth and chewed it slowly, then swallowed.


    No one said anything.


    “I could tell some stories,” Sandy said.


    “We can clean up tomorrow,” Lucy said.


    “There’s others,” Sandy said.


    Lucy insisted. “It’s bedtime for you.”


    Sandy put on a red union suit and climbed the ladder into her bunk, and we tried to resume dinner, but soon she was leaning over the edge of the bed, shouting down at us.


    “That’s the difference,” she said.


    “Go to bed, dear,” Steve said.


    “I want to tell you the difference!”


    “O.K.,” Steve said. “What’s the difference?”


    “You all have stories,” Sandy said. “And we have secrets.”


    “Good night,” Mr. Jansen said.


    “That’s the difference,” she said.



    Before bed, I walked across the Jansens’ drive and stood under the awning of the garage. It was snowing lightly. Firelight lit the cabin windows, and I could see my wife, standing at the kitchen sink, framed in an oval of frost where the glass was too warm to freeze. I fumbled with a book of matches as I watched her, this lovely woman carved like a cameo against the window. I was about to head back inside when Mr. Jansen joined me.


    “You want a light?” he asked, and suddenly the flame from a lighter flared in my face. He lit a cigarette and said, “What’s your problem with Steve?”


    My father-in-law’s face was gray with stubble, as if the long day had aged him. He looked tired and uncertain, and I wondered how he’d react if he knew the truth about his friends. This old man could be shattered with a sentence, but in the blind I had begun to lose my grip on the clarity of my dreams. I could no longer imagine the shape of my revenge, the loss I was trying to recoup, the pain I was trying to stop—Caroline’s, or mine. I had been jarred by the end of dinner, sad for Steve, which surprised me, and sad for Sandy—especially Sandy, the way she lived with the rankling knowledge that she existed in her husband’s affections as a thin anecdote, an illustration of his mediocre griefs. I didn’t want to become the sort of man Steve was, and I honestly believed at that moment, as I watched the snow curl around the cabin windows, that I would never tell my wife’s story, that her secret was safe with me.


    Mr. Jansen watched his daughter in the window, her face blurring behind a cloud of steam as she poured boiled water into the sink and began washing the dinner dishes.


    “It’s a tough haul, acting,” he said. “But she’s good, isn’t she?”


    “Better than you know,” I said.


    “I wouldn’t be so sure. I used to do some acting. That’s where her talent comes from. Someday she’ll be famous. She’ll be well known.”


    “You’re drunk,” I said.


    For a moment, he seemed to vacate his own face, leaving behind the hollowed eyes and nose and mouth of a mask. He stubbed his smoke in the snow and stumbled across the icy drive back to the cabin. A little while later, I came in, climbing the ladder to our bunk. I lay awake, listening to the subdued voices below. I remember only that my wife used the word “wanker,” and then for a while low whispers were skimming the surface of my sleep until, late in the night, toward dawn, really, I woke and found myself alone. My heart was racing, pounding with a familiar fear—that Caroline was gone and I would never find her. I hurried down the ladder and opened the cabin door.


    The temperature had dropped and the snow had glazed over with a sheen of ice. The thin crust cracked underfoot with a distinct breaking sound. I walked along the trampled path, shortening my stride to fit my feet into the frozen mold of previous footprints, losing myself in concentration. At the outhouse, I stood for a moment, listening.


    I called her name.


    There was no response, and I panicked, as you might in a dream where all your assumptions are not exactly wrong but irrelevant. Far off in the woods, a coyote yipped and howled, and others answered. I leaned my head back and watched the breath stream from my mouth and disappear. The bare winter branches of the alders tangled above my head like a web. Then some black thing raced into the trees in front of me, and I jumped. It crashed through the underbrush and was gone.


    The ground was pocked with fallen leaves and pine needles. Bare grass showed in the small circles of warmth beneath the sagging branches of fir trees. Everything that had moved in the woods over the past few days had left a record of its passing; the snow was marked with the tracks of hunters and birds and squirrels and deer and dogs, all the trails crisscrossing and weaving and intersecting, so that, if time were collapsed, you could imagine nothing but hapless collisions, a kind of antic vaudeville.


    Caroline opened the outhouse door. She wore only her nightgown. Her feet were bare.


    “You must be cold.”


    “Not really,” she said. “I mean, I am, but I’m going in.”


    We looked back through the woods to the cabin. A rope of gray smoke curled up through the chimney, rising, it struck me, out of my simplistic imagination.


    “You didn’t shoot that turkey,” she said.


    “How do you know?”


    She smiled and shook her head. “It’s just not you.”


    “I guess,” I said, although I resented the comment, the assumed familiarity. “I’d like to leave early tomorrow.”


    “I’m already packed,” she said. “I’ve got a big week coming up.”


    I held my breath and waited for the scripted words.


    “I got a part,” she said. “A detergent commercial, Monday. We’re shooting in Boston.”


    She was a good liar. She knew to look me directly in the eye. You can no more make someone tell the truth than you can force someone to love you. So that she wouldn’t have to pretend anymore, I nodded, releasing her gaze.


    “Who did?” she asked.


    “Did what?”


    “Shoot the turkey.”


    “Lindy,” I said.


    “I’m freezing,” she said. “I’m going in now.”


    I grabbed her by the shoulder, turning her toward me. She tried to shrug free, and I dug my fingers into her shoulders, tightening my grip until I felt bone roll beneath my thumbs. Her teeth were chattering, and she bit a crease of white in her lower lip, trying to stop them. She was trembling, and her frailty in the cold enraged me. I pulled her in close and then abruptly pushed her away, shaking and shoving until she fell back, breaking through the crust of ice the way children do, making angels. The deep powder closed over her face and her mouth was stopped with snow, and she lay still, her dark eyes staring vacantly up. She tried to rise, flailing her arms, and then, dreamily, she stretched out her hand, reaching for mine.


    I walked away, now trembling myself, but for some reason I turned, and when I did she called my name. I didn’t answer. She was standing by the outhouse, sunk to her knees in the broken drift, her hands clasping her shoulders so that she seemed to be embracing herself. Wind separated the ragged wisp of smoke from the chimney into several twining strands. Her long blond hair held the moonlight. Her nightgown billowed out, fluttering behind her, and she appeared to be hovering, almost drifting, as through water.


  • “Imagenes de Dali” being performed by Cuban dancers at the International Festival of Ballet in Havana.


    Alicia Alonso, above, and her husband, Fernando, were the founders of Ballet Nacional de Cuba



    Dance students, survivors of a rigorous selection process, hope to become company members.


    The Imperious Vision of Cuba’s Other Ruler-for-Life


    By ERIKA KINETZ





    AS the curtain closed on the final gala of the International Festival of Ballet in Havana in November, Alicia Alonso, the aged matriarch of Cuban ballet, stood unsteadily at center stage, her arms outstretched toward the raucous adulation of the crowd. Silent and still, a gracious smile chiseled on her face, she seemed less a woman than a monument. She has presided over the biennial festival since 1960, and her power is such that she – and perhaps she alone – is able to draw the globe’s best artists to her slight, impoverished nation to dance.


    Ms. Alonso, who is 83, has ruled the Ballet Nacional de Cuba – has been the Ballet Nacional de Cuba – for nearly six decades. Before, ballet in Cuba was a marginalized extravagance. Now, men in one of the world’s most macho countries clamor to put on dancing tights. She has trained some of the era’s greatest dancers and created a world-class ballet company renowned for its precise classicism and exuberant virtuosity.


    She has accomplished all this despite her nation’s poverty. Despite its isolation from the world’s great ballet companies. And one other thing: despite the fact that she is, depending on whom you ask, either largely or completely blind.


    “I see through here,” Ms. Alonso said in her Havana office, pressing a neatly manicured hand to her pale, broad forehead.


    Like most dancers, Ms. Alonso has aged with some desperation. She performed into her 60′s, but today she is undeniably brittle, with a grandeur so willful it can be frightening. For public appearances, she paints her face with a thick layer of foundation, pencils in high, arching eyebrows and transforms her lips into a broad slash of red. She keeps her hair hidden under an ever-changing series of colorful scarves, bound tightly around her forehead.


    But despite Ms. Alonso’s efforts to keep up appearances, her empire shows signs of crumbling beneath her. The company’s repertory is so static – a lovely but unchanging iteration of “Giselle,” “Swan Lake,” “Don Quixote” and “Coppélia” – that one of her top dancers says he has resorted to making up steps to keep himself entertained. The Cuban choreographers who once worked with the company have, for the most part, left or retired, and the company says it can’t afford the work of innovative international choreographers like Jiri Kylian and William Forsythe. Ms. Alonso’s own choreography, in its worst moments, is a bit of a bad joke.


    In addition, her dancers have been leaving at an alarming rate – more than 20 in the last few years. Former Ballet Nacional dancers now grace American Ballet Theater, the Boston Ballet, the San Francisco Ballet, the Washington Ballet, the Cincinnati Ballet and the Royal Ballet, among others. But she prefers not to acknowledge this diaspora.


    Cocooned in historical glory, she will neither cede control of her company nor plan for its future after her death. Like all great divas (and for that matter, dictators) she will not countenance talk of succession. “I am going to live to 200,” she said, in charmingly accented English. “Maybe I live longer. I love life.”


    Legend has it that Ms. Alonso danced herself blind. She arrived in New York from Havana in 1937 and eked out a living as a Broadway hoofer before joining the fledgling Ballet Theater. Four years later, at 19, she began to lose her sight, and after multiple operations for a detached retina, her doctors prescribed several months in bed. It was there that she first learned the role of Giselle, as her husband, Fernando, helped her mark the steps with her fingers. Doctors warned her that her frail eyes would not withstand the rigors of her whipped turns, but Ms. Alonso went right on dancing.


    She got her big break in 1943, when Alicia Markova got sick and Ms. Alonso performed Giselle in her stead. (It became her signature role, and she was still dancing it in the early 1970′s, when Kevin McKenzie, now the artistic director of American Ballet Theater, saw her perform. He was, he said, “riveted” by “an unfaltering technique coupled with this ethereal quality.”)


    Ms. Alonso was a part of the rich ferment that gave birth to both American Ballet Theater and the New York City Ballet, and she worked with the greats, including Agnes de Mille, Antony Tudor and Jerome Robbins. The demanding role George Balanchine created for her in “Theme and Variations” in 1947 terrified later generations of ballerinas. Then, goes the hagiography, she and Fernando gave it all up to take ballet back to their beloved Cuba. In 1948, they founded Ballet Alicia Alonso, which became known as the Ballet Nacional de Cuba after the revolution.


    “Everybody thought it was crazy that people dance,” recalled Fernando Alonso, 90, who helped found the Ballet Nacional and ran it from 1959 to 1975. (As a teacher, he largely defined the Cuban ballet style.)


    “They thought you had to be a doctor or a lawyer or anything else,” Mr. Alonso said. He used to knock on the doors of his mother’s rich friends seeking donations, and the company sold performances to sponsors like Cerveza Polar and Bacardi Rum. “We had a stage with two big beers on it,” he said. “What do we care? We get to make a performance.”


    Soon after Fidel Castro took power, in 1959, he gave the ballet company $200,000, with the admonition that it had better excel.


    “The budding revolution wanted to get for the Cuban people all possible good, and not just material good but also spiritual good,” said Miguel Cabrera, the historian of the Ballet Nacional. Mr. Castro decided that ballet would be part of that gift. The Alonsos dutifully carted their dancers to sugarcane fields, army bases and factories.


    Today in Cuba, ballet is a great career. Dancers can earn more than doctors. And it’s cool. Audiences, which are packed with the young and miniskirted, give the dancers the kind of love Boston gives the Red Sox.


    Alejandro Sene, a member of the corps de ballet, is one of many dancers who was pushed into his profession by well-meaning relatives. “I remember the first time I saw ballet on TV,” he recalled. “I was 4 or 5. I said, ‘I’ll be anything but that.’ ” His uncle and his grandfather lured him into ballet class with promises that he would get to dress up in neat costumes. Young Alejandro found few costumes and a lot of hard physical work, an injustice he grew to accept once he realized he was marooned in a sea of girls. “I think I’ve liked girls since I was one month old,” he said.


    Cuba has an enviable network of schools that provide students throughout the country with methodical, full-time training from the ages of 9 to 18. Students must pass a battery of physical, musical and psychological tests. Last year 611 students auditioned for 60 spots at the Alejo Carpentier School in Havana, where José Manuel Carreño and Carlos Acosta, among many others, first studied ballet.


    But ballet in Cuba is part of a fading world, fueled by a mix of need, desire and boredom. For the time being, the government’s control of mass media and the American embargo continue to insulate Cubans to some extent from the speed and sophistication of American visual culture. Life is slower here than it is on “Gilmore Girls.” And in this context, ballet is thrilling entertainment, filled with superhuman feats and romance.


    Last November, the Ballet Nacional set up a stage in the Plaza Vieja in Havana and performed “Shakespeare y Sus Máscaras” (“Shakespeare and His Masks”), a takeoff on “Romeo and Juliet” choreographed by Ms. Alonso. There was not much else to do on the neighborhood’s dusky streets. Boys played dominos in disintegrating alleyways. Men sat in their hot living rooms, watching state-run television. The stage was the brightest thing for miles.


    But lately a sort of torpor has fallen over the Ballet Nacional. Although Ms. Alonso remains the director, the latest generations of dancers – including high-wattage performers like Joel Carreño, Viengsay Valdés, Alihaydée Carreño and Rolando Sarabia – only rarely work directly with her. Carlos Acosta, who now dances with the Royal Ballet, actually performed with her once, in 1993.


    “I was very nervous,” Mr. Acosta said from London. “It was a big responsibility. I was only 20 years old, dancing with this living legend. What if you drop her?”


    Her poor eyesight made it difficult for her to give corrections. “She gives you general corrections,” he said, “and you try to find whether you can use them, because she cannot be direct with you.” Current dancers at the Ballet Nacional say Ms. Alonso’s choreographic process is similarly vague: she explains her vision to one of her minions, who then builds the work on the company.


    Like bees around their queen, a cloud of advisers hovers around Ms. Alonso, seeing for her, judging for her, describing for her the daily reality of the Ballet Nacional. Her successor, company insiders say, will probably be pulled from these courtly ranks, which include Loipa Araújo, Aurora Bosch and Josefina Méndez, all ballet masters in their 60′s, as well as younger teachers like María Elena Llorente, Carmen Hechavarría and Svetlana Ballester.


    The woman most often pointed to as a potential successor is Ms. Araújo. She speaks five languages and says she teaches regularly at the Royal, La Scala, the Royal Danish and the Paris Opera ballets. She has phone numbers in Cuba, London and Spain and has long worked to freshen the repertory.


    “My opinion is that it should be Loipa,” said Joel Carreño, half-brother of José Manuel Carreño of American Ballet Theater and one of the biggest stars of the Ballet Nacional. “And not when Alicia is gone. It should be her already.”


    When confronted with that possibility, Ms. Araújo gave a wry, tired laugh and looked away. “Loipa, Josefina,” she said. “Who knows? If Alicia is 200 years old, we’ll be 100. I don’t think anybody is raising that question. What’s important to us is to work every day.”


    Even if Ms. Alonso does live to be 200, Mr. Castro might not, and that could spell big trouble for the Cuban ballet. The status of the Ballet Nacional – the breadth of its audiences and the quality of its school – derives in no small part from the state’s commitment. In fact, despite Cuba’s growing economic distress, Mr. Castro has in recent years boosted cultural expenditures.


    In 2001, the National Ballet School, which trains 15-to-18-year-olds, moved into a grand mansion right on Paseo del Prado in old Havana, and the Alejo Carpentier school is undergoing extensive renovations. In 2002, the national school, under a directive from Mr. Castro, auditioned 42,000 students around the country and selected 4,500 for a new vocational program. The objective is not to build dancers but to build audiences and, as Ramona de Saá, the school’s director, said, “to make a correct use of students’ free time.”


    It’s hard to imagine such activities taking place anywhere else in the world today. Large ballet companies in Russia, Europe and China have recently had to wean themselves from state subsidies, and the results – sometimes frantic touring and shameless corporate sponsorship – have not always been pretty.


    In the very long run, Ms. Alonso’s miracle may face an even more pernicious threat than poverty: wealth. Jane Hermann, the ICM executive who oversees the Ballet Nacional’s American tours, points out that while life as a dancer is a step up in a poor country like Cuba, it can be a step down in a middle-class country like the United States.


    Ms. Alonso scoffs at the notion that history may someday undo her legacy. “Are you kidding,” she said. “Have you seen the amount of talents we’ve got? Have you seen the amount of teachers? We have the biggest school that exists today. Do you think that will die like that? No. This is a healthy tree.”


    Determined to show that her body, despite the weight of its accumulated years, still holds the clarity, passion and light that distinguish the Cuban school of movement – and to prove, by extension, her fitness to lead – Ms. Alonso rose from behind her desk and began to dance. Her face rapt with some remembered glory, she lifted her unseeing eyes toward a far balcony, gripped the desk with one hand and sent the other wafting gaily into the air. With perfect, flirtatious grace, she pranced like a muse in Balanchine’s “Apollo.” Then her press secretary walked swiftly over and helped her back into her chair.




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  • February 8, 2005 | home





    COMMENT

    LANDMARKS

    by Hendrik Hertzberg

    Issue of 2005-02-14
    Posted 2005-02-07


    Last week, midway between Iraq’s surprisingly successful Election Day and President Bush’s State of the Union address—in which he asserted, not unreasonably, that the election proved that “the Iraqi people value their own liberty”—excerpts from a purported newspaper clipping began rocketing around cyberspace, from Web sites to inboxes to chatrooms and back around again. At first glance, the item looked like a bit of Internet apocrypha, but a visit to the microfilm reader proved it to be genuine.


    U.S. ENCOURAGED BY VIETNAM VOTE
    ———
    Officials Cite 83% Turnout Despite Vietcong Terror
    ———
    By PETER GROSE
    Special to The New York Times


    WASHINGTON, Sept. 3—United States officials were surprised and heartened today at the size of turnout in South Vietnam’s presidential election despite a Vietcong terrorist campaign to disrupt the voting.
    According to reports from Saigon, 83 per cent of the 5.85 million registered voters cast their ballots yesterday. Many of them risked reprisals threatened by the Vietcong. . . .
    A successful election has long been seen as the keystone in President Johnson’s policy of encouraging the growth of constitutional processes in South Vietnam.


    Most of those who passed around this scrap of 1967 historical flotsam probably meant it as no more than a prudent caution against irrational exuberance. (“A flawed analogy, but resonant all the same,” was one correspondent’s accompanying note.) For others, no doubt, it was a petulant denial that something good might actually have happened in Iraq on George W. Bush’s watch. Either way, it wouldn’t be the first time that “landmark events in the history of liberty,” to borrow a trope from Bush’s speech, have been greeted sourly in certain quarters back home.


    “We must not be euphoric,” a senior American official grumped in the autumn of 1989, as Europe was exploding with joy at the fall of the Berlin Wall. “We have to be a little reserved about formulating major policy shifts until we have an opportunity to see what happens,” he muttered. “I’m as enthusiastic as anyone else, but behind what’s left of the Wall, there are still three hundred and eighty thousand Soviet troops in East Germany,” he groused. The senior official, who has since ascended to even more senior officialdom, was Secretary of Defense Dick Cheney. Three years earlier, as a congressman, Cheney had been similarly churlish—and similarly blind to the power of the democratic spirit—when he voted against a resolution calling for the South African regime to release Nelson Mandela from prison and negotiate with the African National Congress, on the ground that Mandela and his organization were terrorists who would establish a Communist dictatorship.


    Cheney was wrong about the durability of the Soviet bloc and wrong about the villainy of Nelson Mandela, and it may yet turn out that the clipping-clippers are wrong about the possibility of something like democracy in Iraq. No one knows. There are plenty of Vietnam echoes in America’s Iraq adventure, especially in the corrosive effects on domestic comity, the use of false or distorted intelligence to create a sense of immediate threat, and the arrogance, combined with ignorance of local realities, of many senior strategists. But the differences are large, beginning with the nature of the enemy. The Vietnamese Communists possessed a legitimacy derived from thirty years of anticolonial struggle—against France, then Japan, then France again, and, finally, willy-nilly, the United States. Iraq’s insurgency has support in the Sunni minority, but it is no national liberation movement. And for all the cruelty of the Iraq war’s “collateral damage,” it has produced no equivalents of Vietnam’s carpet bombings, free-fire zones, or strategic hamlets. (Nor, it must be said, did Vietnam produce an equivalent of Abu Ghraib; but then Vietnam was a war in which both sides held prisoners.)


    Iraq is not Vietnam, and Iraq’s election was not like Vietnam’s in 1967. The latter was a winner-take-all presidential and vice-presidential “contest,” staged on American orders. The predetermined winners were the military strongmen already in power, Generals Nguyen Van Thieu and Nguyen Cao Ky. The exercise was as meaningless as one of those plebiscites by which the cowed citizens of banana republics ratify whichever colonel or corporal has lately mounted a coup. The Iraq election was the real thing. Voters had a choice of a hundred and eleven party lists, ranging from Communists to theocrats to secularists. (The murderous “security situation” made personal campaigning next to impossible, but this was less important than one might think; there were some seventy-seven hundred candidates on the national lists, far too many for voters to keep track of, so the election was about political, religious, and ethnic identity, not about personalities.) Moreover, the voting was the first stage of a process that, if it goes as planned, will provide fairly strong incentives for consensus and disincentives for civil war. Once the votes are counted—a laborious process—the result will be an extremely diverse two-hundred-and-seventy-five-member assembly, which will choose a transitional government and write a constitution. Since the draft constitution can be vetoed by two-thirds of the voters in any three of Iraq’s eighteen provinces—a provision which, though originally designed to protect the Kurds, could prove equally efficacious in protecting the Sunnis—the assembly will have every reason to design a mechanism that accommodates the interests of minorities.


    Critics of the Bush Administration can take comfort in the fact that the apparent success of the Iraqi election can be celebrated without having to celebrate the supposed wisdom of the Administration. Like the Homeland Security Department and the 9/11 Commission, the Iraqi election was something Bush & Co. resisted and were finally maneuvered into accepting. It wasn’t their idea; it was an Iraqi idea—specifically, the idea of Grand Ayatollah Ali al-Sistani, Shiism’s most prominent cleric. In a way, it was a by-product of the same American ignorance and bungling that produced the unchallenged post-Saddam looting and the myriad mistakes of the Coalition Provisional Authority. But this time—for the first time—the bungling seems to have yielded something positive.


    Iraq is still a very, very long way from democracy. And even if it gets there, the costs of the journey—the more than ten thousand (so far) American wounded and dead, the tens of thousands of Iraqi men, women, and children killed, the hundreds of billions of dollars diverted from other purposes, the lies, the distraction from and gratuitous extension of the “war on terror,” the moral and political catastrophe of systematic torture, the draining of good will toward and sympathy for America—will not necessarily justify themselves. But, for the moment at least, one can marvel at the power of the democratic idea. It survived American slavery; it survived Stalinist coöptation (the “German Democratic Republic,” and so on); it survived Cold War horrors like America’s support of Spanish Falangism and Central American death squads. Perhaps it can even survive the fervent embrace of George W. Bush.









  • OUTSOURCING TORTURE

    by JANE MAYER

    The secret history of America’s “extraordinary rendition” program.

    Issue of 2005-02-14
    Posted 2005-02-07


    On January 27th, President Bush, in an interview with the Times, assured the world that “torture is never acceptable, nor do we hand over people to countries that do torture.” Maher Arar, a Canadian engineer who was born in Syria, was surprised to learn of Bush’s statement. Two and a half years ago, American officials, suspecting Arar of being a terrorist, apprehended him in New York and sent him back to Syria, where he endured months of brutal interrogation, including torture. When Arar described his experience in a phone interview recently, he invoked an Arabic expression. The pain was so unbearable, he said, that “you forget the milk that you have been fed from the breast of your mother.”


    Arar, a thirty-four-year-old graduate of McGill University whose family emigrated to Canada when he was a teen-ager, was arrested on September 26, 2002, at John F. Kennedy Airport. He was changing planes; he had been on vacation with his family in Tunisia, and was returning to Canada. Arar was detained because his name had been placed on the United States Watch List of terrorist suspects. He was held for the next thirteen days, as American officials questioned him about possible links to another suspected terrorist. Arar said that he barely knew the suspect, although he had worked with the man’s brother. Arar, who was not formally charged, was placed in handcuffs and leg irons by plainclothes officials and transferred to an executive jet. The plane flew to Washington, continued to Portland, Maine, stopped in Rome, Italy, then landed in Amman, Jordan.


    During the flight, Arar said, he heard the pilots and crew identify themselves in radio communications as members of “the Special Removal Unit.” The Americans, he learned, planned to take him next to Syria. Having been told by his parents about the barbaric practices of the police in Syria, Arar begged crew members not to send him there, arguing that he would surely be tortured. His captors did not respond to his request; instead, they invited him to watch a spy thriller that was aired on board.


    Ten hours after landing in Jordan, Arar said, he was driven to Syria, where interrogators, after a day of threats, “just began beating on me.” They whipped his hands repeatedly with two-inch-thick electrical cables, and kept him in a windowless underground cell that he likened to a grave. “Not even animals could withstand it,” he said. Although he initially tried to assert his innocence, he eventually confessed to anything his tormentors wanted him to say. “You just give up,” he said. “You become like an animal.”


    A year later, in October, 2003, Arar was released without charges, after the Canadian government took up his cause. Imad Moustapha, the Syrian Ambassador in Washington, announced that his country had found no links between Arar and terrorism. Arar, it turned out, had been sent to Syria on orders from the U.S. government, under a secretive program known as “extraordinary rendition.” This program had been devised as a means of extraditing terrorism suspects from one foreign state to another for interrogation and prosecution. Critics contend that the unstated purpose of such renditions is to subject the suspects to aggressive methods of persuasion that are illegal in America—including torture.


    Arar is suing the U.S. government for his mistreatment. “They are outsourcing torture because they know it’s illegal,” he said. “Why, if they have suspicions, don’t they question people within the boundary of the law?”


    Rendition was originally carried out on a limited basis, but after September 11th, when President Bush declared a global war on terrorism, the program expanded beyond recognition—becoming, according to a former C.I.A. official, “an abomination.” What began as a program aimed at a small, discrete set of suspects—people against whom there were outstanding foreign arrest warrants—came to include a wide and ill-defined population that the Administration terms “illegal enemy combatants.” Many of them have never been publicly charged with any crime. Scott Horton, an expert on international law who helped prepare a report on renditions issued by N.Y.U. Law School and the New York City Bar Association, estimates that a hundred and fifty people have been rendered since 2001. Representative Ed Markey, a Democrat from Massachusetts and a member of the Select Committee on Homeland Security, said that a more precise number was impossible to obtain. “I’ve asked people at the C.I.A. for numbers,” he said. “They refuse to answer. All they will say is that they’re in compliance with the law.”


    Although the full scope of the extraordinary-rendition program isn’t known, several recent cases have come to light that may well violate U.S. law. In 1998, Congress passed legislation declaring that it is “the policy of the United States not to expel, extradite, or otherwise effect the involuntary return of any person to a country in which there are substantial grounds for believing the person would be in danger of being subjected to torture, regardless of whether the person is physically present in the United States.”


    The Bush Administration, however, has argued that the threat posed by stateless terrorists who draw no distinction between military and civilian targets is so dire that it requires tough new rules of engagement. This shift in perspective, labelled the New Paradigm in a memo written by Alberto Gonzales, then the White House counsel, “places a high premium on . . . the ability to quickly obtain information from captured terrorists and their sponsors in order to avoid further atrocities against American civilians,” giving less weight to the rights of suspects. It also questions many international laws of war. Five days after Al Qaeda’s attacks on the World Trade Center and the Pentagon, Vice-President Dick Cheney, reflecting the new outlook, argued, on “Meet the Press,” that the government needed to “work through, sort of, the dark side.” Cheney went on, “A lot of what needs to be done here will have to be done quietly, without any discussion, using sources and methods that are available to our intelligence agencies, if we’re going to be successful. That’s the world these folks operate in. And so it’s going to be vital for us to use any means at our disposal, basically, to achieve our objective.”


    The extraordinary-rendition program bears little relation to the system of due process afforded suspects in crimes in America. Terrorism suspects in Europe, Africa, Asia, and the Middle East have often been abducted by hooded or masked American agents, then forced onto a Gulfstream V jet, like the one described by Arar. This jet, which has been registered to a series of dummy American corporations, such as Bayard Foreign Marketing, of Portland, Oregon, has clearance to land at U.S. military bases. Upon arriving in foreign countries, rendered suspects often vanish. Detainees are not provided with lawyers, and many families are not informed of their whereabouts.


    The most common destinations for rendered suspects are Egypt, Morocco, Syria, and Jordan, all of which have been cited for human-rights violations by the State Department, and are known to torture suspects. To justify sending detainees to these countries, the Administration appears to be relying on a very fine reading of an imprecise clause in the United Nations Convention Against Torture (which the U.S. ratified in 1994), requiring “substantial grounds for believing” that a detainee will be tortured abroad. Martin Lederman, a lawyer who left the Justice Department’s Office of Legal Counsel in 2002, after eight years, says, “The Convention only applies when you know a suspect is more likely than not to be tortured, but what if you kind of know? That’s not enough. So there are ways to get around it.”


    Administration officials declined to discuss the rendition program. But Rohan Gunaratna, a Sri Lankan expert on terrorist interrogations who has consulted with several intelligence agencies, argued that rough tactics “can save hundreds of lives.” He said, “When you capture a terrorist, he may know when the next operation will be staged, so it may be necessary to put a detainee under physical or psychological pressure. I disagree with physical torture, but sometimes the threat of it must be used.”


    Rendition is just one element of the Administration’s New Paradigm. The C.I.A. itself is holding dozens of “high value” terrorist suspects outside of the territorial jurisdiction of the U.S., in addition to the estimated five hundred and fifty detainees in Guantánamo Bay, Cuba. The Administration confirmed the identities of at least ten of these suspects to the 9/11 Commission—including Khalid Sheikh Mohammed, a top Al Qaeda operative, and Ramzi bin al-Shibh, a chief planner of the September 11th attacks—but refused to allow commission members to interview the men, and would not say where they were being held. Reports have suggested that C.I.A. prisons are being operated in Thailand, Qatar, and Afghanistan, among other countries. At the request of the C.I.A., Secretary of Defense Donald Rumsfeld personally ordered that a prisoner in Iraq be hidden from Red Cross officials for several months, and Army General Paul Kern told Congress that the C.I.A. may have hidden up to a hundred detainees. The Geneva Conventions of 1949, which established norms on the treatment of soldiers and civilians captured in war, require the prompt registration of detainees, so that their treatment can be monitored, but the Administration argues that Al Qaeda members and supporters, who are not part of a state-sponsored military, are not covered by the Conventions.


    The Bush Administration’s departure from international norms has been justified in intellectual terms by élite lawyers like Gonzales, who is a graduate of Harvard Law School. Gonzales, the new Attorney General, argued during his confirmation proceedings that the U.N. Convention Against Torture’s ban on “cruel, inhuman, and degrading treatment” of terrorist suspects does not apply to American interrogations of foreigners overseas. Perhaps surprisingly, the fiercest internal resistance to this thinking has come from people who have been directly involved in interrogation, including veteran F.B.I. and C.I.A. agents. Their concerns are as much practical as ideological. Years of experience in interrogation have led them to doubt the effectiveness of physical coercion as a means of extracting reliable information. They also warn that the Bush Administration, having taken so many prisoners outside the realm of the law, may not be able to bring them back in. By holding detainees indefinitely, without counsel, without charges of wrongdoing, and under circumstances that could, in legal parlance, “shock the conscience” of a court, the Administration has jeopardized its chances of convicting hundreds of suspected terrorists, or even of using them as witnesses in almost any court in the world.


    “It’s a big problem,” Jamie Gorelick, a former deputy attorney general and a member of the 9/11 Commission, says. “In criminal justice, you either prosecute the suspects or let them go. But if you’ve treated them in ways that won’t allow you to prosecute them you’re in this no man’s land. What do you do with these people?”



    The criminal prosecution of terrorist suspects has not been a priority for the Bush Administration, which has focussed, rather, on preventing additional attacks. But some people who have been fighting terrorism for many years are concerned about unintended consequences of the Administration’s radical legal measures. Among these critics is Michael Scheuer, a former C.I.A. counter-terrorism expert who helped establish the practice of rendition. Scheuer left the agency in 2004, and has written two acerbic critiques of the government’s fight against Islamic terrorism under the pseudonym Anonymous, the most recent of which, “Imperial Hubris,” was a best-seller.


    Not long ago, Scheuer, who lives in northern Virginia, spoke openly for the first time about how he and several other top C.I.A. officials set up the program, in the mid-nineties. “It was begun in desperation, ” he told me. At the time, he was the head of the C.I.A.’s Islamic-militant unit, whose job was to “detect, disrupt, and dismantle” terrorist operations. His unit spent much of 1996 studying how Al Qaeda operated; by the next year, Scheuer said, its mission was to try to capture bin Laden and his associates. He recalled, “We went to the White House”—which was then occupied by the Clinton Administration—“and they said, ‘Do it.’” He added that Richard Clarke, who was in charge of counter-terrorism for the National Security Council, offered no advice. “He told me, ‘Figure it out by yourselves,’” Scheuer said. (Clarke did not respond to a request for comment.)


    Scheuer sought the counsel of Mary Jo White, the former U.S. Attorney for the Southern District of New York, who, along with a small group of F.B.I. agents, was pursuing the 1993 World Trade Center bombing case. In 1998, White’s team obtained an indictment against bin Laden, authorizing U.S. agents to bring him and his associates to the United States to stand trial. From the start, though, the C.I.A. was wary of granting terrorism suspects the due process afforded by American law. The agency did not want to divulge secrets about its intelligence sources and methods, and American courts demand transparency. Even establishing the chain of custody of key evidence—such as a laptop computer—could easily pose a significant problem: foreign governments might refuse to testify in U.S. courts about how they had obtained the evidence, for fear of having their secret coöperation exposed. (Foreign governments often worried about retaliation from their own Muslim populations.) The C.I.A. also felt that other agencies sometimes stood in its way. In 1996, for example, the State Department stymied a joint effort by the C.I.A. and the F.B.I. to question one of bin Laden’s cousins in America, because he had a diplomatic passport, which protects the holder from U.S. law enforcement. Describing the C.I.A.’s frustration, Scheuer said, “We were turning into voyeurs. We knew where these people were, but we couldn’t capture them because we had nowhere to take them.” The agency realized that “we had to come up with a third party.”


    The obvious choice, Scheuer said, was Egypt. The largest recipient of U.S. foreign aid after Israel, Egypt was a key strategic ally, and its secret police force, the Mukhabarat, had a reputation for brutality. Egypt had been frequently cited by the State Department for torture of prisoners. According to a 2002 report, detainees were “stripped and blindfolded; suspended from a ceiling or doorframe with feet just touching the floor; beaten with fists, whips, metal rods, or other objects; subjected to electrical shocks; and doused with cold water [and] sexually assaulted.” Hosni Mubarak, Egypt’s leader, who came to office in 1981, after President Anwar Sadat was assassinated by Islamist extremists, was determined to crack down on terrorism. His prime political enemies were radical Islamists, hundreds of whom had fled the country and joined Al Qaeda. Among these was Ayman al-Zawahiri, a physician from Cairo, who went to Afghanistan and eventually became bin Laden’s deputy.


    In 1995, Scheuer said, American agents proposed the rendition program to Egypt, making clear that it had the resources to track, capture, and transport terrorist suspects globally—including access to a small fleet of aircraft. Egypt embraced the idea. “What was clever was that some of the senior people in Al Qaeda were Egyptian,” Scheuer said. “It served American purposes to get these people arrested, and Egyptian purposes to get these people back, where they could be interrogated.” Technically, U.S. law requires the C.I.A. to seek “assurances” from foreign governments that rendered suspects won’t be tortured. Scheuer told me that this was done, but he was “not sure” if any documents confirming the arrangement were signed.


    A series of spectacular covert operations followed from this secret pact. On September 13, 1995, U.S. agents helped kidnap Talaat Fouad Qassem, one of Egypt’s most wanted terrorists, in Croatia. Qassem had fled to Europe after being linked by Egypt to the assassination of Sadat; he had been sentenced to death in absentia. Croatian police seized Qassem in Zagreb and handed him over to U.S. agents, who interrogated him aboard a ship cruising the Adriatic Sea and then took him back to Egypt. Once there, Qassem disappeared. There is no record that he was put on trial. Hossam el-Hamalawy, an Egyptian journalist who covers human-rights issues, said, “We believe he was executed.”


    A more elaborate operation was staged in Tirana, Albania, in the summer of 1998. According to the Wall Street Journal, the C.I.A. provided the Albanian intelligence service with equipment to wiretap the phones of suspected Muslim militants. Tapes of the conversations were translated into English, and U.S. agents discovered that they contained lengthy discussions with Zawahiri, bin Laden’s deputy. The U.S. pressured Egypt for assistance; in June, Egypt issued an arrest warrant for Shawki Salama Attiya, one of the militants. Over the next few months, according to the Journal, Albanian security forces, working with U.S. agents, killed one suspect and captured Attiya and four others. These men were bound, blindfolded, and taken to an abandoned airbase, then flown by jet to Cairo for interrogation. Attiya later alleged that he suffered electrical shocks to his genitals, was hung from his limbs, and was kept in a cell in filthy water up to his knees. Two other suspects, who had been sentenced to death in absentia, were hanged.


    On August 5, 1998, an Arab-language newspaper in London published a letter from the International Islamic Front for Jihad, in which it threatened retaliation against the U.S. for the Albanian operation—in a “language they will understand.” Two days later, the U.S. Embassies in Kenya and Tanzania were blown up, killing two hundred and twenty-four people.


    The U.S. began rendering terror suspects to other countries, but the most common destination remained Egypt. The partnership between the American and the Egyptian intelligence services was extraordinarily close: the Americans could give the Egyptian interrogators questions they wanted put to the detainees in the morning, Scheuer said, and get answers by the evening. The Americans asked to question suspects directly themselves, but, Scheuer said, the Egyptians refused. “We were never in the same room at the same time.”


    Scheuer claimed that “there was a legal process” undergirding these early renditions. Every suspect who was apprehended, he said, had been convicted in absentia. Before a suspect was captured, a dossier was prepared containing the equivalent of a rap sheet. The C.I.A.’s legal counsel signed off on every proposed operation. Scheuer said that this system prevented innocent people from being subjected to rendition. “Langley would never let us proceed unless there was substance,” he said. Moreover, Scheuer emphasized, renditions were pursued out of expedience—“not out of thinking it was the best policy.”


    Since September 11th, as the number of renditions has grown, and hundreds of terrorist suspects have been deposited indefinitely in places like Guantánamo Bay, the shortcomings of this approach have become manifest. “Are we going to hold these people forever?” Scheuer asked. “The policymakers hadn’t thought what to do with them, and what would happen when it was found out that we were turning them over to governments that the human-rights world reviled.” Once a detainee’s rights have been violated, he says, “you absolutely can’t” reinstate him into the court system. “You can’t kill him, either,” he added. “All we’ve done is create a nightmare.”



    On a bleak winter day in Trenton, New Jersey, Dan Coleman, an ex-F.B.I. agent who retired last July, because of asthma, scoffed at the idea that a C.I.A. agent was now having compunctions about renditions. The C.I.A., Coleman said, liked rendition from the start. “They loved that these guys would just disappear off the books, and never be heard of again,” he said. “They were proud of it.”


    For ten years, Coleman worked closely with the C.I.A. on counter-terrorism cases, including the Embassy attacks in Kenya and Tanzania. His methodical style of detective work, in which interrogations were aimed at forging relationships with detainees, became unfashionable after September 11th, in part because the government was intent on extracting information as quickly as possible, in order to prevent future attacks. Yet the more patient approach used by Coleman and other agents had yielded major successes. In the Embassy-bombings case, they helped convict four Al Qaeda operatives on three hundred and two criminal counts; all four men pleaded guilty to serious terrorism charges. The confessions the F.B.I. agents elicited, and the trial itself, which ended in May, 2001, created an invaluable public record about Al Qaeda, including details about its funding mechanisms, its internal structure, and its intention to obtain weapons of mass destruction. (The political leadership in Washington, unfortunately, did not pay sufficient attention.)


    Coleman is a political nonpartisan with a law-and-order mentality. His eldest son is a former Army Ranger who served in Afghanistan. Yet Coleman was troubled by the Bush Administration’s New Paradigm. Torture, he said, “has become bureaucratized.” Bad as the policy of rendition was before September 11th, Coleman said, “afterward, it really went out of control.” He explained, “Now, instead of just sending people to third countries, we’re holding them ourselves. We’re taking people, and keeping them in our own custody in third countries. That’s an enormous problem.” Egypt, he pointed out, at least had an established legal system, however harsh. “There was a process there,” Coleman said. “But what’s our process? We have no method over there other than our laws—and we’ve decided to ignore them. What are we now, the Huns? If you don’t talk to us, we’ll kill you?”


    From the beginning of the rendition program, Coleman said, there was no doubt that Egypt engaged in torture. He recalled the case of a suspect in the first World Trade Center bombing who fled to Egypt. The U.S. requested his return, and the Egyptians handed him over—wrapped head to toe in duct tape, like a mummy. (In another incident, an Egyptian with links to Al Qaeda who had coöperated with the U.S. government in a terrorism trial was picked up in Cairo and imprisoned by Egyptian authorities until U.S. diplomats secured his release. For days, he had been chained to a toilet, where guards had urinated on him.)


    Under such circumstances, it might seem difficult for the U.S. government to legally justify dispatching suspects to Egypt. But Coleman said that since September 11th the C.I.A. “has seemed to think it’s operating under different rules, that it has extralegal abilities outside the U.S.” Agents, he said, have “told me that they have their own enormous office of general counsel that rarely tells them no. Whatever they do is all right. It all takes place overseas.”


    Coleman was angry that lawyers in Washington were redefining the parameters of counter-terrorism interrogations. “Have any of these guys ever tried to talk to someone who’s been deprived of his clothes?” he asked. “He’s going to be ashamed, and humiliated, and cold. He’ll tell you anything you want to hear to get his clothes back. There’s no value in it.” Coleman said that he had learned to treat even the most despicable suspects as if there were “a personal relationship, even if you can’t stand them.” He said that many of the suspects he had interrogated expected to be tortured, and were stunned to learn that they had rights under the American system. Due process made detainees more compliant, not less, Coleman said. He had also found that a defendant’s right to legal counsel was beneficial not only to suspects but also to law-enforcement officers. Defense lawyers frequently persuaded detainees to coöperate with prosecutors, in exchange for plea agreements. “The lawyers show these guys there’s a way out,” Coleman said. “It’s human nature. People don’t coöperate with you unless they have some reason to.” He added, “Brutalization doesn’t work. We know that. Besides, you lose your soul.”



    The Bush Administration’s redefinition of the standards of interrogation took place almost entirely out of public view. One of the first officials to offer hints of the shift in approach was Cofer Black, who was then in charge of counter-terrorism at the C.I.A. On September 26, 2002, he addressed the House and Senate Intelligence Committees, and stated that the arrest and detention of terrorists was “a very highly classified area.” He added, “All you need to know is that there was a ‘before 9/11’ and there was an ‘after 9/11.’ After 9/11, the gloves came off.”


    Laying the foundation for this shift was a now famous set of internal legal memos—some were leaked, others were made public by groups such as the N.Y.U. Center for Law and National Security. Most of these documents were generated by a small, hawkish group of politically appointed lawyers in the Justice Department’s Office of Legal Counsel and in the office of Alberto Gonzales, the White House counsel. Chief among the authors was John C. Yoo, the deputy assistant attorney general at the time. (A Yale Law School graduate and a former clerk to Justice Clarence Thomas, Yoo now teaches law at Berkeley.) Taken together, the memos advised the President that he had almost unfettered latitude in his prosecution of the war on terror. For many years, Yoo was a member of the Federalist Society, a fellowship of conservative intellectuals who view international law with skepticism, and September 11th offered an opportunity for him and others in the Administration to put their political ideas into practice. A former lawyer in the State Department recalled the mood of the Administration: “The Twin Towers were still smoldering. The atmosphere was intense. The tone at the top was aggressive—and understandably so. The Commander-in-Chief had used the words ‘dead or alive’ and vowed to bring the terrorists to justice or bring justice to them. There was a fury.”


    Soon after September 11th, Yoo and other Administration lawyers began advising President Bush that he did not have to comply with the Geneva Conventions in handling detainees in the war on terror. The lawyers classified these detainees not as civilians or prisoners of war—two categories of individuals protected by the Conventions—but as “illegal enemy combatants.” The rubric included not only Al Qaeda members and supporters but the entire Taliban, because, Yoo and other lawyers argued, the country was a “failed state.” Eric Lewis, an expert in international law who represents several Guantánamo detainees, said, “The Administration’s lawyers created a third category and cast them outside the law.”


    The State Department, determined to uphold the Geneva Conventions, fought against Bush’s lawyers and lost. In a forty-page memo to Yoo, dated January 11, 2002 (which has not been publicly released), William Taft IV, the State Department legal adviser, argued that Yoo’s analysis was “seriously flawed.” Taft told Yoo that his contention that the President could disregard the Geneva Conventions was “untenable,” “incorrect,” and “confused.” Taft disputed Yoo’s argument that Afghanistan, as a “failed state,” was not covered by the Conventions. “The official United States position before, during, and after the emergence of the Taliban was that Afghanistan constituted a state,” he wrote. Taft also warned Yoo that if the U.S. took the war on terrorism outside the Geneva Conventions, not only could U.S. soldiers be denied the protections of the Conventions—and therefore be prosecuted for crimes, including murder—but President Bush could be accused of a “grave breach” by other countries, and be prosecuted for war crimes. Taft sent a copy of his memo to Gonzales, hoping that his dissent would reach the President. Within days, Yoo sent Taft a lengthy rebuttal.


    Others in the Administration worried that the President’s lawyers were wayward. “Lawyers have to be the voice of reason and sometimes have to put the brakes on, no matter how much the client wants to hear something else,” the former State Department lawyer said. “Our job is to keep the train on the tracks. It’s not to tell the President, ‘Here are the ways to avoid the law.’” He went on, “There is no such thing as a non-covered person under the Geneva Conventions. It’s nonsense. The protocols cover fighters in everything from world wars to local rebellions.” The lawyer said that Taft urged Yoo and Gonzales to warn President Bush that he would “be seen as a war criminal by the rest of the world,” but Taft was ignored. This may be because President Bush had already made up his mind. According to top State Department officials, Bush decided to suspend the Geneva Conventions on January 8, 2002—three days before Taft sent his memo to Yoo.


    The legal pronouncements from Washington about the status of detainees were painstakingly constructed to include numerous loopholes. For example, in February, 2002, President Bush issued a written directive stating that, even though he had determined that the Geneva Conventions did not apply to the war on terror, all detainees should be treated “humanely.” A close reading of the directive, however, revealed that it referred only to military interrogators—not to C.I.A. officials. This exemption allowed the C.I.A. to continue using interrogation methods, including rendition, that stopped just short of torture. Further, an August, 2002, memo written largely by Yoo but signed by Assistant Attorney General Jay S. Bybee argued that torture required the intent to inflict suffering “equivalent in intensity to the pain accompanying serious physical injury, such as organ failure, impairment of bodily function, or even death.” According to the Times, a secret memo issued by Administration lawyers authorized the C.I.A. to use novel interrogation methods—including “water-boarding,” in which a suspect is bound and immersed in water until he nearly drowns. Dr. Allen Keller, the director of the Bellevue/N.Y.U. Program for Survivors of Torture, told me that he had treated a number of people who had been subjected to such forms of near-asphyxiation, and he argued that it was indeed torture. Some victims were still traumatized years later, he said. One patient couldn’t take showers, and panicked when it rained. “The fear of being killed is a terrifying experience,” he said.


    The Administration’s justification of the rough treatment of detainees appears to have passed down the chain of command. In late 2003, at Abu Ghraib prison, in Iraq, photographs were taken that documented prisoners being subjected to grotesque abuse by U.S. soldiers. After the scandal became public, the Justice Department revised the narrow definition of torture outlined in the Bybee memo, using language that more strongly prohibited physical abuse during interrogations. But the Administration has fought hard against legislative efforts to rein in the C.I.A. In the past few months, Republican leaders, at the White House’s urging, have blocked two attempts in the Senate to ban the C.I.A. from using cruel and inhuman interrogation methods. An attempt in the House to outlaw extraordinary rendition, led by Representative Markey, also failed.


    In a recent phone interview, Yoo was soft-spoken and resolute. “Why is it so hard for people to understand that there is a category of behavior not covered by the legal system?” he said. “What were pirates? They weren’t fighting on behalf of any nation. What were slave traders? Historically, there were people so bad that they were not given protection of the laws. There were no specific provisions for their trial, or imprisonment. If you were an illegal combatant, you didn’t deserve the protection of the laws of war.” Yoo cited precedents for his position. “The Lincoln assassins were treated this way, too,” he said. “They were tried in a military court, and executed.” The point, he said, was that the Geneva Conventions’“simple binary classification of civilian or soldier isn’t accurate.”


    Yoo also argued that the Constitution granted the President plenary powers to override the U.N. Convention Against Torture when he is acting in the nation’s defense—a position that has drawn dissent from many scholars. As Yoo saw it, Congress doesn’t have the power to “tie the President’s hands in regard to torture as an interrogation technique.” He continued, “It’s the core of the Commander-in-Chief function. They can’t prevent the President from ordering torture.” If the President were to abuse his powers as Commander-in-Chief, Yoo said, the constitutional remedy was impeachment. He went on to suggest that President Bush’s victory in the 2004 election, along with the relatively mild challenge to Gonzales mounted by the Democrats in Congress, was “proof that the debate is over.” He said, “The issue is dying out. The public has had its referendum.”



    A few months after September 11th, the U.S. gained custody of its first high-ranking Al Qaeda figure, Ibn al-Sheikh al-Libi. He had run bin Laden’s terrorist training camp in Khalden, Afghanistan, and was detained in Pakistan. Zacarias Moussaoui, who was already in U.S. custody, and Richard Reid, the Shoe Bomber, had both spent time at the Khalden camp. At the F.B.I.’s field office in New York, Jack Cloonan, an officer who had worked for the agency since 1972, struggled to maintain control of the legal process in Afghanistan. C.I.A. and F.B.I. agents were vying to take possession of Libi. Cloonan, who worked with Dan Coleman on anti-terrorism cases for many years, said he felt that “neither the Moussaoui case nor the Reid case was a slam dunk.” He became intent on securing Libi’s testimony as a witness against them. He advised his F.B.I. colleagues in Afghanistan to question Libi respectfully, “and handle this like it was being done right here, in my office in New York.” He recalled, “I remember talking on a secure line to them. I told them, ‘Do yourself a favor, read the guy his rights. It may be old-fashioned, but this will come out if we don’t. It may take ten years, but it will hurt you, and the bureau’s reputation, if you don’t. Have it stand as a shining example of what we feel is right.’”


    Cloonan’s F.B.I. colleagues advised Libi of his rights and took turns with C.I.A. agents in questioning him. After a few days, F.B.I. officials felt that they were developing a good rapport with him. The C.I.A. agents, however, felt that he was lying to them, and needed tougher interrogation.


    To Cloonan’s dismay, the C.I.A. reportedly rendered Libi to Egypt. He was seen boarding a plane in Afghanistan, restrained by handcuffs and ankle cuffs, his mouth covered by duct tape. Cloonan, who retired from the F.B.I. in 2002, said, “At least we got information in ways that wouldn’t shock the conscience of the court. And no one will have to seek revenge for what I did.” He added, “We need to show the world that we can lead, and not just by military might.”


    After Libi was taken to Egypt, the F.B.I. lost track of him. Yet he evidently played a crucial background role in Secretary of State Colin Powell’s momentous address to the United Nations Security Council in February, 2003, which argued the case for a preëmptive war against Iraq. In his speech, Powell did not refer to Libi by name, but he announced to the world that “a senior terrorist operative” who “was responsible for one of Al Qaeda’s training camps in Afghanistan” had told U.S. authorities that Saddam Hussein had offered to train two Al Qaeda operatives in the use of “chemical or biological weapons.”


    Last summer, Newsweek reported that Libi, who was eventually transferred from Egypt to Guantánamo Bay, was the source of the incendiary charge cited by Powell, and that he had recanted. By then, the first anniversary of the U.S. invasion of Iraq had passed and the 9/11 Commission had declared that there was no known evidence of a working relationship between Saddam and Al Qaeda. Dan Coleman was disgusted when he heard about Libi’s false confession. “It was ridiculous for interrogators to think Libi would have known anything about Iraq,” he said. “I could have told them that. He ran a training camp. He wouldn’t have had anything to do with Iraq. Administration officials were always pushing us to come up with links, but there weren’t any. The reason they got bad information is that they beat it out of him. You never get good information from someone that way.”


    Most authorities on interrogation, in and out of government, agree that torture and lesser forms of physical coercion succeed in producing confessions. The problem is that these confessions aren’t necessarily true. Three of the Guantánamo detainees released by the U.S. to Great Britain last year, for example, had confessed that they had appeared in a blurry video, obtained by American investigators, that documented a group of acolytes meeting with bin Laden in Afghanistan. As reported in the London Observer, British intelligence officials arrived at Guantánamo with evidence that the accused men had been living in England at the time the video was made. The detainees told British authorities that they had been coerced into making false confessions.


    Craig Murray, the former British Ambassador to Uzbekistan, told me that “the U.S. accepts quite a lot of intelligence from the Uzbeks” that has been extracted from suspects who have been tortured. This information was, he said, “largely rubbish.” He said he knew of “at least three” instances where the U.S. had rendered suspected militants from Afghanistan to Uzbekistan. Although Murray does not know the fate of the three men, he said, “They almost certainly would have been tortured.” In Uzbekistan, he said, “partial boiling of a hand or an arm is quite common.” He also knew of two cases in which prisoners had been boiled to death.


    In 2002, Murray, concerned that America was complicit with such a regime, asked his deputy to discuss the problem with the C.I.A.’s station chief in Tashkent. He said that the station chief did not dispute that intelligence was being obtained under torture. But the C.I.A. did not consider this a problem. “There was no reason to think they were perturbed,” Murray told me.


    Scientific research on the efficacy of torture and rough interrogation is limited, because of the moral and legal impediments to experimentation. Tom Parker, a former officer for M.I.5, the British intelligence agency, who teaches at Yale, argued that, whether or not forceful interrogations yield accurate information from terrorist suspects, a larger problem is that many detainees “have nothing to tell.” For many years, he said, British authorities subjected members of the Irish Republican Army to forceful interrogations, but, in the end, the government concluded that “detainees aren’t valuable.” A more effective strategy, Parker said, was “being creative” about human intelligence gathering, such as infiltration and eavesdropping. “The U.S. is doing what the British did in the nineteen-seventies, detaining people and violating their civil liberties,” he said. “It did nothing but exacerbate the situation. Most of those interned went back to terrorism. You’ll end up radicalizing the entire population.”



    Although the Administration has tried to keep the details of extraordinary renditions secret, several accounts have surfaced that reveal how the program operates. On December 18, 2001, at Stockholm’s Bromma Airport, a half-dozen hooded security officials ushered two Egyptian asylum seekers, Muhammad Zery and Ahmed Agiza, into an empty office. They cut off the Egyptians’ clothes with scissors, forcibly administered sedatives by suppository, swaddled them in diapers, and dressed them in orange jumpsuits. As was reported by “Kalla Fakta,” a Swedish television news program, the suspects were blindfolded, placed in handcuffs and leg irons; according to a declassified Swedish government report, the men were then flown to Cairo on a U.S.-registered Gulfstream V jet. Swedish officials have claimed that they received assurances from the Egyptians that Zery and Agiza would be treated humanely. But both suspects have said, through lawyers and family members, that they were tortured with electrical charges to their genitals. (Zery said that he was also forced to lie on an electrified bed frame.) After spending two years in an Egyptian prison, Zery was released. Agiza, a physician who had once been an ally of Zawahiri but later renounced him and terrorism, was convicted on terrorism charges by Egypt’s Supreme Military Court. He was sentenced to twenty-five years in prison.


    Another case suggests that the Bush Administration is authorizing the rendition of suspects for whom it has little evidence of guilt. Mamdouh Habib, an Egyptian-born citizen of Australia, was apprehended in Pakistan in October, 2001. According to his wife, Habib, a radical Muslim with four children, was visiting the country to tour religious schools and determine if his family should move to Pakistan. A spokesman at the Pentagon has claimed that Habib—who has expressed support for Islamist causes—spent most of his trip in Afghanistan, and was “either supporting hostile forces or on the battlefield fighting illegally against the U.S.” Last month, after a three-year ordeal, Habib was released without charges.


    Habib is one of a handful of people subjected to rendition who are being represented pro bono by human-rights lawyers. According to a recently unsealed document prepared by Joseph Margulies, a lawyer affiliated with the MacArthur Justice Center at the University of Chicago Law School, Habib said that he was first interrogated in Pakistan for three weeks, in part at a facility in Islamabad, where he said he was brutalized. Some of his interrogators, he claimed, spoke English with American accents. (Having lived in Australia for years, Habib is comfortable in English.) He was then placed in the custody of Americans, two of whom wore black short-sleeved shirts and had distinctive tattoos: one depicted an American flag attached to a flagpole shaped like a finger, the other a large cross. The Americans took him to an airfield, cut his clothes off with scissors, dressed him in a jumpsuit, covered his eyes with opaque goggles, and placed him aboard a private plane. He was flown to Egypt.


    According to Margulies, Habib was held and interrogated for six months. “Never, to my knowledge, did he make an appearance in any court,” Margulies told me. Margulies was also unaware of any evidence suggesting that the U.S. sought a promise from Egypt that Habib would not be tortured. For his part, Habib claimed to have been subjected to horrific conditions. He said that he was beaten frequently with blunt instruments, including an object that he likened to an electric “cattle prod.” And he was told that if he didn’t confess to belonging to Al Qaeda he would be anally raped by specially trained dogs. (Hossam el-Hamalawy said that Egyptian security forces train German shepherds for police work, and that other prisoners have also been threatened with rape by trained dogs, although he knows of no one who has been assaulted in this way.) Habib said that he was shackled and forced to stand in three torture chambers: one room was filled with water up to his chin, requiring him to stand on tiptoe for hours; another chamber, filled with water up to his knees, had a ceiling so low that he was forced into a prolonged, painful stoop; in the third, he stood in water up to his ankles, and within sight of an electric switch and a generator, which his jailers said would be used to electrocute him if he didn’t confess. Habib’s lawyer said that he submitted to his interrogators’ demands and made multiple confessions, all of them false. (Egyptian authorities have described such allegations of torture as “mythology.”)


    After his imprisonment in Egypt, Habib said that he was returned to U.S. custody and was flown to Bagram Air Force Base, in Afghanistan, and then on to Guantánamo Bay, where he was detained until last month. On January 11th, a few days after the Washington Post published an article on Habib’s case, the Pentagon, offering virtually no explanation, agreed to release him into the custody of the Australian government. “Habib was released because he was hopelessly embarrassing,” Eric Freedman, a professor at Hofstra Law School, who has been involved in the detainees’ legal defense, says. “It’s a large crack in the wall in a house of cards that is midway through tumbling down.” In a prepared statement, a Pentagon spokesman, Lieutenant Commander Flex Plexico, said there was “no evidence” that Habib “was tortured or abused” while he was in U.S. custody. He also said that Habib had received “Al Qaeda training,” which included instruction in making false abuse allegations. Habib’s claims, he suggested, “fit the standard operating procedure.”


    The U.S. government has not responded directly to Habib’s charge that he was rendered to Egypt. However, several other men who were recently released from Guantánamo reported that Habib told them about it. Jamal al-Harith, a British detainee who was sent home to Manchester, England, last March, told me in a phone interview that at one point he had been placed in a cage across from Habib. “He said that he had been in Egypt for about six months, and they had injected him with drugs, and hung him from the ceiling, and beaten him very, very badly,” Harith recalled. “He seemed to be in pain. He was haggard-looking. I never saw him walk. He always had to be held up.”


    Another piece of evidence that may support Habib’s story is a set of flight logs documenting the travels of a white Gulfstream V jet—the plane that seems to have been used for renditions by the U.S. government. These logs show that on April 9, 2002, the jet left Dulles Airport, in Washington, and landed in Cairo. According to Habib’s attorney, this was around the same time that Habib said he was released by the Egyptians in Cairo, and returned to U.S. custody. The flight logs were obtained by Stephen Grey, a British journalist who has written a number of stories on renditions for British publications, including the London Sunday Times. Grey’s logs are incomplete, but they chronicle some three hundred flights over three years by the fourteen-seat jet, which was marked on its tail with the code N379P. (It was recently changed, to N8068V.) All the flights originated from Dulles Airport, and many of them landed at restricted U.S. military bases.



    Even if Habib is a terrorist aligned with Al Qaeda, as Pentagon officials have claimed, it seems unlikely that prosecutors would ever be able to build a strong case against him, given the treatment that he allegedly received in Egypt. John Radsan, a law professor at William Mitchell College of Law, in St. Paul, Minnesota, who worked in the general counsel’s office of the C.I.A. until last year, said, “I don’t think anyone’s thought through what we do with these people.”


    Similar problems complicate the case of Khalid Sheikh Mohammed, who was captured in Pakistan in March, 2003. Mohammed has reportedly been “water-boarded” during interrogations. If so, Radsan said, “it would be almost impossible to take him into a criminal trial. Any evidence derived from his interrogation could be seen as fruit from the poisonous tree. I think the government is considering some sort of military tribunal somewhere down the line. But, even there, there are still constitutional requirements that you can’t bring in involuntary confessions.”


    The trial of Zacarias Moussaoui, in Alexandria, Virginia—the only U.S. criminal trial of a suspect linked to the September 11th attacks—is stalled. It’s been more than three years since Attorney General John Ashcroft called Moussaoui’s indictment “a chronicle of evil.” The case has been held up by Moussaoui’s demand—and the Bush Administration’s refusal—to let him call as witnesses Al Qaeda members held in government custody, including Ramzi bin al-Shibh and Khalid Sheikh Mohammed. (Bin al-Shibh is thought to have been tortured.) Government attorneys have argued that producing the witnesses would disrupt the interrogation process.


    Similarly, German officials fear that they may be unable to convict any members of the Hamburg cell that is believed to have helped plan the September 11th attacks, on charges connected to the plot, in part because the U.S. government refuses to produce bin al-Shibh and Mohammed as witnesses. Last year, one of the Hamburg defendants, Mounir Motassadeq, became the first person to be convicted in the planning of the attacks, but his guilty verdict was overturned by an appeals court, which found the evidence against him too weak.


    Motassadeq is on trial again, but, in accordance with German law, he is no longer being imprisoned. Although he is alleged to have overseen the payment of funds into the accounts of the September 11th hijackers—and to have been friendly with Mohamed Atta, who flew one of the planes that hit the Twin Towers—he walks freely to and from the courthouse each day. The U.S. has supplied the German court with edited summaries of testimony from Mohammed and bin al-Shibh. But Gerhard Strate, Motassadeq’s defense lawyer, told me, “We are not satisfied with the summaries. If you want to find the truth, we need to know who has been interrogating them, and under what circumstances. We don’t have any answers to this.” The refusal by the U.S. to produce the witnesses in person, Strate said, “puts the court in a ridiculous position.” He added, “I don’t know why they won’t produce the witnesses. The first thing you think is that the U.S. government has something to hide.”


    In fact, the Justice Department recently admitted that it had something to hide in relation to Maher Arar, the Canadian engineer. The government invoked the rarely used “state secrets privilege” in a motion to dismiss a lawsuit brought by Arar’s lawyers against the U.S. government. To go forward in an open court, the government said, would jeopardize the “intelligence, foreign policy and national security interests of the United States.” Barbara Olshansky, the assistant legal director of the Center for Constitutional Rights, which is representing Arar, said that government lawyers “are saying this case can’t be tried, and the classified information on which they’re basing this argument can’t even be shared with the opposing lawyers. It’s the height of arrogance—they think they can do anything they want in the name of the global war on terrorism.”



    Nadja Dizdarevic is a thirty-year-old mother of four who lives in Sarajevo. On October 21, 2001, her husband, Hadj Boudella, a Muslim of Algerian descent, and five other Algerians living in Bosnia were arrested after U.S. authorities tipped off the Bosnian government to an alleged plot by the group to blow up the American and British Embassies in Sarajevo. One of the suspects reportedly placed some seventy phone calls to the Al Qaeda leader Abu Zubaydah in the days after September 11th. Boudella and his wife, however, maintain that neither he nor several of the other defendants knew the man who had allegedly contacted Zubaydah. And an investigation by the Bosnian government turned up no confirmation that the calls to Zubaydah were made at all, according to the men’s American lawyers, Rob Kirsch and Stephen Oleskey.


    At the request of the U.S., the Bosnian government held all six men for three months, but was unable to substantiate any criminal charges against them. On January 17, 2002, the Bosnian Supreme Court ruled that they should be released. Instead, as the men left prison, they were handcuffed, forced to put on surgical masks with nose clips, covered in hoods, and herded into waiting unmarked cars by masked figures, some of whom appeared to be members of the Bosnian special forces. Boudella’s wife had come to the prison to meet her husband, and she recalled that she recognized him, despite the hood, because he was wearing a new suit that she had brought him the day before. “I will never forget that night,” she said. “It was snowing. I was screaming for someone to help.” A crowd gathered, and tried to block the convoy, but it sped off. The suspects were taken to a military airbase and kept in a freezing hangar for hours; one member of the group later claimed that he saw one of the abductors remove his Bosnian uniform, revealing that he was in fact American. The U.S. government has neither confirmed nor denied its role in the operation.


    Six days after the abduction, Boudella’s wife received word that her husband and the other men had been sent to Guantánamo. One man in the group has alleged that two of his fingers were broken by U.S. soldiers. Little is publicly known about the welfare of the others.


    Boudella’s wife said that she was astounded that her husband could be seized without charge or trial, at home during peacetime and after his own government had exonerated him. The term “enemy combatant” perplexed her. “He is an enemy of whom?” she asked. “In combat where?” She said that her view of America had changed. “I have not changed my opinion about its people, but unfortunately I have changed my opinion about its respect for human rights,” she said. “It is no longer the leader in the world. It has become the leader in the violation of human rights.”


    In October, Boudella attempted to plead his innocence before the Pentagon’s Combatant Status Review Tribunal. The C.S.R.T. is the Pentagon’s answer to the Supreme Court’s ruling last year, over the Bush Administration’s objections, that detainees in Guantánamo had a right to challenge their imprisonment. Boudella was not allowed to bring a lawyer to the proceeding. And the tribunal said that it was “unable to locate” a copy of the Bosnian Supreme Court’s verdict freeing him, which he had requested that it read. Transcripts show that Boudella stated, “I am against any terrorist acts,” and asked, “How could I be part of an organization that I strongly believe has harmed my people?” The tribunal rejected his plea, as it has rejected three hundred and eighty-seven of the three hundred and ninety-three pleas it has heard. Upon learning this, Boudella’s wife sent the following letter to her husband’s American lawyers:


    Dear Friends, I am so shocked by this information that it seems as if my blood froze in my veins, I can’t breathe and I wish I was dead. I can’t believe these things can happen, that they can come and take your husband away, overnight and without reason, destroy your family, ruin your dreams after three years of fight. . . . Please, tell me, what can I still do for him? . . . Is this decision final, what are the legal remedies? Help me to understand because, as far as I know the law, this is insane, contrary to all possible laws and human rights. Please help me, I don’t want to lose him.


    John Radsan, the former C.I.A. lawyer, offered a reply of sorts. “As a society, we haven’t figured out what the rough rules are yet,” he said. “There are hardly any rules for illegal enemy combatants. It’s the law of the jungle. And right now we happen to be the strongest animal.”



  • Fans greeted Patriots head coach Bill Belichick upon the team’s arrival at Gillette Stadium in Foxborough last night. (Globe Staff Photo / Bill Greene)


    ‘Rolling rally’ for Patriots today


    Duck Boats to be wired for sound



    Boston will toast the first professional football dynasty of the 21st century today with a ”rolling rally” that will take the Super Bowl champion New England Patriots from the Hynes Convention Center area to Staniford Street.


    But the event will not include the postparade rally that culminated the Patriots celebrations in 2002 and 2004. As the triumphant Boston Red Sox did last fall, Patriots players, coaches, and management will ride the roughly 1.5-mile route on Duck Tour boats equipped with public-address systems. This time, however, the boats’ PA systems will be linked, allowing for an organized program of speeches as the procession moves through the crowds.


    The parade, which is scheduled to start at 11 a.m. and conclude two to three hours later, will proceed up Boylston Street to Tremont Street and then continue on Cambridge Street. The boats will not dip into the frozen Charles River.


    In explaining the absence of a postparade rally, Mayor Thomas M. Menino of Boston said ”people have more access to the players, can see the players better” in a rolling rally. But city officials also are concerned about luring a gigantic crowd to the plaza, which is still pocked with piles of snow.


    With three championship parades under the city’s belt, Menino sounded almost blasé as he announced the details of the latest celebration yesterday. The mayor was clearly relieved that the overwhelming presence of Boston Police and other law enforcement officers Sunday night helped prevent a repeat of last year’s deadly post-Super Bowl riots.


    He pledged a similarly rigorous security approach for today’s event. Postgame revelry has turned tragic twice in the past year: James Grabowski, 21, was killed and three others were injured when the allegedly drunk driver of a sport utility vehicle drove into a crowd near Northeastern University on the night of last year’s Super Bowl. And after the Red Sox beat the New York Yankees in the American League Championship Series last fall, Emerson College student Victoria Snelgrove died after a police officer shot her with a pepper pellet gun near Fenway Park. But the Red Sox parade and the two previous Patriots rallies were largely trouble-free.


    The mayor dismissed suggestions that Sunday night’s security was excessive; some college students had complained that there was a martial atmosphere, and some bar owners grumbled that the city’s heavy-handed approach put a damper on business.


    “I’ll take that question,” Menino said when a reporter asked Police Commissioner Kathleen M. O’Toole about the bar owners’ complaints. “The police were doing their job. Yeah, they might have lost some people drinking in their establishments, but our priority last night was public safety.”


    About 700 Boston police officers patrolled the streets after the game, supplemented by 300 officers from nearby departments and other law enforcement agencies.


    City officials declined to speculate on the size of the crowd they are expecting today. An estimated 1.2 million people poured into Boston for the Patriots’ 2002 celebration, and 1.5 million showed up for the team’s 2004 parade and rally. The city held both of those events on weekdays. The crowd at last fall’s Red Sox parade, which was held on a Saturday, was estimated at 3.2 million. Crowd experts have criticized those numbers as inflated, however.


    Andrew Howard, 22, a Suffolk University student who has attended the last two Patriots parades, said today “is a holiday for me and for most Patriots fans.” Howard said he will be skipping a public relations class to show his support.


    “The players give you entertainment all year, and the parade is a way for us to thank them,” he said.


    Others, hampered by the workday scheduling, said they would attend only in spirit. Howard James, 46, a chef at the JFK Federal Building, showed his Patriots pride yesterday by wearing a hat and sweatshirt emblazoned with the team’s logo, but he said he won’t be able to leave the bustling kitchen at lunchtime today.


    “I’ll be looking out the window, and I’ll get the feel of it from there,” James said. “Everyone just can’t walk off from their jobs.”


    Menino acknowledged that high school students will be tempted to skip school for the parade, but he urged them not to, saying, “The Patriots are important, but your education is No. 1.” Thomas W. Payzant, superintendent of Boston schools, sent out an email yesterday emphasizing that students who skip class will be charged with an unexcused absence.


    “We didn’t have much trouble with the Patriots parade last year,” said Boston schools spokesman Jonathan Palumbo. “The high schools saw a noticeable difference, but not a huge number of absences altogether.”


    The MBTA will bolster its commuter rail service from the Route 128 Station in Westwood and the Anderson Regional Transportation Center in Woburn. Throughout the morning, inbound trains will leave from Westwood every 15 minutes and from Woburn every 25-30 minutes. In the afternoon, the regular weekday schedule will be supplemented with extra trips out of North Station and South Station. The MBTA will operate the subway at near rush-hour levels all day.


    Because of the parade, a number of bus routes, including the Silver Line, will be modified between 9 a.m. and 4 p.m. Special parking restrictions also will be enforced on many downtown streets.


    Menino insisted that the event would cost $100,000, far less than the $465,000 spent on last year’s parade and rally. He said the city would seek funding from private sponsors and the federal government. Late yesterday, Bank of America said it pledged $50,000.


    Globe correspondents Madison Park and Janette Neuwahl contributed to this report


     


     
















  •  The Buzz Log – Search Spikes and Trends addtomyyahoo




    The Art of Searching
    Tuesday February 08, 2005 4:00AM PT





    Central Park
    Central Park
    For a lot of reasons, New York City is referred to as “the center of the known universe” — and not just by prideful locals. Smack dab in the middle of this cultural mecca lies the appropriately named Central Park. Formally an oasis of calm, it’s now a hotbed of search activity thanks to Christo and Jeanne-Claude, two artists with a decidedly big picture approach to their craft. Famous for their “wrapping projects,” the pair has just begun installing their latest undertaking, a series of majestic gates, in the Big Apple’s biggest park. Searches on the pair are beginning their inevitable assent, while interest in Central Park (+18%) is climbing as well. Expect the Buzz to burn even brighter once pictures of the completed project begin blowing in the wind.

    Elsewhere on the art circuit, searches on master painter Pablo Picasso are up 51% due to the recent sale of some of his better-known paintings for a cool $17 million. $17 million? Kind of makes us want to get our collection of original sad clown watercolors appraised. But then again, we could never part with those.


  • Ilene Chaiken, the producer of “The L Word.”


    She Likes to Watch


    By ALISON GLOCK




    ‘THE L WORD’
    Showtime
    Sundays at 10 p.m. Eastern, beginning Feb. 20


    ON a brisk afternoon last spring, the auditorium of the Museum of Television and Radio was packed for the “No Limits” seminar on gay television. There was the odd man or two, but the crowd consisted primarily of women, young and fresh scrubbed, wearing low rider jeans, shrunken tees and modern, asymmetrical haircuts. Some held hands. Others whispered excitedly in anticipation.


    The room darkened for a montage of clips. Snippets from “Queer as Folk” and “Will & Grace” clicked by to polite applause. Then a scene from “The L Word,” Showtime’s immensely popular, if soapy, lesbian drama, was screened, and the crowd erupted into deafening cheers.


    Moments later, the show’s creator, Ilene Chaiken, was introduced. Ms. Chaiken, 47, with brown shoulder-length hair and the sinewy body of a martial artist, appeared from backstage and strode the length of the platform in a whisper of a skirt, pink dress shirt and vicious three-inch heels. Whistling filled the air. “Yeah baby!” someone shouted. Ms. Chaiken, with the rigid posture and purposeful air of a guest lecturer, leaked a small smile.


    Later, she confessed that she had felt like an idiot, as she tends to feel when receiving accolades or attention. That’s a frequent occurrence since her show, the first television program devoted exclusively to the social lives of lesbians, was broadcast to critical acclaim and instant popularity. (Its second season begins on Feb. 20.)


    There was no trace of that insecurity onstage, though. Amid the catcalls, Ms. Chaiken settled into her chair, neatly crossed her legs and gazed into the hungry audience, as composed as if she were riding a parade float. She maintained that bearing, even when an older woman in a checked shirt stood up and asked if she could say something.


    “I grew up in the 60′s,” she said, her voice shaking. “When I was a teenager it was rough.” She began to cry. “You are doing something besides making entertainment. You are performing a public service. You’re not just creating television. You are saving lives.”


    The crowd applauded vigorously. “Thank you,” Ms. Chaiken said, but the words went unheard in the noise.


    The next morning over breakfast, Ms. Chaiken seemed to flinch when questioned about that kind of gratitude. “I’ve never felt more gay,” she said. “I never used to forecast as gay. Now, I am the poster child for dykes.”


    Before “The L Word,” lesbian characters barely existed in television. Interested viewers had to search and second-guess, playing parlor games to suss out a character’s sexuality. Cagney and Lacey? Jo on “Facts of Life”? Xena?


    Showtime’s decision in January 2004 to air “The L Word,” which follows the lives of a group of fashionable Los Angeles lesbians, was akin to ending a drought with a monsoon. Women who had rarely seen themselves on the small screen were suddenly able to watch lesbian characters not only living complex, exciting lives, but also making love in restaurant bathrooms and in swimming pools. There was no tentative audience courtship. Instead there was sex, raw and unbridled in that my-goodness way that only cable allows.


    Ms. Chaiken decided that if she was going to create a show about lesbians and their erotic lives, she was going to leave the lights on. “Some of these scenes may be perceived as calculated,” she said. “They weren’t. I do want to move people on some deep level. But I won’t take on the mantle of social responsibility.” That’s not, she says, compatible with entertainment.


    “I rail against the idea that pop television is a political medium,” she said. “I am political in my life. But I am making serialized melodrama. I’m not a cultural missionary.” Like so many high school boys, she just wants to see girls kiss on television.


    Nonetheless, since the debut of “The L Word,” Ms. Chaiken has been named one of Out magazine’s 100 most powerful gay people; called one of the Top 10 lesbians in Hollywood by Power Up, a lesbian activist group in California; been awarded many community role model awards (generally a large chunk of inscribed crystal); and been feted at innumerable human rights galas. “I’m still not sure why one gets to be a community role model for making a TV show,” she said.


    Attending black tie parties, giving speeches and having to “represent,” Ms. Chaiken said, were not developments she had anticipated when, in 1999, after writing a magazine article about same-sex couples with children, she pitched a drama based on her life as a lesbian mother in Los Angeles. “There wasn’t a shred of receptivity,” she recalled. “I got comments like, ‘Wouldn’t it be nice if we lived in the sort of world where this show would be possible?’ ” She temporarily shelved the idea and returned to screenwriting.


    In the meantime, lesbianism became hip. Reality dating shows revealed girls necking in hot tubs. Rosie O’Donnell came out. Girls went wild. Madonna planted one on Britney. Ellen DeGeneres’s sexuality, once viewed as toxic enough to sink a sitcom, morphed into a nonissue benign enough for her to have her own daytime chat show. “From 1999 to now, gay issues entered the political zeitgeist and the television landscape changed drastically,” Ms. Chaiken said. “Stories that before weren’t being told started being consumed avidly.”


    She pitched “The L Word” again in 2001. The next day, she was given the green light.


    “I remember the moment,” she said. “A married, male executive leaned over to me during the Golden Globes and whispered, ‘I think we’re going to do that little lesbian show of yours.’ “


    One recent workday, Ms. Chaiken was in her Los Angeles office watching dailies. Scenes shot in Vancouver, where most of the series is filmed, played on her computer, while she read a script, had a meeting about hiring the playwright Neil LaBute to direct an episode and spoke on the phone to her then partner, Miggi Hood, an architect, about a mayonnaise recipe. Her eyes scanned the room, searching for a place to rest. Her hands trembled, the consequence of acknowledged caffeine abuse.” I never even drank coffee before ‘The L Word,’ ” she said.


    A writer knocked on the door to discuss how they might work Lucinda Williams and Liza Minnelli into an episode. The prospect of Ms. Minnelli was exciting, but they didn’t want to tip too gay. David Stenn, a writer, came in, reporting that a well-known actress had contacted him about being on the show, but only if she didn’t have to do sex scenes. “Would you call Dick Wolf and say you want to work on his latest cop drama but you won’t carry a gun?,” he asked. “Ridiculous.”


    “I get that a lot,” Ms. Chaiken said. “Usually after the hire. I don’t need them to show their bodies, but I do need them to portray lesbian sexuality.”


    She knows that it is her unambiguous and, more important, accurate portrayal of girl-on-girl action that instantly hoisted “The L Word” into the lesbian hall of fame. At the museum panel discussion, a woman confessed she had spent her life “looking for lesbian sex onscreen” and noted that “the sex on ‘The L Word’ is the only sex that I find hot.”


    But if everyone agrees that the sex looks good, some have objected that it looks, well, too good. With classically beautiful actresses like Jennifer Beals, Pam Grier and Mia Kirschner, Ms. Chaiken diplomatically said, “There are those viewers who perhaps rightly take issue with the attractiveness of the cast.”


    The underlying accusation is that she is playing to men, a charge she says she finds mildly annoying since she is, after all, creating a show about sexy young women in Los Angeles, not a documentary about asthmatic mill workers in Pittsburgh.


    “Just telling these stories is in itself a radical act,” she said. And if Showtime expects her to tweak and repackage and make lesbianism hot, hot, hot then she is happy to comply.


    “It must be liberating for Ilene to do a series about her own experiences,” said Robert Greenblatt, president of entertainment for Showtime, who weighs in on final casting decisions. “But ultimately, we want people everywhere to buy it. So yes, the women are all attractive and we make no apologies about that. It’s television. Who wants to watch unattractive people, gay, straight or whatever?”


    Some of the actors say they feel the double bind of making frothy entertainment about an underrepresented demographic. “All sorts of people come up and congratulate me for being on the show,” said Katherine Moennig, who plays the unrepentantly promiscuous Shane. “Inevitably they say, ‘You’re gay, right?’ Why do people care if I’m gay or not?


    “Yes, we’re showing a side of certain women that a lot of people haven’t seen. But how can we represent a society? We’re just a few people. That’s not fair.”


    Ms. Chaiken is resigned to the persistence of this debate. “On the surface it’s just television,” she said. “But I get that this is the first lesbian show ever made. To simply go out and proclaim our existence is meaningful.” She smiles, tightens her ponytail. “And really, it is our turn.”




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