Month: May 2005


  • Jake Chessum for Newsweek

    Coldplay: Trying to ‘get to the very highest level’



      MSNBC.com

    Hot For Coldplay
    They want to be the best, biggest band in the world. Ridiculous, right? But then the last people to talk like that were U2.


    By Devin Gordon

    Newsweek



    May 30 issue – It’s a March afternoon in Los Angeles, and Coldplay has just announced on a local radio station that the band will perform its first live show in a year and a half this evening at the tiny Troubadour, on Sunset Boulevard. Up until now the concert has been a “secret,” meaning that only half the city knew about it. The 300 lucky souls who manage to get in the door—a group that will naturally include singer Chris Martin’s wife, Gwyneth Paltrow, and, completely unnaturally, Don Johnson—will be the first to hear songs from Coldplay’s long-anticipated new CD, “X&Y.” But at the moment the band’s racing through a sound check, and there are only two people in the audience: Coldplay’s publicist, who’s tapping out an apology on her BlackBerry to a prominent magazine editor who’s irked he didn’t know about the gig, and a NEWSWEEK reporter. “Hi,” Martin says into the microphone, “thanks to both of you for coming. I don’t know if you remember us. We used to be big.”


    Once “X&Y” arrives on June 7, big is going to seem awfully small. About 60 seconds into the opening track, “Square One,” a rush of guitar transforms Coldplay into something that, for all its gifts, it has never been: a thunderous rock-and-roll band. It’s a deep, propulsive riff—a far cry from the bewitching melodies that have become Coldplay’s stock in trade—and it sets the tone for an album that is, to put it as simply as possible, huge. Martin has never been shy about his belief that he’s in “the best band in the world,” and “X&Y” is a conscious effort to seize that title by force. “You want to be able to hold your head up high in a room with McCartney and Bono. That’s one of the main things that drives me,” says the singer, 28. “Are we trying to get to the next level? Yes. We’re trying to get to the very highest level. We want to be better than Mozart. That doesn’t mean we are, but that’s what we’re trying for. To me, there’s no point in trying for anything less.”


    Coldplay doesn’t have a reputation for mind-blowing live shows—a major flaw in its resume—but the muscular tunes on “X&Y” should take care of that. It is an album of anthems, built to be heard at supersonic volumes in arenas with 20,000 people. And on song after song, it’s the guitar that puts the band over the top, turning mid-tempo rockers (“White Shadows,” “Talk”) into five-alarm blazes and giving heft to the CD’s two obviously-about-Gwyneth tracks, “What If” and “Fix You.” Both are lovely, but “Fix You,” which is slated to be the second single, is the band’s most elementally moving song since their breakthrough hit “Yellow.” A close reading (“Tears stream/ down your face/when you lose something you can’t replace”) suggests it may be about the death of Paltrow’s father in 2002. Like many of Coldplay’s best songs, it skates on the brink of sentimentality with every note but never tips over. At a recent taping of VH1′s “Storytellers,” Martin called it “probably the most important song we’ve ever written.” He’s right. It’s Coldplay’s “With or Without You.”


    The only thing missing from “X&Y” is a teensy bit of daring. With the exception of the operatic title track, there’s nothing here to match the structural originality of “Politik” from their last CD. Bands like U2 have been able to shed their skin once they’ve explored a sound for all it could offer; Coldplay is early in its career, but it hasn’t hinted at a similar capacity for reinvention. If the band still sounds like this in five years, it won’t have the same impact. At the moment, though, Coldplay may be the only rock band on the planet, U2 excepted, capable of galvanizing a broad, multigenerational audience. Evolution can wait.



    Martin is indisputably Coldplay’s engine, but there are, of course, three other people in the band. A guitarist, a bassist and a drummer—the usual. But it’s a safe bet that you don’t have the slightest idea what their names are. This is probably true even if you own both of Coldplay’s two previous CDs, 2000′s “Parachutes” and 2002′s “A Rush of Blood to the Head,” which have sold a combined 20 million copies worldwide, and even if you’ve read other articles about the band in which they’ve been quoted. By name. At least one of the three men—the guitarist—thinks this is just fine.


    “Nobody knows the other members of bands,” he says an hour after sound check, stretching out his 6-foot-3 frame on a sofa in a cozy suite at L.A.’s Chateau Marmont. “Only the singer. Look at R.E.M. Which one’s the guitarist? The only reason I know Peter Buck’s name is because of that time he got mad on a plane. The only way I could do it”—and by “it” he means achieving the level of fame enjoyed by Martin, who is so famous that his infant daughter, Apple, is better known than the rest of Coldplay combined—”is by getting into some kind of trouble. It could only be infamy.” This is, of course, preposterous. Guitarists, especially, are often just as renowned as the singer. What about Keith Richards? “Massive drug habit.” Come on, he’s not known only for his drug habit. “But if he didn’t have one, would he be as famous?” OK, Jimmy Page? “Witchcraft.” The Edge? “Mustache.” He laughs. “And how many people know his real name? Dave Evans, or whatever it is?”



    Singers, rock-historically, are helium balloons—and guitarists are the guys with the rope around their waist keeping everyone anchored to the ground. The great thing about dynamic duos is that if you hate one of them, you can love the other. Coldplay could be even more compelling, notorious or whatever if its guitarist wasn’t so damn… quiet. Right, Chris? “People who say that are c—s,” says Martin. “It’s the quiet ones you have to watch. China’s pretty quiet, but it’s also very great. When we’re all speaking Chinese in 20 years, people will say, ‘Well, I didn’t realize—they were awfully quiet.’ And when our guitarist is etched in marble all across England, people will say the same thing.” Not if they don’t know what to call him. But the guitar work on “X&Y” is so essential that anonymity won’t be an issue much longer for Jonny Buckland.


    By the way, now that you know it, isn’t that a great name for a guitarist?


    One frigid February afternoon in Manhattan, the members of Coldplay gather in a mixing studio to finish work on “X&Y.” Martin, who’s clad in a black turtleneck and black slacks, has been a dad less than a year. Fatherhood, he says, “is f—ing amazing,” and he insists he wasn’t the least bit petrified the moment he learned he was about to become a parent. “Nobody’s ready for anything,” he says. “That’s life. But we’re talking about a thing in my life—my daughter—that is nothing but positive, that brings me nothing but happiness. I know I have to work hard. I know I can’t quit the band now and become a crack addict. But there are bigger things to fear in life, you know? Going deaf. Having to sit through an Anthony Minghella film.”


    Lyrically, “X&Y” pulses with the anxiety of a man confronting the reality that life will inevitably snatch away the things most dear to him. “With every album we do, we’re two years closer to death,” Martin says with a grin. While he is happy to talk about fatherhood, he gets cagey when asked, point blank, if certain songs on “X&Y” are about his wife and child. “No, not really,” he begins. Then his irritation rises. “I mean, I don’t know. I don’t give a f— what they’re about. They’re about what they’re about.” His bandmates expect to face the same question ad nauseam. “We haven’t practiced any responses—Britney Spears does that sort of thing,” says bassist Guy Berryman, 27. “But if you listen to the lyrics, you can pretty well tell.”


    Domesticity isn’t the only thing that’s changed Coldplay over the past few years. It returned from its 2003 world tour a much different band than when it left. “A Rush of Blood” was a slow-building smash that peaked with its last single, the cascading, piano-driven “Clocks.” “If we tried really hard, I’m sure we could’ve been even more ubiquitous,” says drummer Will Champion, 27, laughing. “But we knew it was time to kind of go away for a bit.” The band had to adjust to life as a mainstream cog, loved and loathed in equal measure. “We’re not a cool band anymore like the Strokes or the White Stripes, and sometimes I feel insecure about that,” says Berryman. “But only occasionally.” Then his eyes gleam. “And we’ll just see who’s around the longest, eh?” Martin admits he winced when Radiohead’s Thom Yorke, one of his heroes, labeled Coldplay “lifestyle music”—a dig at the band’s universality in films, stores, airports and Mom’s iPod. “We’re like an eager dog just yapping around their heels, and they’re trying to kick us away,” he jokes. “It’s like unrequited love. I’m in love with a lot of things. Some of those things love me back. And some of them don’t—and one of them is Radiohead.”



    Trying to raise its game with “X&Y,” Coldplay got off to a sluggish start. (Martin will disclose only two things about the album title: that it refers to the “tension of opposites” and that it was chosen over “The Outstanding Pectorals of Guy Berryman.”) The guys went into the studio less than two weeks after the end of their tour and were still, according to Buckland, a bit too high on the fumes of their own awesomeness. “You get off tour and you think you’re the greatest band ever because you’ve just been playing the same thing over and over, so you’re really good at it,” says the guitarist, 27. “And then you go into the studio, still thinking you’re the greatest ever. So you think—or at least I certainly thought that everything I was writing was great. Then you play it back and you slowly realize, ‘Actually, that’s… that’s not very good’.” After a break to recharge, the guys gathered in a dingy north London rehearsal space, where they spent weeks jamming until things started to click.


    At the mixing studio this evening, Coldplay is finally nearing the finish line with “X&Y.” As Buckland and Champion muck around on their laptops in the next room, Martin and Berryman scrutinize the latest pass at “Fix You.” As the song booms through the speakers, Martin yells out instructions to the engineer. “The first line of the chorus is a bit too… wet. Also, the bass needs to be just a little crisper. It’s meant to sound New Order-ish.” Berryman nods as the engineer fiddles with a dial. There. Perfect. “I can’t listen to it anymore,” says the singer. “There comes a point when you’ve heard something 8 million times and you’ve got to let it go.” It’s late and the band is craving dinner. Martin gets up to leave and grabs his jacket. But if he doesn’t listen to a song more than 8 million times, are we going to? He puts his jacket back down. “OK, one more time.”


    © 2005 Newsweek, Inc.

    © 2005 MSNBC.com


    URL: http://www.msnbc.msn.com/id/7935073/site/newsweek/







  • Jersey City, New Jersey


     




















    Profiles Jersey City, Hudson County, New Jersey local houses, apartments, residents, hotels, hospitals, jobs, schools…


    Back to New Jersey, United States.


    Do you have any pictures of this city?


    Send them to us and we’ll show them to thousands of people!









    Jersey City: Historic Downtown (Barrow and York) Jersey City: Hudson-Bergen Light Rail coming through Jersey City: View from Liberty State Park Jersey City: Downtown
     
    Jersey City, New Jersey map

    Planning a vacation? Current weather forecast for Jersey City, NJ

    Population (year 2000): 240,055, Est. population in July 2002: 240,100 (+0.0% change)
    Males: 117,144 (48.8%), Females: 122,911 (51.2%)


    Elevation: 83 feet


    County: Hudson


    Land area: 14.9 square miles


    Zip codes: .


    Median resident age: 32.4 years
    Median household income: $37,862 (year 2000)
    Median house value: $125,000 (year 2000)


    New: Jersey City, NJ residents, houses, and apartments details


    Races in Jersey City:




    • Black (28.3%)
    • Hispanic (28.3%)
    • White Non-Hispanic (23.6%)
    • Other race (15.1%)
    • Filipino (6.6%)
    • Two or more races (5.8%)
    • Asian Indian (5.4%)
    • Chinese (1.5%)
    • Other Asian (1.3%)
    • American Indian (1.0%)
    • Vietnamese (0.7%)
    • Korean (0.6%)
    (Total can be greater than 100% because Hispanics could be counted in other races)

    Ancestries: Italian (6.6%), Irish (5.6%), Polish (3.0%), Arab (2.8%), German (2.7%), West Indian (2.4%).





    Jersey City, New Jersey map

    For population 25 years and over in Jersey City



    • High school or higher: 72.6%
    • Bachelor’s degree or higher: 27.5%
    • Graduate or professional degree: 9.3%
    • Unemployed: 10.0%
    • Mean travel time to work: 33.8 minutes

    For population 15 years and over in Jersey City city



    • Never married: 40.0%
    • Now married: 41.6%
    • Separated: 4.3%
    • Widowed: 6.9%
    • Divorced: 7.2%

    34.0% Foreign born (13.8% Latin America, 13.8% Asia, 3.5% Africa).










    Jersey City satellite photo by USGS

    Nearest city with pop. 1,000,000+: New York, NY (10.2 miles, pop. 8,008,278).


    Nearest cities: Hoboken, NJ (2.7 miles), Union City, NJ (3.9 miles), Secaucus, NJ (4.5 miles), Bayonne, NJ (5.3 miles), Kearny, NJ (5.7 miles), West New York, NJ (5.8 miles), Harrison, NJ (6.4 miles), Guttenberg, NJ (6.4 miles).



    Single-family new house construction building permits:


    • 1996: 126 buildings, average cost: $51,700
    • 1997: 115 buildings, average cost: $56,000
    • 1998: 66 buildings, average cost: $55,300
    • 1999: 25 buildings, average cost: $131,600
    • 2000: 6 buildings, average cost: $60,800
    • 2001: 27 buildings, average cost: $95,500
    • 2002: 40 buildings, average cost: $190,400
    • 2003: 2 buildings, average cost: $149,100


    Area codes: 201, 551


    New: Jersey City, New Jersey business data: stores, dealers, real estate agents, wholesalers, restaurants…


    Industries providing employment: Educational,health and social services (18.2%), Finance,insurance,real estate,and rental and leasing (12.2%), Professional,scientific,management,administrative,and waste management services (11.4%), Retail trade (10.7%).



    Crime in Jersey City (2002):

    • 21 murders (8.6 per 100,000)
    • 86 rapes (35.1 per 100,000)
    • 1,381 robberies (563.5 per 100,000)
    • 1,419 assaults (579.0 per 100,000)
    • 2,285 burglaries (932.4 per 100,000)
    • 4,694 larceny counts (1915.3 per 100,000)
    • 2,296 auto thefts (936.9 per 100,000)
    • City-data.com crime index = 535.2 (higher means more crime, US average = 330.6)


    Crime in Jersey City (2001):

    • 25 murders (10.3 per 100,000)
    • 89 rapes (36.8 per 100,000)
    • 1,301 robberies (537.5 per 100,000)
    • 1,438 assaults (594.1 per 100,000)
    • 2,350 burglaries (970.9 per 100,000)
    • 4,911 larceny counts (2028.9 per 100,000)
    • 2,413 auto thefts (996.9 per 100,000)
    • City-data.com crime index = 538.4 (higher means more crime)


    Average weather in Jersey City, New Jersey


    Based on data reported by over 4,000 weather stations











































































      Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
    Average temp. (°F) 31.8 34.3 42.4 52.4 62.7 71.6 77.0 75.4 67.8 56.7 46.9 37.0
    High temperature (°F) 38.2 41.2 50.0 60.7 71.1 79.6 84.7 82.9 75.4 64.3 53.6 43.1
    Low temperature (°F) 25.4 27.5 34.7 44.0 54.2 63.5 69.1 67.9 60.3 49.1 40.1 30.8
    Precipitation (in) 4.0 3.0 4.2 4.1 4.5 3.6 4.6 4.1 4.1 3.5 4.0 3.7

     


    Back to the top


    Normal climate around Jersey City, New Jersey


    Based on data reported by main weather stations

















































































































































      Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
    Days with precip. 11 10 11 11 12 10 10 9 9 8 10 11
    Wind speed (mph) 11.2 11.4 11.8 11.0 9.7 9.2 8.6 8.4 8.9 9.3 10.2 10.7
    Morning humidity (%) 71 71 69 66 70 72 73 77 78 78 75 72
    Afternoon humidity (%) 59 55 52 49 52 53 52 54 56 54 57 59
    Sunshine (%) 51 55 57 58 61 64 65 64 62 61 52 49
    Days clear of clouds 8 7 8 7 7 7 7 8 10 11 8 8
    Partly cloudy days 8 8 9 10 11 11 12 12 9 9 9 8
    Cloudy days 15 12 14 13 13 11 11 11 11 11 13 14
    Snowfall (in) 7.5 8.4 4.9 0.8 0.0 0.0 0.0 0.0 0.0 0.0 0.7 5.5

     


    Hospitals/medical centers in Jersey City:


    • CHRIST HOSPITAL (176 PALISADE AVE)
    • GREENVILLE HOSPITAL (1825 KENNEDY BLVD)
    • JERSEY CITY MEDICAL CENTER (50 BALDWIN AVE)
    • ST FRANCIS COMMUNITY HEALTH CENTER (25 WILLIAMS PL)


    Airports certified for carrier operations nearest to Jersey City:

    • PORT AUTH-DWNTN-MANHATTAN/WALL ST (about 5 miles; NEW YORK, NY; ID: JRB)
    • NEWARK LIBERTY INTL (about 8 miles; NEWARK, NJ; ID: EWR)
    • TETERBORO (about 9 miles; TETERBORO, NJ; ID: TEB)

    Other public-use airports nearest to Jersey City:

    • WEST 30TH ST. (about 5 miles; NEW YORK, NY; ID: JRA)
    • NEWARK NR 1 (about 6 miles; NEWARK, NJ; ID: 3N4)
    • NEW YORK SKYPORTS INC (about 7 miles; NEW YORK, NY; ID: 6N7)


    Back to the top


    Local government website: www.city.jackson.ms.us/


    Colleges/Universities in Jersey City:


    • NEW JERSEY CITY UNIVERSITY (Full-time enrollment: 5,582; Location: 2039 KENNEDY BLVD; Public; Website: www.njcu.edu; Offers Master’s degree)
    • HUDSON COUNTY COMMUNITY COLLEGE (FT enrollment: 3,630; Location: 25 JOURNAL SQ; Public; Website: WWW.HUDSON.CC.NJ.US)
    • SAINT PETERS COLLEGE (FT enrollment: 2,643; Location: 2641 KENNEDY BLVD; Private, not-for-profit; Website: www.spc.edu; Offers Master’s degree)
    • THE CHUBB INSTITUTE (FT enrollment: 705; Location: 40 JOURNAL SQ; Private, for-profit)
    • WORLDWIDE EDUCATIONAL SERVICES INC-JERSEY CITY OFF (FT enrollment: 356; Location: 121-125 NEWARK AVE; Private, for-profit; Website: worldwideeducational.com)
    • MICRO TECH TRAINING CENTER (FT enrollment: 103; Location: 3000 KENNEDY BLVD 3RD FLOOR; Private, for-profit)
    • NATURAL MOTION INSTITUTE OF HAIR DESIGN (FT enrollment: 82; Location: 2800 KENNEDY BLVD; Private, for-profit)
    • CHRIST HOSPITAL SCHOOL OF NURSING (FT enrollment: 63; Location: 176 PALISADES AVE; Private, not-for-profit; Website: ChristHospital.org)
    • SAINT FRANCIS HOSPITAL SCHOOL OF NURSING (Location: 1 MCWILLIAMS PL; Private, not-for-profit)
    • HUDSON COUNTY AREA VO TECH SCHOOL-EARL W BYRD (Location: 525 MONTGOMERY; Public)

    Other colleges/universities with over 2000 students near Jersey City:

    • STEVENS INSTITUTE OF TECHNOLOGY (about 3 miles; HOBOKEN, NJ; Full-time enrollment: 2,793)
    • CUNY BOROUGH OF MANHATTAN COMMUNITY COLLEGE (about 5 miles; NEW YORK, NY; FT enrollment: 11,848)
    • PACE UNIVERSITY-NEW YORK (about 5 miles; NEW YORK, NY; FT enrollment: 6,194)
    • NEW YORK UNIVERSITY (about 5 miles; NEW YORK, NY; FT enrollment: 30,699)
    • NEW SCHOOL UNIVERSITY (about 5 miles; NEW YORK, NY; FT enrollment: 6,366)
    • FASHION INSTITUTE OF TECHNOLOGY (about 6 miles; NEW YORK, NY; FT enrollment: 8,092)
    • TECHNICAL CAREER INSTITUTES (about 6 miles; NEW YORK, NY; FT enrollment: 3,830)

    Public high schools in Jersey City:


    • WILLIAM L DICKINSON (Students: 2,755; Location: 2 PALISADE AVE; Grades: 09 – 12)
    • JAMES J FERRIS (Students: 1,536; Location: 35 COLGATE ST; Grades: 09 – 12)
    • HENRY SNYDER (Students: 1,355; Location: 239 BERGEN AVE; Grades: 09 – 12)
    • LINCOLN (Students: 1,092; Location: 60 CRESCENT AVE; Grades: 09 – 12)
    • HCST JERSEY CITY CENTER (Students: 603; Location: 525 MONTGOMERY ST; Grades: 09 – 12)
    • DR RONALD MC NAIR ACAD HS (Students: 594; Location: 123 COLES STREET; Grades: 09 – 12)

    Private high schools in Jersey City:


    • ST PETERS PREPARATORY SCHOOL (Students: 804; Location: 144 GRAND STREET; Grades: 9 – 12; Boys only)
    • HUDSON CATHOLIC REGL HIGH SCH (Students: 518; Location: 790 BERGEN AVENUE; Grades: 9 – 12; Boys only)
    • ST DOMINIC ACADEMY (Students: 485; Location: 2572 KENNEDY BLVD; Grades: 9 – 12; Girls only)
    • ST ALOYSIUS HIGH SCHOOL (Students: 357; Location: 721 WEST SIDE AVENUE; Grades: 9 – 12)
    • ACADEMY OF SAINT ALOYSIUS (Students: 166; Location: 2495 KENNEDY BOULEVARD; Grades: 9 – 12; Girls only)
    • Y C S MAY ACADEMY (Students: 105; Location: 16 BENTLEY AVE-UPPER; Grades: 1 – 12)
    • TET CHRISTIAN ACADEMY (Students: 47; Location: 695 OCEAN AVE; Grades: KG – 12)
    • KENMARE HIGH SCHOOL FOR WOMEN (Students: 44; Location: 89 YORK ST; Grades: 9 – 12; Girls only)


    Biggest public primary/middle schools in Jersey City:


    • NUMBER 23 (Students: 1,534; Location: 143 ROMAINE AVE; Grades: PK – 08)
    • JOSEPH H BRENSINGER 17 (Students: 1,315; Location: 600 BERGEN AVE; Grades: PK – 08)
    • NUMBER 28 (Students: 1,276; Location: 167 HANCOCK AVE; Grades: KG – 08)
    • NUMBER 8 (Students: 1,176; Location: 96 FRANKLIN ST; Grades: PK – 08)
    • NICOLAS COPERNICUS NUM 25 (Students: 1,176; Location: 3385 KENNEDY BLVD; Grades: KG – 08)
    • ALFRED E ZAMPELLA NO 27 (Students: 1,159; Location: 201 NORTH ST; Grades: PK – 08)
    • JOTHAM W WAKEMAN 6 (Students: 1,114; Location: 100 ST PAULS AVE; Grades: PK – 08)
    • NUMBER 24 (Students: 1,046; Location: 220 VIRGINIA AVE; Grades: PK – 08)
    • JAMES F MURRAY 38 (Students: 999; Location: 339 STEGMAN PARKWAY; Grades: PK – 08)
    • WHITNEY M YOUNG JR NUM 15 (Students: 948; Location: 135 STEGMAN ST; Grades: PK – 08)

    Biggest private primary/middle schools in Jersey City:


    • OUR LADY OF MERCY SCHOOL (Students: 555; Location: 254 BARTHOLDI AVENUE; Grades: PK – 8)
    • SAINT PATRICK (Students: 481; Location: 509 BRAMHALL AVENUE; Grades: PK – 8)
    • SAINT ALOYSIUS ELEMENTARY SCHO (Students: 455; Location: 721 WEST SIDE AVENUE; Grades: KG – 8)
    • SACRED HEART ELEMENTARY SCHOOL (Students: 406; Location: 183 BAYVIEW AVENUE; Grades: KG – 8)
    • OUR LADY OF VICTORIES (Students: 398; Location: 240 EGE AVE; Grades: KG – 8)
    • OUR LADY OF MT CARMEL SCHOOL (Students: 361; Location: 95 BROADWAY; Grades: PK – 8)
    • ST ANNE ELEMENTARY SCHOOL (Students: 355; Location: 255 CONGRESS STREET; Grades: PK – 8)
    • ST NICHOLAS SCHOOL (Students: 340; Location: 118 FERRY STREET; Grades: PK – 8)
    • STS JOHN AND ANN SCHOOL (Students: 318; Location: 3044 KENNEDY BOULEVARD; Grades: PK – 8)
    • ST PAUL ELEMENTARY SCHOOL (Students: 278; Location: 193 OLD BERGEN ROAD; Grades: PK – 8)





    Jersey City, New Jersey environmental map by EPA


    Map Legend


    Library in Jersey City:


    • JERSEY CITY FREE PUBLIC LIBRARY (Operating income: $7,194,730; Location: 472 JERSEY AVENUE; 338,163 books; 2,251 audio materials; 8,400 video materials; 640 serial subscriptions)


    Jersey City compared to New Jersey state average:

    • Median house value above state average.
    • Unemployed percentage above state average.
    • Black race population percentage significantly above state average.
    • Hispanic race population percentage significantly above state average.
    • Foreign-born population percentage significantly above state average.
    • Renting percentage above state average.
    • Number of rooms per house below state average.
    • House age above state average.
    • Population density above state average for cities.


    Back to the top



    Strongest AM radio stations in Jersey City:

    • WMCA (570 AM; 50 kW; NEW YORK, NY; Owner: SALEM MEDIA OF NEW YORK, LLC)
    • WOR (710 AM; 50 kW; NEW YORK, NY; Owner: BUCKLEY BROADCASTING CORPORATION)
    • WEPN (1050 AM; 50 kW; NEW YORK, NY; Owner: NEW YORK AM RADIO, LLC)
    • WINS (1010 AM; 50 kW; NEW YORK, NY; Owner: INFINITY BROADCASTING OPERATIONS, INC.)
    • WBBR (1130 AM; 50 kW; NEW YORK, NY; Owner: BLOOMBERG COMMUNICATIONS INC.)
    • WNYC (820 AM; 10 kW; NEW YORK, NY; Owner: WNYC RADIO)
    • WLIB (1190 AM; 30 kW; NEW YORK, NY; Owner: ICBC BROADCAST HOLDINGS-NY, INC.)
    • WADO (1280 AM; 50 kW; NEW YORK, NY; Owner: WADO-AM LICENSE CORP.)
    • WWRL (1600 AM; 25 kW; NEW YORK, NY; Owner: ACCESS.1 COMMUNICATIONS CORP.-NY)
    • WABC (770 AM; 50 kW; NEW YORK, NY; Owner: WABC-AM RADIO, INC.)
    • WQEW (1560 AM; 50 kW; NEW YORK, NY; Owner: THE NEW YORK TIMES ELECTRONIC MEDIA COMPANY)
    • WFAN (660 AM; 50 kW; NEW YORK, NY; Owner: INFINITY BROADCASTING OPERATIONS, INC.)
    • WWRU (1660 AM; 10 kW; JERSEY CITY, NJ; Owner: RADIO UNICA OF NEW YORK LICENSE CORP.)


    Strongest FM radio stations in Jersey City:

    • WNYC-FM (93.9 FM; NEW YORK, NY; Owner: WNYC RADIO)
    • WKTU (103.5 FM; LAKE SUCCESS, NY; Owner: AMFM RADIO LICENSES, LLC)
    • WQCD (101.9 FM; NEW YORK, NY; Owner: EMMIS RADIO LICENSE CORPORATION)
    • WPAT-FM (93.1 FM; PATERSON, NJ; Owner: WPAT LICENSING, INC.)
    • WCAA (105.9 FM; NEWARK, NJ; Owner: WADO-AM LICENSE CORP. (“WADO”))
    • WBAI (99.5 FM; NEW YORK, NY; Owner: PACIFICA FOUNDATION, INC.)
    • WBLS (107.5 FM; NEW YORK, NY; Owner: ICBC BROADCAST HOLDINGS-NY, INC.)
    • WHTZ (100.3 FM; NEWARK, NJ; Owner: AMFM RADIO LICENSES, L.L.C.)
    • WLTW (106.7 FM; NEW YORK, NY; Owner: AMFM NEW YORK LICENSES, LLC)
    • WNEW (102.7 FM; NEW YORK, NY; Owner: INFINITY BROADCASTING OPERATIONS, INC.)
    • WQXR-FM (96.3 FM; NEW YORK, NY; Owner: THE NEW YORK TIMES ELECTRONIC MEDIA COMPANY)
    • WWPR-FM (105.1 FM; NEW YORK, NY; Owner: AMFM RADIO LICENSES, L.L.C.)
    • WXRK (92.3 FM; NEW YORK, NY; Owner: INFINITY BROADCASTING OPERATIONS, INC.)
    • WPLJ (95.5 FM; NEW YORK, NY; Owner: WPLJ-FM RADIO, INC.)
    • WCBS-FM (101.1 FM; NEW YORK, NY; Owner: INFINITY BROADCASTING OPERATIONS, INC.)
    • WAXQ (104.3 FM; NEW YORK, NY; Owner: AMFM NEW YORK LICENSES, LLC)
    • WSKQ-FM (97.9 FM; NEW YORK, NY; Owner: WSKQ LICENSING, INC.)
    • WKCR-FM (89.9 FM; NEW YORK, NY; Owner: TRUSTEES OF COLUMBIA UNIVERSITY IN NEW YORK)
    • WRKS (98.7 FM; NEW YORK, NY; Owner: EMMIS RADIO LICENSE CORP OF NEW YORK)
    • WQHT (97.1 FM; NEW YORK, NY; Owner: EMMIS LICENSE CORPORATION OF NEW YORK)


    TV broadcast stations around Jersey City:

    • WABC-TV (Channel 7; NEW YORK, NY; Owner: AMERICAN BROADCASTING COMPANIES, INC)
    • WWOR-TV (Channel 9; SECAUCUS, NJ; Owner: FOX TELEVISION STATIONS, INC.)
    • WNJU (Channel 47; LINDEN, NJ; Owner: WNJU LICENSE CORPORATION)
    • WNBC (Channel 4; NEW YORK, NY; Owner: NATIONAL BROADCASTING COMPANY, INC.)
    • WNYW (Channel 5; NEW YORK, NY; Owner: FOX TELEVISION STATIONS, INC.)
    • WCBS-TV (Channel 2; NEW YORK, NY; Owner: CBS BROADCASTING INC.)
    • WPIX (Channel 11; NEW YORK, NY; Owner: WPIX, INC.)
    • WNET (Channel 13; NEWARK, NJ; Owner: EDUCATIONAL BROADCASTING CORPORATION)
    • W60AI (Channel 60; NEW YORK, NY; Owner: VENTANA TELEVISION, INC.)
    • WPXN-TV (Channel 31; NEW YORK, NY; Owner: PAXSON COMMUNICATIONS LICENSE COMPANY, LLC)
    • WXTV (Channel 41; PATERSON, NJ; Owner: WXTV LICENSE PARTNERSHIP, G.P.)
    • WFUT (Channel 68; NEWARK, NJ; Owner: UNIVISION NEW YORK LLC)
    • WXNY-LP (Channel 32; NEW YORK, NY; Owner: ISLAND BROADCASTING COMPANY)
    • WKOB-LP (Channel 53; NEW YORK, NY; Owner: WKOB COMMUNICATIONS, INC.)
    • WEBR-CA (Channel 17; MANHATTAN, NY; Owner: K LICENSEE INC.)
    • WNYE-TV (Channel 25; NEW YORK, NY; Owner: NEW YORK CITY BOARD OF EDUCATION)
    • WLBX-LP (Channel 22; CRANFORD, NJ; Owner: RENARD COMMUNICATIONS CORP.)
    • W33BS (Channel 33; DARIEN, CT; Owner: CT&T BROADCASTING, INC.)
    • WNYN-LP (Channel 39; NEW YORK, NY; Owner: ISLAND BROADCASTING COMPANY)
    • WPXO-LP (Channel 34; EAST ORANGE, NJ; Owner: PAXSON COMMUNICATIONS LPTV, INC.)
    • WNXY-LP (Channel 26; NEW YORK, NY; Owner: ISLAND BROADCASTING COMPANY)
    • WNJN (Channel 50; MONTCLAIR, NJ; Owner: NEW JERSEY PUBLIC B/CNG AUTHORITY)
    • W68DN (Channel 68; CHERRY HILL, ETC., NJ; Owner: MARCIA COHEN)
    • WFME-TV (Channel 66; WEST MILFORD, NJ; Owner: FAMILY STATIONS, INC.)
    • WRNN-LP (Channel 57; NYACK, NY; Owner: LP NYACK LIMITED PARTNERSHIP)



     


    Back to the top






    Add new facts and correct factual errors about Jersey City, New Jersey



    City-data.com does not guarantee the accuracy or timeliness of any information on this site.  Use at your own risk.  This data has been compiled from multiple government and commercial sources.  Additional information about hotels, doctors, dentists, jobs, apartments, real estate, travel attractions, weather, and many interactive features are coming soon.  Please stay tuned.










  • The Wall Street Journal

    May 23, 2005







    How Old Media
    Can Survive
    In a New World


    The digital revolution threatens to push the traditional newspaper, television, radio, music and advertising industries into the dustbin of history. Here’s what they might do to avoid the fate.
    May 23, 2005; Page R1

    There’s no question: Traditional media businesses are struggling.


    Newspaper publishers, book publishers, movie studios, music companies, ad agencies, television networks — they’re all trying to figure out how they fit into a new-media world. Their old way of doing business isn’t as profitable as it used to be, but they haven’t found a new way that’s as profitable, either.














    THE JOURNAL REPORT


    [See the full report]1  See the complete Technology report2.
     
     New Media, Beware3
     
     Plus, see a chart3 that shows the declining audience for traditional media outlets.
     

    So we decided to ask a wide group of media experts for their suggestions. What do they think old-media companies should do to survive? The answers ranged from the general to the specific, from the mundane to the far-out. Here’s a look at what’s ailing various media industries — and what our experts suggest to help cure their ills.


    NETWORK NEWS


    In April, CBS News correspondent John Roberts appeared on the Evening News without a tie for the first time — a small cosmetic alteration meant to strike a casual tone and appeal to a younger audience. But in an era in which the nightly news is losing esteem and viewers, an open collar will only get the networks so far.


    TV news broadcasts have been in a state of crisis ever since CNN emerged as a competitor in the 1980s. The nightly broadcasts on ABC, CBS and NBC have had a 28.4% decline in total viewers since 1991, according to Nielsen Media Research. With the rise of cable outlets like Fox News Channel and the advent of online news sources, blogs and email alerts, the crisis only grows more acute.


    Allow the viewer behind the screen. Corey Bergman, a local-television news producer in Seattle who blogs about technology innovations in TV news at the site LostRemote.com4, maintains that networks need to engage viewers in a conversation. That means tearing down the facade of how news is made. He suggests posting full, unedited video of interviews online. Networks also might present behind-the-scenes clips showing the creation of a news program from inception to broadcast, and let viewers relay feedback to help further report the story. “The end result is more accountability and more credibility,” he says, “something the networks could use.”














    QUESTION OF THE DAY


    [art]
    Which form of “traditional” media is most likely to become obsolete over the next 25 years? Cast your vote5.


    Broadcast beyond the TV. Networks are just beginning to pay lip service to digital media as a way of getting ahead of the next curve. Last June, Walt Disney Co.’s ABC News launched a Web broadcast called ABC News Now that delivers information 24 hours a day. Viacom Inc.’s CBS recently announced a similar initiative.


    Bernard Gershon, senior vice president and general manager of ABC News’ Digital Media Group — who spearheaded ABC News Now — says offering 24-hour news online is only the beginning. ABC News Now has begun delivering content for Sony Corp.’s PlayStation portable device and other mobile gadgets by partnering with companies like Idetic Inc., Berkeley, Calif., which delivers video content to cellphone and handheld-gadget users. Subscribers can select and download news clips edited for quick viewing, or stream ABC News Now in real time. “Now we’re going to create it for any screen you’re looking at the content on,” Mr. Gershon says.


    Form overseas alliances. Not everyone thinks technology alone can save network news. As viewership shrinks, so do operating budgets for news gathering, especially expensive overseas reporting. Larry Ellin, an associate professor at the S.I. Newhouse School of Public Communications at Syracuse University, suggests that network news organizations create strategic alliances with outlets around the globe. Instead of sending NBC News anchor Brian Williams to cover a tsunami after the fact, networks could broadcast current reportage from Indonesian news agencies that know the territory.


    Audiences might respond to the authenticity and novelty of the content. “People aren’t going to the Internet because it looks like a newspaper,” Mr. Ellin says. “It’s because they’re getting something exotic and fresh and new and unfiltered. It’s like eating French cheese. It hasn’t been pasteurized. And it’s good.”



    Joe Hagan


    NETWORK TV


    The six broadcast networks — ABC, CBS, Fox, NBC, UPN and the WB — are facing big threats. Aside from the ascent of cable channels and videogames, there’s the evolution of the DVD and the birth of broadband and wireless technologies — not to mention the creation of satellite radio, high-definition TV and digital video recorders like TiVo. In 1978, the three original broadcast networks captured about 90% of the prime-time audience. Today, it’s less than 50%.


    Cut prime time. The Big Three networks deliver 22 hours a week of prime-time programming; Robert Thompson, director of Syracuse University’s Center for the Study of Popular Television, says networks could cut that back dramatically, to 15. Filling 22 hours with quality TV is impossible, Mr. Thompson argues, especially with the costs of making shows soaring. “Right now you’ve got to throw on a bunch of expensive stinkers just to keep the lights on,” he says.


    Instead of network shows, local affiliates could run cheaper, more profitable fare such as news, game shows or sitcoms in syndication. The networks would save money on prime-time programming, and the local stations they own would pump increased revenue.

    [image]

    Weep while you work. Tom Wolzien, an analyst at Sanford C. Bernstein & Co., thinks networks should make it easier for workers to see programs at their desks. In a recent study, he found that the number of women aged 18 to 49 with broadband access at work roughly matches the number who are at home during the day. “Web delivery of soap operas could potentially double network profits,” he says.


    Many employers, obviously, would block the shows. But Mr. Wolzien figures that profits would soar if even 5% of women with broadband access at work tune in. He adds that this model might work for other types of daytime programming as well, such as sports.


    Let the new blood in. Ron Simon, television curator at New York’s Museum of Television and Radio, thinks the government should force TV networks to set aside time for independent or upstart production companies. The TV business used to have such a requirement — the Prime Time Access Rule. Created in 1970, the rule required networks to reserve part of prime time for affiliates to program independently. The goal was to encourage program diversity and the growth of independent producers.


    Mr. Simon advocates reinstating the rule, which was repealed in 1996 under heavy lobbying from Big Media. He acknowledges that the rule spawned lots of mundane but profitable TV — but it also helped create some highly regarded hits, such as “The Muppet Show.” Independent production companies, because they’re more likely to take risks than the big studios, are more likely to come up fresh programming that pops, he says.


    “Sometimes regulation is a good thing,” Mr. Simon says.



    Brooks Barnes


    NEWSPAPERS


    The headlines for the newspaper industry have been somber for some time. The Internet and other electronic-media platforms are drawing ad dollars away, and daily U.S. newspaper circulation recently took its biggest tumble in nearly a decade, falling 1.9% in the six-month period ended March 31, according to the Audit Bureau of Circulations.


    With younger readers gleaning their news elsewhere — whether “The Daily Show” or Google’s news Web site — newspapers have strong competition that can offer even fresher information in an easier-to-use format. Our experts advise newspapers to experiment with their Web sites and other high-tech ventures as a way to snag this new digital audience.


    Thin more about news, less about paper. When Andrew Swinand, a senior vice president and group client director at Publicis Groupe SA’s Starcom Worldwide, visits with newspaper executives, he says he hears too much focus on circulation, and not enough talk about creating more ideas and venues for news content.


    For instance, Mr. Swinand says papers shouldn’t just use their online sites to post the same stories readers can see in print. Some reporters should be allowed to craft blogs about their topic of expertise. Readers should be able to add comments and reaction to a story in an online community.


    Let readers customize their own newspaper. “The newspaper of the future is going to be a coalition of niche products,” says S.W. “Sammy” Papert III, chairman and CEO of Belden Associates, a Dallas newspaper-industry consultant. That means, for instance, that newspapers should offer online readers — who are used to hunting for narrowly focused information that interests them — an opportunity to create a specialized newspaper according to their areas of interest. So, for example, newspapers might allow their readers to click a few buttons and see all of a paper’s coverage about local politics, excluding everything else. Or readers might opt for a page devoted to sports or cultural news.


    Follow readers around. Ad executives think a crucial element of newspapers’ future will be alerts: periodic news updates sent to Web-surfing cellphones and pocket-pinging BlackBerries. The ability to deliver information that’s relevant to a consumer can help a publisher form an invaluable link with that person.


    “I don’t want my phone to buzz or ding or vibrate every 30 seconds with breaking news, but two or three times a day, I think I might be interested in catching up on sports events or some kind of breaking-news event that was of national stature,” says Ty Montague, co-president and chief creative officer of WPP Group PLC’s JWT New York. “I would definitely want to be alerted to that.”



    Brian Steinberg


    ADVERTISING


    Never has the advertising industry — whose best-known product remains the 30-second TV commercial — faced such wide-ranging threats. Ad-skipping devices, including TiVo Inc.’s digital video recorder, continue to penetrate U.S. homes. The spread of portable electronic devices means the average couch potato can consume media on the go — without ads. New programming venues such as broadband entertainment online and video on demand will only make it more difficult to catch consumers with traditional ads. Meanwhile, marketers have become more demanding, asking for better proof that the billions of dollars they sink into advertising actually pay off.


    Tailor your garment. As media outlets proliferate, they’re getting more focused. Advertisers need to narrow their efforts to their new narrower audiences, making ads relevant to those who are seeing them. This can mean creating TV ads that play off the programs they support, or individual magazine ads that are crafted for readers of one specific title.


    “There is not a one-size-fits-all approach to media that works for every brand, every time,” says Jim Stengel, global marketing officer at Procter & Gamble Co. This tailoring has been done before, but it is gaining increasing popularity among advertisers who want their messages to fit into consumers’ lives. It’s also easier than ever, given the rise of digital technology that makes manipulation of images much easier.


    Larry Light, executive vice president and global chief marketing officer of McDonald’s Corp., points to the company’s “I’m Lovin’ It” campaign, which uses the slogan as a unifying theme but does different things to appeal to different demographics. For example, the ad for a new fruit and walnut salad — aimed at women — features animated female characters. But a print ad aimed at a younger, male audience shows a young man with a strange hairdo above a picture of coffee and a McGriddles sandwich. The caption: “Bad Night? Good Morning.”


    Turn ads into programming. “We are thinking less about traditional paid-media advertising,” says Chuck Porter, chairman of Crispin Porter + Bogusky, a Miami ad shop. “To an awful lot of people, in general terms, advertising has taken on a much broader meaning: What can we do to make this brand famous?”


    So, instead of producing straightforward commercial campaigns, ad agencies would create entertaining programming around brand names — things that viewers want to tune in, download or read for their own sake. For instance, Crispin helped Burger King stage a fight between two actors dressed as chickens, meant to symbolize two TenderCrisp sandwiches the fast-food chain offered. The effort involved a Web site, ads showing things such as a weigh-in and, ultimately, an event on DirecTV.


    Advertise where least expected. If consumers are growing inured to traditional advertising, marketers must find a different route. “The old-media world told us we should jam our commercials in between their programming,” suggests James Vincent, a global managing director on Apple Computer Inc. business at Omnicom Group Inc.’s TBWAChiatDay. “What if a brand could communicate in a longer format? You can do that on the Internet or in places that become destinations.”


    He points to Apple’s retail stores as an example. Since the stores are operated by Apple, much of the in-store marketing is focused on the company’s products, and Apple can shape sales and other promotions. The outlets also feature events and workshops that get all kinds of customers to spend more time learning about Apple products and ideas.



    Brian Steinberg


    BOOK PUBLISHERS


    The biggest challenge facing book publishing today is winning over a younger generation that has made space on its shelves for Apple’s iPod music player and Sony’s PlayStation — but not many books. A report last summer by the National Endowment for the Arts found that the steepest decline in literary reading between 1982 and 2002 took place among the youngest age groups surveyed.


    Meet and greet. Ron Chernow, a leading biographer and author of such books as “Alexander Hamilton” and “Titan,” says he worries that the screen is replacing the printed page. He suggests that publishers send authors into the public schools so that the process of writing is demystified.


    “Publishers tend to be preoccupied with their immediate audience,” says Mr. Chernow. “They can and should think in terms of programs where writers go into the schools. There might not be an immediate commercial benefit, but there could be a long-term advantage in terms of creating future readers.”


    Mr. Chernow says he has been involved with such programs in the past, and that they were effective. It helps significantly, he adds, when kids are given free books. “To actually have a chance to meet and discuss books with a living author stimulates reading,” he says.


    Don’t get bound to paper. Richard Sarnoff, president of Bertelsmann AG’s Random House Ventures, says publishers need to think beyond the printed page and find ways to reach younger readers with books that don’t sit on shelves.


    For instance, Random House is planning to deliver strategy tips to cellphones from videogame guides published by the company’s Prima Games imprint. Random House also made an early, and significant, investment in Audible Inc., a publicly traded Internet venture that sells digital audio books that can be downloaded onto iPods and other MP3 players, as well as cellphones. “On a long-term basis, we have to create a thriving new base of readers,” says Mr. Sarnoff.


    Learn a new language. Lee Byrd, co-publisher of Cinco Puntos Press in El Paso, Texas, says publishers need to do a better job reaching a growing group of future book buyers: Spanish-speaking children. Ms. Byrd, whose publishing house focuses on children’s books that often feature Spanish and English on the same page, says, “Publishing ‘Little Red Riding Hood’ in Spanish isn’t going to get the job done. Kids want to read about their culture in their books.”


    Ms. Byrd urges publishers to find stories that reflect Spanish-speaking traditions. She cites “La Llorona/The Weeping Woman” by Joe Hayes, which has 105,000 paperback and hardcover copies in print, as an example of a book rooted in the Spanish-speaking culture. Ms. Byrd says that the ghost story, which involves a spurned wife who kills her children and immediately regrets it, is widely known in various forms throughout Latin America.



    Jeffrey A. Trachtenberg


    MOVIES


    The movie business is getting it from all sides. DVD-producing pirates siphon off customers who might otherwise buy a multiplex ticket or legitimate disc. Customers who once might have relied on movies for entertainment can choose from an increasing variety of alternatives, from videogames to the Internet. And internally, the studios are struggling to deal with technological issues, like how to introduce the next generation of DVD.


    Expand the role of the multiplex. The filmgoing experience should “keep on evolving and changing,” says Mark Cuban, who co-owns high-definition cable and satellite broadcaster HDNet along with the Landmark Theaters chain. Theaters can become “out-of-home entertainment hubs to watch not just movies, but live feeds of concerts, sporting events and probably even multiplayer gaming events.”


    To vie with the increasing sophistication of home-entertainment systems, theaters need to add some frills. More luxury reserved-seating theaters, chairs that can move in conjunction with onscreen action, and cocktail service in the theater would be a start.


    Forget DVDs. It may come as bad news to studios, which are currently embroiled in complicated negotiations over the launch of the next generation of DVD, but they should start thinking beyond putting movies on a disc. “Physical media is going to be supplanted over time with material that sits in a hard drive,” says Curt Marvis, chief executive of CinemaNow Inc., a Marina del Rey, Calif., movie-downloading service. That way, he argues, studios could take advantage of all the copy protection and bonus features of a next-generation DVD, and lose the expense and hassle of packaging and shipping the actual disc.

    [image]

    Movie owners would be able to use networking to zap movies to any television in their house, or any portable player they own, without having to search through bookcases and under sofa cushions for the right disc. “We’ll enable consumers to watch content anywhere, anytime, on any device,” says Mitch Singer, executive vice president of the digital-policy group at Sony Pictures.


    Send movies home earlier. Right now, movies have a fixed dance card: first a few weeks in theaters, then a few weeks on pay-per-view television, then DVD. Maybe a year or more after its original release, the movie hits free television. But that system limits the revenue studios can get. Many moviegoers never get around to visiting the theater, and have lost interest in the title by the time it comes out on DVD.


    Warren Lieberfarb, a Hollywood consultant and former Warner Bros. executive, says he has a better idea. He advocates making movies available at home at the same time they go into theaters, but on a limited basis — for example, home watchers could have access to the movie for only 24 hours. They should also pay a stiff premium over the price of a movie ticket — perhaps $40 per household, assuming several people will watch it.


    “The economics of movie production are going to drive wider distribution,” Mr. Lieberfarb says. “It will become irresistible for the studios.”



    Sarah McBride


    MUSIC


    After five wrenching years of piracy and other troubles, the $33 billion global music industry has barely begun to show signs of a possible recovery. Lawsuits and other tactics may or may not have put any dent in piracy. The long slide in album sales hasn’t stopped, while new delivery methods, such as online sales to computers and wireless sales to cellphones, currently make up only about 2% of sales. That share is likely to climb to only about 15% to 20% in coming years. And it remains to be seen whether consumers will deem DualDiscs, which add DVD content to the flip side of a CD, a more compelling proposition than plain CDs.


    Embrace the enemy. Wayne Rosso, president of Mashboxx LLC, believes the music business needs to do the once unthinkable: Give an online file-sharing network — namely, the one he runs — license to distribute its releases legitimately.


    File-sharing companies came under fire from the music industry for allowing users to swap songs illegally. Grokster, where Mr. Rosso used to work, is the target of an entertainment-industry lawsuit now pending before the U.S. Supreme Court.


    But, he argues, Mashboxx is different. The site has built-in controls designed to make users pay for licensed content, while letting them freely trade only unregistered material. File-sharing services, he says, are more attractive than download sites like Apple’s iTunes Music Store, because users will swap songs from their personal collections — making available millions of obscure tracks that may not be sold anywhere.


    Go mobile. Last year, Apple sold seven million iPods. But music executives have their eyes on a much bigger market: cellphones, which last year sold roughly 80 million in this country. For now at least, you can’t buy tunes on your mobile service plan. Thirty-second ringtone snippets, sure. But not full-length, stereo songs. That’s likely to change soon with a new generation of handsets and advanced wireless networks, and music executives are salivating at what they view as a massive opportunity.


    Adam Klein, executive vice president of strategy and business development at EMI Group PLC, calls mobile phones “a very attractive environment” compared with the Internet. Whereas people are used to getting content free online, he says, they are accustomed to seeing items tacked onto their phone bill. And, Mr. Klein points out, the cellphone has become an indispensable accessory of modern life — and one day it may become a tiny music store that goes everywhere with you.


    Don’t sell music — sell musicians. Record companies are in a paradoxical bind. Sales of recorded music have been falling for five years running. But musicians are more in demand than ever among a host of media and advertising outlets, from film studios to fashion labels to liquor companies. So Jimmy Iovine, chairman of Vivendi Universal SA’s Interscope Geffen A&M Records, reasons it’s high time people like him look for more outside deals to take advantage of their artists’ visibility.


    Mr. Iovine’s company has struck a movie-development deal with Viacom’s MTV Films and explored launching a music-video cable channel. Sony and Bertelsmann’s Sony BMG Music Entertainment has said it is exploring a film-development arrangement of its own, although details are scarce.



    Ethan Smith




    The Media Get a Message


    A look at the declining audience for traditional media outlets


    Circulation Problems
    The state of the newspaper business. Circulation numbers are in millions.



















































































    YEAR 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003*
    Total Number of Daily Newspapers 1,611 1,586 1,570 1,556 1,548 1,533 1,520 1,509 1,489 1,483 1,480 1,468 1,457 1,456
    Total Daily Circulation 62.3 60.7 60.2 59.8 59.3 58.2 57.0 56.7 56.2 56.0 55.7 55.6 55.2 55.2
    Total Number of Sunday Newspapers 863 875 891 884 886 888 890 903 898 905 917 913 913 917
    Total Sunday Circulation 62.6 62.1 62.2 62.6 62.3 61.2 60.8 60.5 60.1 59.9 59.4 59.1 58.8 58.5

    *preliminary
    Source: Newspaper Association of America









    URL for this article:
    http://online.wsj.com/article/0,,SB111643067458336994,00.html

    Hyperlinks in this Article:
    (1) http://online.wsj.com/page/0,,2_1153,00.html
    (2) http://online.wsj.com/page/0,,2_1153,00.html
    (3) http://online.wsj.com/article/0,,SB111644782574937247,00.html
    (4) http://www.LostRemote.com
    (5)


  • May 22, 2005
    Can You Catch Obsessive-Compulsive Disorder?
    By LISA BELKIN

    To suffer from obsessive-compulsive disorder, many patients say, is to ”know you are crazy.” Other forms of psychosis may envelop the sufferers until they inhabit the delusion. Part of the torture of O.C.D. is, as patients describe it, watching as if from the outside as they act out their obsessions — knowing that they are being irrational, but not being able to stop. They describe thoughts crowding their minds, nattering at them incessantly — anxious thoughts, sexual thoughts, violent thoughts, sometimes all at the same time. Is the front door locked? Are there germs on my hands? Am I a murderer if I step on an ant? And they describe increasingly elaborate rituals to assuage those thoughts — checking and rechecking door locks, washing and rewashing hands, walking carefully, slowly and in bizarre patterns to avoid stepping on anything. They feel driven to do things they know make no sense.

    There are researchers who believe that some of this disturbing cacophony — specifically a subset found only in children — is caused by something familiar and common. They call it Pediatric Autoimmune Neuropsychiatric Disorders Associated With Streptococcal Infection, or, because every disease needs an acronym, Pandas. And they are certain it is brought on by strep throat — or more specifically, by the antibodies created to fight strep throat.

    If they are right, it is a compelling breakthrough, a map of the link between bacteria and at least one subcategory of mental illness. And if bacteria can cause O.C.D., then an antibiotic might mitigate or prevent it — a Promised Land of a concept to parents who have watched their children change overnight from exuberant, confident and familiar to doubt-ridden, fear-laden strangers.

    Child psychiatrists have long known that sometimes O.C.D. in children can be like that, that it can come on fast, out of the blue, like a plague, and then last anywhere from days to months. If the typical graph of O.C.D. symptoms is a sine curve — with episodes that ramp up slowly, peak gradually, then abate just as slowly — the graph of rapid-onset O.C.D. is saw-toothed — flat, then a sudden spike, followed by a relatively sharp drop, then flat again.

    The patterns certainly look as if they could be two separate disorders, with similar symptoms but different causes. Across the country, many doctors are convinced of this and are putting young sudden-onset O.C.D. patients on long-term doses of antibiotics. ”If I were to place bets,” says Judith Rapoport, the child psychiatrist who first brought O.C.D. to public attention with her book ”The Boy Who Couldn’t Stop Washing,” that bet would be on the side of those who believe in Pandas.

    But as certain as some researchers are, there are others, just as smart, with just as many impressive publications and titles, who think the theory is wrong or, at best, that it is too early to tell. And this group is warning that the Pandas hypothesis is misguided, perhaps even dangerous. ”Equivocal, controversial, unproven,” Dr. Stanford Shulman, chief of infectious disease at Children’s Memorial Hospital in Chicago, says of the theory.

    Pandas stands at a familiar, necessary and utterly frustrating moment in medicine — in the gap between what doctors think and what they know. Practically every byte of scientific knowledge passes through a moment like this, on its way to being accepted as fact or dismissed as falsehood.

    It has always been so, but in recent years several things about the process have changed. Science now does its thinking in public, with each incremental advance readily available online. And those waiting for answers are less patient and more involved. They don’t ask their doctors; they bring their own suggestions. They don’t want to wait for the results of a two-year double-blind placebo-controlled clinical trial before they act.

    Which means that they often find themselves acting before all the facts are in. Can strep bacteria cause obsessive-compulsive disorder? Do these children need penicillin or Prozac? Will we look back on these questions years from now and think, How could we have believed? Or, rather, How could we have doubted?


    The most vocal voice in support of Pandas is Susan E. Swedo, a pediatrician and researcher at the National Institute of Mental Health. She was the first to identify the syndrome, and the one who gave it a name. She has been studying the relationship between strep and O.C.D. for her entire career.

    She began her work in the 80′s, a time of discovery in the world of obsessive-compulsive disorder. Although the disease had long been known, it was not until 20 years ago that researchers began to understand how prevalent it was and not until a decade later that they came to see how often it occurred in children.

    In 1989, Rapoport published her best-selling book, taking the illness into the mainstream spotlight. When the television program ”20/20” ran a segment about her book, it prompted 250,000 calls from worried parents who thought they recognized their children. And a good number of them, Rapoport says, were right. She estimates that more than one million children in the United States suffer from O.C.D. In fact, she argues, the disorder is one that often begins in childhood, which is why doctors should start looking for it then. Half of all adult O.C.D. patients look back and remember having repetitive thoughts and rituals when they were young, which is significantly higher than the percentage of adults with other psychiatric disorders who do.

    Rapoport strongly suspected that there was a medical model for at least some percentage of O.C.D. sufferers — that the symptoms were not a result of emotional trauma (Freud’s belief that it is caused by overly strict toilet training had long since fallen out of favor) but rather were caused by a biological trigger. She and her research fellows at the N.I.M.H. spent several years looking into it. Swedo was one of those fellows.

    Research had already shown that O.C.D. symptoms appear when there is damage to the basal ganglia, which is a cluster of neurons in the brain that acts as a gatekeeper for movement, thought and emotion. ”So we set out to find every known condition that involved abnormalities of the basal ganglia,” Swedo remembers.

    Huntington’s disease was one. Parkinson’s was another. Also on the list was Sydenham’s chorea — a movement disorder known to medicine since before the Middle Ages, when it was called Saint Vitus’ dance. About 70 percent of patients who develop Sydenham’s also develop O.C.D. Sydenham’s is caused by rheumatic fever; rheumatic fever is in turn caused by Group A beta-hemolytic streptococcal bacteria. In other words, strep throat.

    The biological cascade from strep to Sydenham’s starts when the body, thinking it is fighting the infection, begins to fight itself in a process known as molecular mimicry. The protein sheath that coats each invading bacterium cell is remarkably similar to the one that coats the native cells that form a particular part of the body. In this case, the protein code on the strep bacteria is a close match with the code on the cells in the basal ganglia. So the antibodies mistake the basal ganglia for strep and attack. This, of course, will not happen to every child who has strep throat, or even to most children, in the same way that every child who gets strep does not get rheumatic fever. ”It’s the wrong germ in the wrong child at the wrong time,” says Swedo, who suspects that some children are genetically predisposed toward Pandas.

    By the mid-90′s, Swedo had graduated to her own research laboratory at the National Institute of Mental Health. Back then the status of her research looked like this: O.C.D., she knew, could be caused by damage to the basal ganglia. Sydenham’s, too, was a result of such damage. Strep, by all accounts, was the cause of the damage in Sydenham’s patients. Sydenham’s patients often developed O.C.D. Given all that, the next logical question seemed obvious: Can strep cause O.C.D.?

    Swedo turned her attention anew to that subgroup of patients who developed their symptoms seemingly overnight. She and her collaborators hypothesized that this difference in onset could be the key to something important, a separate category, a differentiating wrinkle in a familiar pattern. It might not be the key to decoding the cause of all O.C.D., but it might explain some percentage of cases.

    Swedo and her researchers put out a request among those who treat and suffer from O.C.D., looking for subjects — children whose symptoms had come on suddenly. They received hundreds of calls and then determined that 109 of those children could accurately be described as having had a rapid onset of symptoms. The stories the parents told, while different in their particulars, were remarkably similar at their core. The symptoms came on so quickly that most parents could tell you the exact date that their children’s personalities changed. All these children woke up one morning, in the words of one parent, ”full-blown somebody else.”

    The exact nature of the obsessions and compulsions differed from child to child (a fact that makes all O.C.D. tricky to diagnose). Some could not stop washing their hands or insisting they needed to use the toilet or checking to make sure that doors were closed and locked. Some developed overwhelming separation anxiety or worried that they would harm someone or do something wrong.

    Some had one cluster of these symptoms during their first episode and a different set of symptoms the next time around. Nearly half complained of joint pain, but not always of a sore throat. They were fidgety and moody and obstinate. They had ”bad thoughts,” some sexual, some violent, some frightening, that they could not get out of their heads.

    The children were then tested for evidence that they had recently had strep — either via throat culture, which would find active infection, or by a blood test that measures antibodies remaining after the actual infection is gone, or, when the episode was too long ago for either test to be effective, researchers asked about a remembered history of strep. In a striking percentage of cases, the search for strep came up positive.


    Disagreement is what propels all of science. Proof and disproof seems almost a requirement on the road to consensus. Copernicus’s theory that the planets revolve around the sun was not fully accepted until long after his death. Pythagoras and Aristotle each suggested that the world was round, but the idea was not widely accepted for many centuries. Dr. Ignaz Semmelweis was mocked and ostracized for suggesting that by simply washing their hands, doctors could prevent women from dying during childbirth. It would be another quarter-century before Louis Pasteur and Joseph Lister confirmed that destroying germs stops the spread of disease. Much more recently, doctors were exuberant when brain surgery seemed to halt the progression of Parkinson’s disease and bone-marrow transplants seemed to beat back breast cancer. But the excitement dimmed as further study found the initial data to be overly optimistic. Perhaps most significant to the discussion of Pandas, strep has been proposed as the cause of a number of conditions over the years, including Kawaski disease, but subsequent studies have repudiated the theories.

    ”The history of medicine is full of these examples,” says Dr. Barron Lerner, a medical historian at Columbia University Medical Center, describing fact later shown to be quackery, flights of fancy that turn out to be fact and many ideas that bounce for decades in the shades of gray between the two. ”What looks like it’s there sometimes turns out not to be there,” Lerner says, ”and what everybody is sure of sometimes turns out not to be certain.”

    Swedo and her collaborators published several small preliminary studies during the late 90′s, and their first major paper claiming that Pandas was a separate syndrome appeared in 1998 in The American Journal of Psychiatry. Called ”Pediatric Autoimmune Neuropsychiatric Disorders Associated With Streptococcal Infections: Clinical Description of the First 50 Cases,” it is exactly that, a description of children who develop O.C.D. after exposure to Type A strep.

    In a way, the description is a tautology — Pandas is classified as O.C.D. associated with strep, and therefore the only children who qualify for the diagnosis are those who have had recent strep. Swedo took the 109 rapid-onset cases and narrowed those to 50 that met her Pandas criteria, which means that 59 cases were triggered by something other than strep throat. She considers the results important, because at nearly 50 percent, the incidence of strep is far higher than would be expected in the general population and therefore statistically significant. But she agrees that her findings do not explain the cause of all O.C.D., or even all rapid-onset O.C.D.

    Despite the details still up in the air, the existence of Pandas was compelling to many doctors. They saw it as inherently logical, and it gave a name to some otherwise mysterious cases that passed through their waiting rooms. ”There is no doubt in my mind,” says Tamar Chansky, a child psychologist specializing in childhood anxiety disorders and the author of ”Freeing Your Child From Obsessive Compulsive Disorder,” which devotes a long section to recognizing Pandas.

    Not only is it real, says Chansky, who treats several patients who suffer from the disorder, but she has also noticed that each episode is often worse than the one before, creating the possibility that unless these children are treated prophylactically for strep, their O.C.D. episodes could be longer, more intense and more frequent.

    ”Yes, it is controversial, but I believe it is real,” agrees Dr. Azra Sehic, a pediatrician in Kingston, Pa. One of the first times Sehic encountered Pandas was when she saw it in one of her patients, Maury Cronauer. Just before Memorial Day in 2003, when she was 6, Maury became ill with strep throat. She was treated with antibiotics and one morning soon after started acting ”odd,” says her mother, Michelle, who is a nurse. A girl who never worried much about germs, Maury started washing her hands constantly, the most common symptom of O.C.D.

    By the next day she was hysterical, saying horrid thoughts were in her head. She wasn’t sure she loved her parents. She thought she was going to cheat at school or steal something. She wanted the racing thoughts to go away, and at one point her parents found her curled in a ball in the laundry room, her eyes crammed shut and her hands over her ears.

    Sehic mentioned to Maury’s parents that the strep might be the cause of her symptoms. She prescribed a longer course of antibiotics, to eliminate any lingering strep bacteria, which might signal the body to create more antibodies.

    The O.C.D. went away. A year and a half later, Maury got strep throat again, and the O.C.D. symptoms returned. She is now taking prophylactic penicillin, an approach that is also controversial. ”It is not proven that it will help her, but it is likely that it will, so we are trying,” Sehic says.

    As Pandas was becoming widely known, and as doctors began using antibiotics as a first salvo against obsession, there was ever more research under way. Swedo was a co-author of 30 journal articles between 1998 and 2005. Across the country other lab groups took up the subject as well, and there are dozens more publications in which Swedo played no role.

    Some of these merely confirmed the existence of the subgroup Swedo had described. Other studies were designed to take knowledge of Pandas to the next level — from description to proof. What Swedo had done was identify a group in which two things were true: O.C.D. developed suddenly, and the children had evidence of recent strep. But that does not prove that the strep caused the O.C.D. Nearly all of science is a search for cause and effect — that A made B happen, that C made B stop.

    The bane of all science is coincidence. For example, a notable percentage of children develop their first signs of autism soon after a vaccination, and it is tempting to blame the shot for the symptoms. But autism as a rule tends to show itself during the years when children are also scheduled to receive fairly regular immunizations. So the odds are good that the two events will be temporally linked.

    Separating correlation from causation is where every research road becomes bumpy. ”It’s been more complicated to follow up on this than we ever thought it was going to be,” Rapoport says.

    There have been studies with results that were remarkably clear-cut — the plasmapheresis trials, for instance. Plasmapheresis, also known as therapeutic plasma exchange, is essentially a cleansing of the blood, somewhat like dialysis. If strep antibodies were responsible for O.C.D. symptoms in Pandas patients, Swedo theorized, then clearing those antibodies from the bloodstream should prompt improvement.

    Because the procedure is so invasive, the only subjects enrolled were those in the worst shape. Of the 29 children in the trial, 10 received plasma exchange, 9 received intravenous immunoglobulin and 10 received a placebo. According to the results published in the journal Lancet in 1999, the children receiving plasma exchange became markedly better, while those receiving placebo treatment did not.

    Other studies had results that were somewhat murkier. One tested the theory that you could prevent Pandas by preventing strep. Simply treating strep does not prevent the onset of Pandas since the antibodies have already had a chance to form, which leaves prophylaxis as the most promising form of treatment. That is one way strep was first proved to cause rheumatic fever. When patients who had had rheumatic fever were given daily antibiotics, they did not get strep and they did not get a recurrence of rheumatic fever. Similarly, the hypothesis went, if strep causes Pandas, then preventing patients from getting strep would also prevent a recurrence of an episode of Pandas.

    So Swedo conducted a prophylaxis study. Half of a group of Pandas patients was put on daily doses of prophylactic antibiotics, while the other half was given a placebo. After several months, the placebo and antibiotic groups were switched. If prophylaxis works, then patients should have developed more, and more intense, episodes of O.C.D. while they were taking the placebo than while taking the antibiotics.

    But the antibiotic chosen for this particular study was a liquid, and unlike the case with pills, which can be counted, it was difficult for parents to keep track of whether a dose had been missed. Even one missed dose would leave a child vulnerable to strep, and some children in the antibiotic group did get sick. A percentage of those developed Pandas.

    At the same time, when children in the placebo group became ill, their parents figured out that what they had been dispensing was sugar water and, fearing that the sore throat would lead to a return of Pandas, went and got a prescription for penicillin. Not nearly as many of the control group got strep or Pandas as had been predicted.

    ”A lot was learned about parental behavior,” Swedo says, ”but not a lot about Pandas.”


    Roger Kurlan, a professor of neurology at the University of Rochester School of Medicine and Dentistry, is not a man who minces words. ”The only thing that’s a proven fact about Pandas,” he says, ”is that children with these symptoms have been observed.” Everything else, most specifically the role of strep in causing the symptoms, ”is nothing but speculation.”

    Kurlan and his collaborator Edward L. Kaplan, an expert in strep at the University of Minnesota Medical School, have become Swedo’s most vocal critics. They describe strep and O.C.D. as two things that are ”true, true and unrelated.” Yes, it is true that some children develop rapid-onset O.C.D. And yes, it is true that a high percentage of those test positive for strep. But that does not mean that the former is caused by the latter.

    ”In the prior two weeks, 90 percent of these kids might also have eaten pizza,” Kurlan says. ”Can I make an association that pizza is linked to O.C.D.?”

    ”If 100 kids fall out of a tree and break their arms and we test them for strep, there’s going to be a very high percentage of children who have evidence of recent infection,” echoes Stanford Shulman of Children’s Memorial Hospital in Chicago. ”That doesn’t mean strep is the reason they fell out of the tree.”

    A more likely explanation for the presence of strep in children with Pandas, these doctors say, is that any infection, in fact any type of stress, can cause spikes in O.C.D. behavior. And they cite as an example children with Tourette’s syndrome, who frequently have O.C.D. symptoms that ebb and flow with stress.

    Children with neurological disorders ”are sensitive to any number of things,” Kurlan says. ”If their dog dies. If their parents are fighting. I’ve seen O.C.D. get worse with a cold, with hay fever, with pneumonia. If there is anything special about strep, I don’t think anyone has been able to find it.”

    Yes, some children appear to develop symptoms more suddenly than others, he says, but that could be because they have hidden their earlier symptoms from their parents, which O.C.D. patients are known to do. And, yes, he agrees, patients often improve after a positive strep test and a regimen of antibiotics. But because O.C.D. is cyclical, odds are that they would have improved without the test and the medicine anyway. Add to that the fact that some children are strep carriers. They will test positive for the bacteria any time they happen to be cultured, further skewing the cause-and-effect relationship that Swedo is trying to prove.

    Kurlan says that he understands why the idea of a bacterial cause for disturbing behavior is attractive to parents. A germ can be cured. A germ is not the parents’ fault. ”It’s a convenient link,” he says, ”but it’s very difficult to show a connection.”

    Assigning blame where none exists can be dangerous, Kurlan says. Part of the harm is that of commission — giving unnecessary medication. Patients like Maury Cronauer, he says, who take penicillin every day to prevent strep in the first place, are making themselves vulnerable to drug allergies and are promoting antibiotic resistance. And he disagrees with Swedo’s view that plasmapheresis can be the answer for the most severely affected patients. The procedure leaves children vulnerable to serious infection, he says, which he considers too high a risk given that the symptoms will arguably run their course over time.

    A more insidious form of harm, however, is that of omission. While turning to antibiotics to cure their child’s Pandas, parents might be ignoring other treatments that could alleviate what skeptics believe the child actually has — plain old O.C.D. It may come on slowly or gradually, in the presence of strep or not; whatever the details, a child who cannot stop washing her hands needs to be treated with one of the many drugs and behavioral-therapy regimens that are successful in battling O.C.D., he says.

    ”If families are distracted by a simple answer and are therefore not tackling the more serious issues, that would be a disservice,” Kurlan says. ”Worse, that would be bad medicine.”

    ndividuals are not statistics, and their stories are not proof. But as I met families and heard their tales, I came to more deeply understand why Swedo is so certain of her theory and Kurlan is so wary of it.

    One 10-year-old girl in New Jersey, for instance, illustrates the hazy, sometimes illusory, difference between Pandas and O.C.D. The girl’s mother (who asked that her name not be used to protect her daughter’s privacy) describes two distinct times, at age 4 and age 8, when her bubbly child became riddled with disturbing thoughts: ”My mouth is full of cavities” or ”The waiter put poison in my soda.”

    The first time, the mother says, her daughter’s doctors were uncertain of the cause. But the mother, after doing her own research and suspecting that it might be Pandas, called the N.I.M.H. Someone there confirmed her suspicions. Soon after, the girl took antibiotics, and, her mother says, the symptoms went away in seven months. The second time it took almost a year. The girl has had behavioral therapy but is not taking any medication for O.C.D. because her mother does not think it is necessary. The one precaution the family takes is keeping a supply of rapid strep test kits in the house and using them regularly.

    Learning that her daughter had Pandas saved her own sanity, the woman says. ”It was like drowning in the middle of the ocean, and you grab onto something that will help you float.”

    And yet. The second of the girl’s two episodes, the mother says, was not brought on by strep but by a virus. By Swedo’s definition, this would mean that the child did not have Pandas; that her parents think otherwise, Kurlan would argue, shows the danger of a bacterial scapegoat. The mother says that whatever caused the outbreaks — strep infection, viral infection — all that matters is that, at the moment, her daughter is fine. But when I ask the girl when she last had her bad thoughts, she tells me, ”Last week.”

    Another story of another child, however, shows the damage that can be done if parents start with a psychological rather than a physical assumption. (These parents also didn’t want their names used to protect their daughter’s privacy.) This little girl was 6 last May, when according to her parents, she changed overnight, becoming clingy and asking the same question over and over and over and over again.

    Her mother was pregnant at the time, and a psychiatrist her parents knew suggested that their daughter feared the arrival of her new sibling and was looking for attention. So first her parents reassured her. Then they began to punish her, sending her to her room so she could ”think about her behavior and change it,” her mother says.

    No one in the family, not even the girl’s father, himself a doctor, linked any of this behavior to the raging strep infection she had three weeks earlier. They kept punishing her, and she kept insisting that she didn’t want to act this way. ”Please stop punishing me for something I can’t help,” the mother recalls her daughter begging.

    The parents took her back to the pediatrician’s office (they had already been there three times), where they were given a prescription for an antidepressant. Instead of having it filled, they took her to a pediatric psychiatrist, who asked, ”Has she been sick with a sore throat?” Blood tests showed that her level of strep antibodies was twice as high as it should have been. Two months later, after several weeks of antibiotics and several sessions with Tamar Chansky for cognitive behavioral therapy, the little girl was acting like her old self again.


    From where Roger Kurlan and other doubters sit, the situation looks simple. The theory of Pandas, they say, has not been proved. Until the causal link to strep is made, these children simply have O.C.D., and anyone who thinks differently is fooling himself. From where Swedo and her supporters sit, things look equally simple. They agree that cause and effect has not yet been definitively proved. But they are adamant that what has been proved so far is too significant to be ignored and that further research is more than warranted.

    In the interim, they argue, logic dictates that any child who develops full-blown O.C.D. seemingly overnight should be given a throat culture or a strep-antibody test before she is sent to a psychiatrist. ”I’m all for empirical stringency,” Chansky says, ”but in the meantime, there’s something so basic that can be done. We’re talking about a throat culture and maybe a blood test. What is the downside?”

    The downside, Kurlan says, is that science is not supposed to guess. ”We would be testing children as if the results had meaning for their treatment,” he says, ”and there is insufficient evidence that it does.”

    Swedo is still looking for that evidence. Her most recent publication, in the April 2005 issue of Biological Psychiatry, describes a new study of prophylactic antibiotics, one in which administration of the medication was more closely controlled. The results: Those who received the antibiotics saw ”significant decreases” in strep infections and in ”neuropsychiatric exacerbations” over the course of a year.

    Kurlan, in turn, is conducting research of his own, a nationwide study of 80 patients — half with a history of O.C.D. that meets the Pandas criteria and half with O.C.D. that does not. For two years, researchers have been logging the rates of strep and the episodes of O.C.D. in each group. If strep causes Pandas, then O.C.D. symptoms should be intensified in the Pandas group relative to their exposure to strep, while in the control group a variety of system-stressing triggers should cause a spike in symptoms.

    When the data are compiled and made public later this year, the findings may prove that Swedo is wrong. Or they may instead prove that she is right. Most likely, this latest research will simply lead to more research, as science accumulates its evidence one bit of data at a time.


    Lisa Belkin is a contributing writer for the magazine. Her last article was about Thomas Ellenson, a special-needs child in a mainstream school.

    Copyright 2005 The New York Times Company Home Privacy Policy Search Corrections RSS Help Contact Us Back to Top







  • May 22, 2005

    Cover story

    Face to face with Freud
    His mother said his first words were ‘Leave me alone’. And at the age of 82, Lucian Freud still isn’t giving much away. As a retrospective of his life’s work looms in Venice, John Cornwell searches for the man behind the myth

    There’s a rare home movie depicting Sigmund Freud, identifier of the Oedipus complex, strolling around a garden in Primrose Hill in 1938, while his 16-year-old grandson Lucian Freud lurks evasively by a goldfish pond. Today, 82-year-old Lucian has become the equal in fame of his grandfather. Yet he continues to avoid the camera lens. He has never lacked cronies and lovers, but he is fanatically private. His mother once told him that his first words were: “Leave me alone!”

    In the early days of his success half a century ago, Lucian Freud was a charismatic playboy, a lady-killer with an Alvis. He mixed as easily with Soho lowlife as with Mayfair toffs. Frail now, stick-thin, stooped, his face bloodless, his nose like a hawk’s bill, I see him shuffling up Holland Park Avenue to Lidgate, the bespoke butchers, to buy steaks for the whippet; woodcock, quail and snipe for his human sitters. In crumpled chinos and laceless trainers, a thin grey scarf around his collarless neck, there’s more than a hint of old Steptoe. Yet with an income estimated in 2003 as £12m a year, he is twice as rich as Robbie Williams, they say, and despite the geriatric grunginess, he can still mesmerise women old enough to be his granddaughters. At 79 he was dating a 27-year-old called Emily Bearn. His latest self-portrait (on show at the National Portrait Gallery) reveals a naked young woman, identified as one Alexandra Williams-Wynn, the 32-year-old daughter of a Welsh landowner and baronet. Her ankles are wrapped around his right leg; her left hand wanders, it seems, towards his fly; or is it his pocket?

    Entitled The Painter Surprised by a Naked Admirer, it is, on the face of it, a portrait of male power and female desire. Yet for all her naked availability, his erect brush aims away from the girl and towards a canvas that replicates the portrait itself in a supposed infinity of mirror images. As the light dies and eternity beckons, Freud’s resolve seems confirmed. Wild oats sown, though passion not entirely spent, he is focusing his remaining energy on the work, sole guarantee of immortality. He will sometimes drive a favoured sitter in his Bentley for gastronomic treats at the River Café, or Locanda Locatelli, on Seymour Street; but the gadfly days are over. Two years ago he agreed to visit the Paris exhibition John Constable, Selected by Lucian Freud, only when offered a lift by private jet. He is painting for up to 14 hours a day, all day and half the night, and hopes to die with nothing more than a paintbrush in his hand.

    Although he is remorselessly secretive, the story of his relationships is like a living expression of the “many worlds” theory: from poets to East End gangsters, from gay performance artists to supermodels, from job-centre clerks to the Queen of England. Among his past, long-dead acquaintances he counts Orson Welles, Raymond Chandler, Greta Garbo, Count Basie and, amazingly, George Formby, the 1940s ukulele-strumming northern comic with a line in smutty lyrics. Like a spy master, he has kept his acquaintances separate. As for strangers, this is a man who used to respond to would-be inquiries via a series of telegrams from secret locations, like espionage drops, which might, but invariably did not, culminate in a call from a public telephone box. As he prepares for another retrospective, at the Museo Correr in Venice next month, in which almost 100 of his works will be shown, it is irresistible to attempt, yet again, to breach the bastions he has erected against a public scrutiny teased and tormented by lack of information. Freud has said: “Everything is autobiographical and everything is a portrait.” Seen that way, the Venice exhibition illustrates not only Freud’s work from the past 50 years, but also his own life and relationships: his women, some of his children, his friends, from Francis Bacon to Frank Auerbach, his inspirations, such as Leigh Bowery — and even his monarch.

    The pitiless scrutiny of his artistic eye on tangled armpit, pubic hair and raw tickle-tackle ill accord with his personal bashfulness. But ever since he was expelled aged 16 from Bryanston school for exhibiting his bare bum on Bournemouth’s promenade, he has displayed a rare talent for shock tactics. Not so long ago he stunned the art world with his painting titled Large Interior, Notting Hill. A fully dressed middle-aged man is on a sofa reading a book; in the background a second naked man sits in a chair breast-feeding a baby from his own nipple. The very notion, let alone the raw image, is enough to knock your socks off. Sigmund Freud’s analytical successor, Melanie Klein, gave us the good-breast bad-breast. His grandson gives us the good-breast bloke-breast. Some sort of gay-couple baby-rights campaign? It emerged that the lactating gentleman, modelled by Freud’s assistant David Dawson, was superimposed over a painting of a naked Jerry Hall suckling her baby. When I ask a friend of Freud “Why?” he says: “I guess the Jerry Hall image didn’t work out.”

    I put this circumstance to the psychoanalyst and feminist Professor Juliet Mitchell. “The answer is simple,” she says. “He’s fallen out with Jerry Hall, and hence with women in general. So he’s telling us: look, men are more nurturing than these hard bitches of women.” Mitchell’s opinion is echoed by the late 11th Duke of Devonshire, who collected Freuds for more than 50 years. He once remarked: “I’m not sure how much he loves women… for horses and dogs he shows affection; his portraits of the ladies are misogynous.” Another view has it that after investing all his respect and reverence for womanhood in his mother, whom he even painted in death, he endows by contrast the rest of womankind with a sense of resentment and aggression.
    The labyrinthine connections of Freud’s story span the decades and a gamut of complex relationships and emotions. Born in Berlin in 1922 at the beginning of the dysfunctional Weimar years, he was the youngest son of Ernst Freud, a successful architect and himself the youngest son of the famous Sigmund. The family was affluent: there were servants, Dürers on the walls, horse-riding in the Tiergarten.

    Bodyguards accompanied Ernst’s three sons, Stephen, Lucian and Clement (the TV personality and former MP) to school. It is said that he has not spoken to Clement in 30 years because of a quarrel over a silly wager. They came to England in 1933 after Hitler took power. Lucian attended various private schools in England, including Dartington Hall, then art schools, one of which, the East Anglian School of Painting and Drawing at Dedham, he set on fire with a careless cigarette stub. When the war broke out he went to sea on a merchant ship. He wanted to see America. He made just one crossing of the North Atlantic on a convoy run. Small, no more than about 5ft 6in, his frailty and “girlishness”, according to his biographer William Feaver, made life on board a living hell. Suffering from acute tonsillitis, he was invalided out of the merchant service on his return, and started painting in earnest. He rented a flat in run-down Paddington, where he worked for the next 30 years. There was a brief interlude in Paris, where he met Giacometti and Picasso, and then Greece, where he worked with the painter John Craxton on the island of Poros. Returning to England, he fell under the spell of Francis Bacon and his impulsive way of living.

    His first marriage was to the sculptor Jacob Epstein’s daughter, Kitty Garman, in 1948. She modelled for a number of his pictures, including Girl with a White Dog, which hangs in Tate Britain. After meeting Lady Caroline Blackwood, considered a ravishing beauty in the early 1950s, he asked her to sit for him and began an intense affair. Kitty bore him two daughters but divorced him in 1952. He then married Blackwood. But she too, allegedly unable to stand his drinking and gambling, divorced Freud in 1959, reportedly on grounds of mental cruelty. There was then talk of his marrying Lady Jane Willoughby, the 24-year-old daughter of the Earl of Ancaster, but nothing came of it. There would be many partners, but no more marriages. Among the women with whom he had children are Suzy Boyt, his former student; Bernadine Coverley, a teacher; Katherine McAdam, a fashion designer; and the painter Celia Paul.

    What is the attraction? One of his women sitters says being with him is “like putting your finger into an electric socket and being wired up to the national grid… he’s exciting company… you feel spiritually uplifted”. His daughter Esther Freud says that being in his presence is “like standing on one toe… not being grounded…” The dowager Duchess of Devonshire, one of the Mitford sisters, who has known him since the 1950s, says that he is “mercurial, not quite like a human being, more like a will-o’-the-wisp”. She speculates that he must have been “a killer” to be married to. She says that in the early days of his success he would be up all night running around London. Often he got into scrapes. Freud recently told Martin Gayford, the art critic, that he once spent a night in the cells. He had attempted to break into the Cambridge theatre accompanied by a one-legged poetess (he did not realise she had a false limb until later). He was said to be a scary driver, and there were brushes with the law. He was banned for a period after being charged with dangerous driving. The policeman who gave evidence later reported him for driving while disqualified. He was cleared after Jane Willoughby, backed up by their cleaning lady, testified that it was her ladyship who had been at the wheel and not Freud.

    We get a glimpse of him in those days through the eyes of the impresario and film agent Mim Scala, who used to organise gaming parties in Mayfair. Lucian Freud, according to Scala, accompanied by Francis Bacon, knocked on the door in the early hours with a “pretty boy with a scar face” in tow. He describes Freud as “a weird-looking man, pale, thin, with bright, dancing eyes and a mop of unruly curls. He had a nervous twitch, beautiful hands, and used safety pins for cuff links”. Freud was a “lunatic punter” and settled his whopping debts at 10 the next morning with a cheque. It was Lucian Freud, according to Scala, who was instrumental in bringing the menacing Kray twins into his life.

    The gangsters are significant. When casinos were still illegal in Britain, it was the Krays who provided one-night legal gaming parties for late-night gamblers. There was a time, in his younger days, when Freud would finish work at 3pm to spend the rest of the day and night at the betting shops, dog track, racecourse and tables. In 1983 he was characterised as a “dishonourable man” by the Jockey Club and warned off all British racecourses for failing to pay a debt of £19,000 to a bookmaker. Betting only began to lose its savour, he has confessed to a friend, when he became so rich that losing no longer hurt.

    The gambling is a crucial clue. “He used to do it for the sheer pleasure of losing,” one old friend says. “And he needed to get rid of the money somehow. He saw the money as a kind of excrement. And now his painting is a form of gambling.” This is perhaps the most important and least-known secret of Freud’s working life.

    “Lucian has put his foot through at least half of his paintings,” says another intimate. “There comes a point, and it may be months into a painting, when he has to make a crucial decision between options on the canvas. He will hazard the success of a nearly finished painting, possibly worth millions, on one decision that can’t be undone. If he realises that he’s made the wrong choice, he’ll slash it, destroy it.” Like a losing number on the roulette wheel — pop goes a fortune! A lesser painter, a non-gambler, would put the painting in the attic for a rainy day. But given that this year alone, two paintings by Freud were among the top 10 most expensive works sold at auction, he has no need for such caution. (His Red Haired Man on a Chair, 1962-63, fetched the second-highest price: £4.15m.)

    With the passing years, his attraction to women, and his dalliances with sitters, continued unabated. “He’s simply dishy,” says one intimate. “He’s just one of those rare men that have sexual charisma… born with it.” His attraction and his talent are inseparable from the work, the money and the complex, at times remorseful, legacy of the past. When Robert Lowell, America’s greatest mid-20th-century poet, was found dead in the back of a Manhattan taxi in 1977, his fingers were clutching a parcel containing a Lucian Freud painting. It was a portrait of Lowell’s wife, and Freud’s former wife, Caroline Blackwood. That afternoon, Lowell’s heart had given out while being driven along the Van Wyck Expressway from JFK. He had just flown from Dublin after himself splitting up with Blackwood, a woman by then ravaged by years of booze, chain-smoking and personal tragedy. Lowell had brought the painting of his wife to New York not for reasons of nostalgia, but for valuation. Death got him first. Blackwood herself died in 1996. And Lucian paints on.

    Freud’s deepest reserve is about his women, past and present: the stories of mistresses, muses and love children. His intimates have a habit of closing ranks. One would-be unofficial biographer claims that he became frightened for his life as he got closer to the facts. And yet the interest in Freud’s relationships is not so much the names and numbers (the late Daniel Farson guessed ludicrously at 40 offspring) as the dynamic between the art and the relationships. Virtually unnoticed, the intimate reality has been penetrated by Feaver in a remarkable series of recorded interviews with Freud’s sitters, filmed over two years with a simple digital camera without lighting. Viewing this material is a poignant and highly revealing experience.

    Anne Dunn, who had an affair with Freud about 40 years ago, says to camera that she first met him in various nightclubs in London, such as the Antilles and the Gargoyle. Her beauty now faded, she talks of his “electric” personality and how he “had more life than other people”. They spent time together in Ireland, and she began to sit for him: “I wanted to please him.” The first sittings were done in a “domestic” atmosphere, she says, but after she fell in love with him, there came “the fact of being used by Lucian”. Being painted by Lucian, she says, now took on “another meaning”. Dunn says that she was used to sitting for painters, and hence familiar with the sense of being “like a still life, a bottle or an apple”. Tears in her eyes, Dunn says: “I had a very strong relationship with Lucian… I loved him very much.” When the sittings, and the affair, came to an end, it was, she says, “like being flung out of the Garden of Eden”. Evidently she has still not got over the experience.

    Another frank informant is Celia Paul, a distinguished artist in her own right, who has described how Freud turned up at a life class when she was an art student about 20 years ago at the Slade. Freud, wearing “a beautiful grey suit, and pale shirt, was smoking a French cigarette”. He “stared intensely” at the model. He was “just very charismatic”, she says. Afterwards, Paul approached him and asked him to look at her work. Then he told her, she says, “that he had come to the Slade to find a girl, and that girl was me”. She sat for him; they had an affair and she became pregnant with his child. “I used to cry a lot,” she says. “He was very nice about it.” The painting became “a record of our closeness; you could see that he loves me in it…” Paul would model for a number of subsequent paintings. One picture, entitled Painter and Model, depicts her, brush in hand, painting a male nude on a bed, her foot squashing an oil tube, squirting the paint over the floor. She is convinced that the painting signifies a sexual role reversal in which, as artist, she has become the strong male, and the male model has become female.

    Freud has at least 14 children. Several of his children and grandchildren have sat for him. Esther Freud, who began to pose when she was 16, says that his children had a choice to make. “You can get the good bit if you don’t expect him to behave like other people’s fathers.” Rose Boyt, his daughter by Suzy Boyt, says that she was very tense when she first modelled for him. She concedes that she might well have burst out with: “Where were you when I needed you?” But she didn’t. Instinctively she too opted for the “good bit”. Today, Freud, the erstwhile tearaway, who was once mad about glamorous cars, horses and women, and who did “everything”, Rose says, “to avoid ordinary family life”, has become focused on family life through his employment of his children and grandchildren as sitters.

    Outside his close family, the scope of his sitters has always been unpredictable. While Prince Charles’s relationship with Camilla Parker Bowles proceeded inexorably towards marriage, Freud, who refused to paint Diana, executed a small and ill-favoured bodiless portrait of the crowned Queen and, separately, a huge rendering of Andrew Parker Bowles seated on
    a throne-like chair placed upon a dais. The circumstance is one of queasy irony. Here is the right-royally cuckolded brigadier, a study in morning-after-the-night-before dissipation, while the indignant face of Her Majesty looks as if she’s had her head chopped off. By the mere fact of committing them to his canvases, Freud has forged an immortal bond of disgruntled affinity between the principal malcontents of England’s most notorious post-war adultery.

    It is not to be thought, of course, that Freud sleeps routinely with his sitters or that he has the least regard for social standing. He often used Leigh Bowery, the 16-stone performance artist who died of Aids in 1994, and he has frequently employed a very plump job-centre clerk called Sue Tilley. Tilley, by her own admission, says of one painting: “I look horrible, like a great huge fat crab lying on the floor.” Then she adds, shades of Dorian Gray: “It’s a blessing that I look so horrible in the pictures, as people say that in real life I look a bit better.” Sitters are often paid quite generously. Some refuse payment, but receive out-of-pocket travel expenses.

    Freud says that he likes to feel that every aspect of a portrait is “provisional, changeable, removable”. His portrait grows organically outwards from a single point, often an eye, and the sitter must be prepared for weeks, months, and years of remaining in one position for up to three times a week and for several hours at a stretch. He often works with a palette knife, says Feaver, “constantly scraping the oil off the canvas and wiping it on the wall or on rags”, which explains the strange foliage-like paint strokes on the walls and on the festoons of frayed old sheets.

    He ensures that the studio high in his Kensington property is warm, and there is often a rich aroma of game roasting down in the kitchen for succulent meals, washed down with champagne, during the breaks. From time to time he will approach the sitter, unnervingly close, centimetres away from the face. He has remarked of his sitters: “I’m interested in them as animals.” One says it’s like being at the dentist. Sometimes he works in silence; at other times he chatters. Tilley says that sometimes he loses his temper when things are going wrong and shouts out “F***! F***! F***!”, whacking the paintbrush across his thigh. One sitter tells how he attempted to discourage Freud from conversation in the hope that the painting would reach an earlier conclusion: in vain. Martin Gayford reports that the process for his portrait was so “glacial” that he lost count of the sittings. “My hair was noticeably greyer by the end of it.”

    Freud is by all accounts a fascinating and witty conversationalist: literature, current affairs, art, life. He speaks in an educated “1950s accent” with a slight guttural tinge and rolling Rs. He is well informed, taking all the broadsheet papers every day, with a particular interest in gossip and art criticism. He is not interested in television although he has one. He is given to quoting Schiller in German, Auden, T S Eliot and Philip Larkin. Sometimes he will sing. He likes to give a rendering of George Formby’s When I’m Cleaning Windows. Not an inappropriate ditty for a painter of nudes: “If you could see what I can see/When I’m cleaning windows”.

    He is a deep reader, especially of Henry James. He plunders his grandfather Sigmund’s works, he says, “only for the jokes”. The best of all, he has said, is the psychoanalyst’s contention that Moses was an Egyptian. Freud has weird, paranormal beliefs: for example, that the air circulates in peculiar ways around some individuals’ heads. But he is not religious. He does little exercise, and the sitters I have spoken to have observed that nowadays he is a little stiff. In his fitter days he rode horses in Hyde Park, “without a hard hat”, says Andrew Parker Bowles disapprovingly.

    Freud’s working day is divided between the daylight sittings, which start at 8am and go on sometimes till 3 or 4pm, followed by the night sittings, which start at 7pm and can go on until 2am. He sleeps very little. The artist and critic Patrick Reyntiens focuses precisely on Freud’s assiduous working habits to insist he is “not a genius” but achieves his effects simply
    “by working very hard”.

    There have been theories aplenty to explain Freud’s genius and originality. Robert Hughes, for example, focuses on his remoteness from mass-media images, resulting in a “a dissent from any kind of visual orthodoxy and received idea”. Most critics, however, remain mystified as to quite what puts him so decisively in a class all of his own. There is a tendency to snatch at truisms and generalisations. Celia Paul insists that his paintings “defy narrative”, that they are ultimately about “truth”. Freud himself indeed speaks of “truth-telling” in painting as something quite different from “fact”. It is a matter, he insists, of making choices. William Feaver writes that not so long ago he was talking with Freud on the phone. “It was a conversation about terrible this and horrible that, when he came out with a sort of epitaph, ‘The only thing that’s interesting about art present or past is quality. The whole mystery of art is why good things are good.’”

    The comment tells us everything; and yet it tells us nothing. It is an admission that Freud himself is as mystified as anybody else as to what constitutes great art, including his own. One thing seems certain: that Freud’s quality emerges from prodigious control, application, changes of mind, like a thousand drafts of a single poem, or countless takes of a movie scene; rather than the inspiration of the moment, intuition, spontaneity, artistic expression in real time. Contrast, for example, the 3½ months he spent on a “quick” portrait of David Hockney. Hockney returned the compliment, painting Freud in 3½ hours flat. And another thing seems certain: that his obsessive privacy and hatred of publicity have done his fame no harm. In fact, there is every reason to suspect that his reclusive habits and evasion of the limelight have attracted only further attention and deeper fascination, immeasurably enhancing and amplifying his fame and fortune. As he looks forward to the world’s acclaim at the Venice exhibition, his reputation as the world’s greatest and most famous living realist artist seems secure, despite the puzzlement, the mystery and the seclusion.

    THE FORGOTTEN CHILDREN

    Lucian Freud’s most prominent children are the fashion designer Bella and the novelist Esther Freud. The other offspring have largely been ignored by the media, as the sculptor Jane McAdam Freud and her sister, Lucy Everett, admitted in a Sunday Times interview last year. “People doubt us all the time,” Lucy said, “because we are not out there publicly saying who we are.” But they have always been privately acknowledged by their father. They and their brothers, Paul and David, are the children of Katherine McAdam. They have more contact with their half-siblings than Lucian now.

    Lucian Freud is at the Museo Correr, Venice, from June 11 to October 30. To book tickets, call 041 5209070. For more information, visit: www.museiciviciveneziani.it



     


     


  • Fred R. Conrad/The New York Times

    Outrage and Silence
    By THOMAS L. FRIEDMAN

    It is hard not to notice two contrasting stories that have run side by side during the past week. One is the story about the violent protests in the Muslim world triggered by a report in Newsweek (which the magazine has now retracted) that U.S. interrogators at Guantánamo Bay desecrated a Koran by throwing it into a toilet. In Afghanistan alone, at least 16 people were killed and more than 100 wounded in anti-American rioting that has been linked to that report. I certainly hope that Newsweek story is incorrect, because it would be outrageous if U.S. interrogators behaved that way.

    That said, though, in the same newspapers one can read the latest reports from Iraq, where Baathist and jihadist suicide bombers have killed 400 Iraqi Muslims in the past month – most of them Shiite and Kurdish civilians shopping in markets, walking in funerals, going to mosques or volunteering to join the police.

    Yet these mass murders – this desecration and dismemberment of real Muslims by other Muslims – have not prompted a single protest march anywhere in the Muslim world. And I have not read of a single fatwa issued by any Muslim cleric outside Iraq condemning these indiscriminate mass murders of Iraqi Shiites and Kurds by these jihadist suicide bombers, many of whom, according to a Washington Post report, are coming from Saudi Arabia.

    The Muslim world’s silence about the real desecration of Iraqis, coupled with its outrage over the alleged desecration of a Koran, highlights what we are up against in trying to stabilize Iraq – as well as the only workable strategy going forward.

    The challenge we face in Iraq is so steep precisely because the power shift the U.S. and its allies are trying to engineer there is so profound – in both religious and political terms.

    Religiously, if you want to know how the Sunni Arab world views a Shiite’s being elected leader of Iraq, for the first time ever, think about how whites in Alabama would have felt about a black governor’s being installed there in 1920. Some Sunnis do not think Shiites are authentic Muslims, and are indifferent to their brutalization.

    At the same time, politically speaking, some Arab regimes prefer to see the pot boiling in Iraq so the democratization process can never spread to their countries. That’s why their official newspapers rarely describe the murders of civilians in Iraq as a massacre or acts of terror. Such crimes are usually sanitized as “resistance” to occupation.

    Salama Na’mat, the Washington bureau chief for the London-based Arabic daily Al Hayat, wrote the other day: “What is the responsibility of the [Arab] regimes and the official and semiofficial media in the countries bordering Iraq in legitimizing the operations that murder Iraqis? … Isn’t their goal to thwart [the emergence of] the newborn democracy in Iraq so that it won’t spread in the region?” (Translation by Memri.)

    In identifying the problem, though, Mr. Na’mat also identifies the solution. If you want to stop a wave of suicide bombings, the likes of which we are seeing in Iraq, it takes a village. I am a big believer that the greatest restraint on human behavior is not laws and police, but culture and religious authority. It is what the community, what the village, deems shameful. That is what restrains people. So how do we get the Sunni Arab village to delegitimize suicide bombers?

    Inside Iraq, obviously, credible Sunnis have to be brought into the political process and constitution-drafting, as long as they do not have blood on their hands from Saddam’s days. And outside Iraq, the Bush team needs to be forcefully demanding that Saudi Arabia and other key Arab allies use their media, government and religious systems to denounce and delegitimize the despicable murder of Muslims by Muslims in Iraq.

    If the Arab world, its media and its spiritual leaders, came out and forcefully and repeatedly condemned those who mount these suicide attacks, and if credible Sunnis were given their fair share in the Iraqi government, I am certain a lot of this suicide bombing would stop, as happened with the Palestinians. Iraqi Sunnis would pass on the intelligence needed to prevent these attacks, and they would deny the suicide bombers the safe houses they need to succeed.

    That is the only way it stops, because we don’t know who is who. It takes the village – and right now the Sunni Arab village needs to be pressured and induced to restrain those among them who are engaging in these suicidal murders of innocents.

    The best way to honor the Koran is to live by the values of mercy and compassion that it propagates.

    Copyright 2005 The New York Times Company Home Privacy Policy Search Corrections RSS Help Contact Us Back to Top


  • Betty Alexandra Bastidas for The New York Times

    William Bryan Purcell offered nail painting in his all-pink tent at “The Muster,” a public art event held at Governors Island on Saturday.

    May 16, 2005
    Desert Island Fantasy With a Tent and a Cause
    By RANDY KENNEDY
    It sounds like the ultimate urban childhood fantasy, hatched while staring out a window at a brick wall: take over a deserted island for a day, camp out in a grassy field, make crazy tents and dress up in crazy costumes, and then invite people to get on a boat and come see the results.

    On Saturday, with the help of the Public Art Fund, the artist Allison Smith and more than 100 other artists achieved this fantasy, within the shadows of Manhattan’s skyscrapers, commandeering Governors Island to create a kind of conceptual art version of day camp. Or maybe a Dadaist’s dream of a craft fair. Or else a mini-Woodstock in which music was replaced by artists taking the stage in mock-military style to declare that they were fighting for causes like “sequined religious figures,” “the right to sing sentimental songs in full,” “the right to be scared” or more straightforward causes like financial support for AIDS research and ending overfishing of the oceans.

    The setting for the event – which Ms. Smith called “The Muster,” using the theme of Civil War re-enactment as a loose aesthetic organizing principle – was almost as surreal as the encampment of artists itself. Nearly deserted since the Coast Guard closed its base there in 1996, Governors Island feels ghostly, even on a sunny weekend day – its hotel, beauty salon, bowling alley, movie theater, nine-hole golf course, Burger King restaurant and Georgian-style mansions all sitting empty, awaiting a decision by state and city officials about what the 172-acre island will become.

    Tom Eccles, director of the Public Art Fund, said he and Ms. Smith, who had created a smaller version of “The Muster” last year on a farm in Pennsylvania, saw the island as the perfect place for the event, both practically and metaphorically. “This is almost like a free zone right now,” Mr. Eccles said. “It doesn’t really come under the kind of constraints you have in other parts of the city. It would be very difficult to do this kind of project in, say, Central Park or even Prospect Park.”

    At times on Saturday, the gathering had the feel of any normal, impromptu cookout in a park. Shaggy teenagers played Hacky Sack. Little girls had ribbons braided in their hair. Fried chicken and pasta salad were served on tables with red-checkered tablecloths. But in line to be served there was a woman with oversized female genitalia sewn onto her leotard. And out in the field, there were tents like the all-pink one by William Bryan Purcell, who said his cause was “the just representation of female intentions.”

    “I’m offering nail painting, hair brushing, intimate conversation, makeovers – basically anything you need to get yourself fixed up,” said Mr. Purcell, an artist, who was also smoking a large cigar. (“I didn’t want to come across as too pink,” he explained.)

    Ms. Smith said that by the end of the day, about 1,500 people had made the trip by ferry. One of them, Michele Siegel, who wandered by Mr. Purcell’s tent with a friend, Margie Weinstein, said the whole event felt like “Burning Man for lazy people,” referring to the annual counterculture event staged in Nevada, in one of the country’s most remote places. (Governors Island is only 800 yards from the tip of Manhattan.)

    Civil War re-enactment was the guiding idea in large part because Ms. Smith grew up in Manassas, Va., and has always been fascinated by the obsessive dedication to authenticity of Civil War re-enactors. But many of the 40 or so tents, shacks and teepees scattered across a field near an old fort where the event took place ignored the theme altogether. One looked like a ship, and out front sat a man in a striped prison uniform playing a guitar and singing the blues song “Caldonia.” In another, a large trampoline served as the floor, and a third looked like a Day-Glo maypole.

    Others did toy with the military idea, mostly in a nonpolitical way. Gary Graham, a fashion designer, made ghostly military uniforms and enlisted his friends Charles Beyer and Brianna Espitalier to dress in them with gory makeup. A woman sat inside the tent with votive candles, reading “On Being Ill” by Virginia Woolf. While some of the tents and costumes seemed like leftovers from a school play, Mr. Graham’s were serious.

    “Hair and makeup people came over on the first ferry this morning at 7:30 – we had a bugle call to get up,” said Mr. Beyer, who, like many of the artists, slept in their tents on Friday night.

    Across the way, students from the Rhode Island School of Design, under the direction of Liz Collins, a professor, put up a tent filled with knitting machines, where they cranked out a huge abstract red-white-and-blue cotton banner during the afternoon. Julia Bryan-Wilson, another professor, said that earlier in the day, the knitters were approached by a man who had come to the island thinking there was going to be a real Civil War re-enactment. “He was just really confused,” she said. “When I said that we were fighting for a sovereign nation of knitters, he didn’t like that at all.”

    If he did not like that, then he probably hated the tent run by the artists Nicole Eisenman and A. L. Steiner. It included a bench where passersby were summoned to kneel, confess their sins through a megaphone and be whipped with a leather belt. “We’re the negative energy vortex here,” Ms. Eisenman said. “We give a home to everyone’s yang. It has to go someplace, so it comes here.”

    Copyright 2005 The New York Times Company Home Privacy Policy Search Corrections RSS Help Contact Us Back to Top


  • Hector Mata/AFP – Getty Images

    Los Angeles City Councilman Antonio Villaraigosa defeated Mayor James Hahn to become the city’s
    first Hispanic mayor in more than a century.

    L.A. Elects Hispanic Mayor for First Time in Over 100 Years
    By JOHN M. BRODER

    LOS ANGELES, May 18 – Antonio Villaraigosa, who won the mayor’s office in a thorough trouncing of the incumbent, James K. Hahn, said today that he intended to be the mayor of all of Los Angeles, not just the nearly 50 percent of Latino heritage. But his victory confirmed the rising political power of Latinos in the nation’s second-largest city.

    After a lackluster term tainted by accusations of corruption at City Hall, Mr. Hahn was turned out of office in favor of a high school dropout who went on to become speaker of the California Assembly and a member of the Los Angeles City Council.

    With virtually all of the votes counted, Mr. Villaraigosa had 260,721 votes, or 58.6 percent, to 183,749 votes, or 41.3 percent, for Mr. Hahn, according to the city clerk’s office. Mr. Villaraigosa swept nearly every ethnic group in this diverse city and won in almost every neighborhood, except Mr. Hahn’s home area of San Pedro, near the port, and the conservative northwest corner of the San Fernando Valley.

    The mayor-elect was joined this morning by two prominent African-American leaders, Bernard C. Parks, a councilman and former chief of police, and John W. Mack, president of the Los Angeles Urban League. All three spoke of the significance of Mr. Villaraigosa’s strong majorities among the city’s black and Latino populations.

    “I’m an American of Mexican descent and I’m proud of that,” Mr. Villaraigosa, 52, said at an auto repair training center sponsored by the Urban League. “But I intend to be mayor of all of Los Angeles. As the mayor of the most diverse city in the world, that’s the only way it can work.”

    He said he had no national ambitions, even though as mayor of Los Angeles he now becomes one of the most visible Latino leaders in the country. He will take the oath of office on July 1.

    At a victory celebration on Tuesday night, supporters chanted “Si, se puede!” – Spanish for “Yes, we can!” – as Mr. Villaraigosa strode to the podium. He thanked his family and the people who had inspired him over the years, and promised to “bring this great city together.”

    “You all know I love L.A., but tonight I really love L.A.,” an exuberant Mr. Villaraigosa told his supporters.

    The two candidates were a study in contrasts. Mr. Hahn, the son of one of the region’s most popular politicians, Kenneth J. Hahn, who served 40 years as a county supervisor, was buttoned-down to the point of drabness. He acknowledged a case of “charisma deficit disorder,” but said he was interested in getting things done, not touting his accomplishments.

    Mr. Villaraigosa, who is as outgoing as Mr. Hahn is shy, was raised on the Latino east side by a single immigrant mother. He dropped out of high school for a time, then worked his way through the University of California, Los Angeles, and became a union organizer, then speaker of the State Assembly. He has been a member of the Los Angeles City Council since 2003.

    The contest was a rematch of the 2001 mayoral race, which Mr. Hahn won by seven points after trailing Mr. Villaraigosa for much of the campaign. That race featured a number of late attacks by Mr. Hahn, who repeatedly attacked Mr. Villaraigosa for a letter he had written seeking clemency for a convicted cocaine trafficker.

    Mr. Hahn’s campaign was similarly negative this time, even using the same slogan, “Los Angeles can’t trust Antonio Villaraigosa.” Mr. Hahn accused his opponent, a former president of the local chapter of the American Civil Liberties Union, of being soft on crime. He also noted that Mr. Villaraigosa had accepted thousands of dollars in campaign donations from out-of-state businessmen bidding on city contracts.

    Mr. Villaraigosa, who outpolled Mr. Hahn in the primary election by 33 percent to 24 percent, generally ran an upbeat, front-runner’s campaign. Although some of his advertisements noted the federal investigation of possible corruption in city contracting under Mayor Hahn, Mr. Villaraigosa mainly stressed what he called his ability to bring Los Angeles’s varied geographic, ethnic and racial communities together.

    In this he was aided by Mr. Hahn’s two most significant actions as mayor. In 2002, Mr. Hahn engineered the ouster of the Los Angeles Police Chief, Bernard Parks, an African-American, which alienated many black voters who had supported Mr. Hahn in 2001. Mr. Hahn also campaigned vigorously to defeat an effort by residents of the San Fernando Valley to secede from the city of Los Angeles, angering a part of the city that had provided a major share of his margin of victory over Mr. Villaraigosa four years ago. Mr. Villaraigosa will be the first Latino mayor of Los Angeles since 1872, but he won the office on more than the votes of the city’s Latinos, who make up nearly half of the city’s population but barely a quarter of the electorate.

    “If you look at Antonio, he would be a credible candidate from any ethnic group,” said Harry Pachon, director of the Tomas Rivera Policy Institute at the University of Southern California, which studies trends in Latino politics. “He has a liberal background, he’s an ex-president of the A.C.L.U. for Southern California, he has union credentials, he was speaker of Assembly. He’s punched his ticket in so many places.”

    Dr. Pachon said Mr. Villaraigosa was also able to split the African-American vote, which had been solidly in Mr. Hahn’s column in 2001. It was the first time a Los Angeles mayoral candidate had successfully melded a Latino-black coalition to win office, he said.

    “I will never forget where I came from,” Mr. Villaraigosa said Tuesday night. “And I will always believe in the people of Los Angeles.”

    Copyright 2005 The New York Times Company Home Privacy Policy Search Corrections RSS Help Contact Us Back to Top


  • Ralf Schumacher
    F1 > Monaco GP, 2004-05-23 (Monte Carlo): Sunday race

    Monaco GP: Wednesday press conference
    Racing series F1

    Date 2005-05-18
    Monaco Grand Prix FIA Wednesday press conference transcript with
    David Coulthard (Red Bull)
    Giancarlo Fisichella (Renault)
    Kimi Raikkonen (McLaren)
    Jacques Villeneuve (Sauber)
    Q: David, you have been a winner here twice in this Grand Prix, two victories that I think you very much savour. A lot of people have been talking up your race this weekend, what is your own view of it?
    David Coulthard: I think the Monaco circuit, now they have changed turn one a few years ago to having the kerbs there, and also now they have changed the last part of the swimming pool, it is a lot more of a normal race track, like Canada in a way. We don’t tend to talk about Canada as being that different, despite the barriers being right there, so, for sure, Casino square and around Loews is quite tight, but otherwise two of the areas that used to have more influence have been taken away. That said, I think it will be down to the quickest car and driver combination and we have had five races to see how that varies a little bit, circuit to circuit, so I don’t see an opportunity for us to suddenly be more competitive around here, just because it is Monaco.
    Q: How happy have you been, though, with the pace of development of the team, because obviously it is feeling its way a little bit.
    David Coulthard: Well, the reality is there have only been small developments on the car, our single lap, low fuel pace in Barcelona was still one second off the pole and I think it is safe to assume that Kimi would have been a bit quicker than Jarno had he not had his mistake, so we would, of course, like more developments. We have the same opportunity as the other Michelin runners, so we need more horsepower and more downforce.
    Q: An interesting situation for you with the two boys in the team changing over…
    David Coulthard: I’m a boy as well, by the way!
    Q: I thought they called you Uncle David, isn’t that true?
    David Coulthard: Um, they call me lots of different things, but…
    Q: How much does that affect you? Is it an advantage or a disadvantage?
    David Coulthard: I don’t think it makes any difference. It is a grown-ups sport, irrespective of whatever age you can get your superlicence, or whether you are 34, it doesn’t matter. You get no benefits, you know, they don’t give you a bus pass because you are a bit older, they don’t give you a grid position for being older, you just have to do the job. I enjoy working with Tonio and Christian and, ultimately, that is important to me and to the harmony within the team.
    Q: What I really meant was, is it disconcerting to have different team-mates in that you are getting different feedback from two different people?
    David Coulthard: Yeah, but I am not because they both drive at all the Grands Prix, the only thing that is different is who qualifies and races the car. So, testing we all share the workload, racing they chop and change, but ultimately Christian is in the car tomorrow to give us his feedback on tyres and things like that.
    Q: Jacques, looking back at the season so far, how do you see it?
    Jacques Villeneuve: Well, I am very happy that there was Imola because if not it would have been very difficult to be here now. We seem to have a good pace in the race but have a hard time to qualify the car, unless we are on soft tyres like Imola, so this track could work better than Barcelona.
    Q: Do you feel you have chased away some of the problems you had at the start of the season?
    Jacques Villeneuve: Yeah, we have worked a lot with the team and we have evolved the car to a position that suits me better and also the team understands what I need to drive the car. We have been having new aerodynamic bits during the season that have helped a lot also.
    Q: This is a bit of a one-off as a race, one that you haven’t always necessarily got on well with, how do you see the season as a whole progressing now, and what is you’re aim for the end of the season?
    Jacques Villeneuve: It is difficult to have an aim. As long as we can have a few good races, like Imola, then I think we will be alright. What we don’t want is to keep having races like Barcelona. Any track where you need hard tyres, I think, we will be in trouble.
    Q: Which are, looking forward?
    Jacques Villeneuve: I didn’t go through the races but the ones that are coming should be soft-ish tyres, Nurburgring and also tracks where you have long straight lines where normally you overheat tyres, those should suit us.
    Q: So you are quite hopeful for certain races, anyway?
    Jacques Villeneuve: Yeah, I think there are a few races where we can do something good if we work well, but at the moment we still lack a bit of pace.
    Q: Giancarlo, this circuit hasn’t always been good for you, back in 1998 it was okay but not since then, so what are your feelings about it?
    Giancarlo Fisichella: Well, the feeling is pretty good. It is one of my favourite tracks, I feel really confident, I have a great car, we have a new aero package here which is a good step forward and I really feel confident and comfortable in Monaco and I am really excited. I am looking forward, you know, I have the position now for the first qualifying session on the Saturday and I am really confident.
    Q: The team won the first four races, then Kimi won the fifth, so who would you see as your major rivals? Is it McLaren, or still Ferrari?
    Giancarlo Fisichella: No, for sure, I think McLaren did a fantastic job in the last couple of races, they improved quite a lot with their new aero package, especially in Barcelona. Ferrari was really, really good in Imola but was not so good in Barcelona as Imola, so McLaren has been much more consistent than Ferrari.
    Q: We are going into an intense period of four double-headers, eight races in 11 weeks, are you happy with the development programme of Renault? What do you want to see coming from them?
    Giancarlo Fisichella: Yeah, I am really happy, I am really happy about the team, about what they did until now and what they are doing for the future. It will be very busy for us in the next couple of months, but the team did a fantastic job on the development, especially as we have another very good step forward in aero package, and for us it is a very busy period because we will have a very busy intensive few months of races, but I like to do more races much more than testing, so I feel comfortable.
    Q: So, in a way, you prefer it this way?
    Giancarlo Fisichella: Yeah, I prefer it.
    Q: Kimi, talking about this intense period of races, how does a driver prepare for them?
    Kimi Raikkonen: I don’t do anything different to any other races, so like he said, for me it’s OK, because it is always nice to be racing so I’m happy to go racing, and at least you get them over with quickly.
    Q: What about the team’s progress so far, it seems to have been very good?
    Kimi Raikkonen: Yeah, I think after the first few races, when we got under way, we had some difficulties, and some bad luck, but we got some new parts when we came to Europe and it has since improved a lot, especially in the last race when we got a new engine again. I think we’re starting to get more and more parts all the time and if we can keep it up, we can improve the car all the time.
    Q: Now on this circuit you had a front row of the grid in 2003 followed by second place, but otherwise not fantastic here. How do you regard this race? Is it a bit of a one-off?
    Kimi Raikkonen: I actually quite like it. It is not very easy, but last year, with the car that we had, which wasn’t very good and we did quite well until we had an engine problem. I would say that I am feeling okay, I’m pretty confident. I think this is the best car that I have had around here. Looking at last year, how well we did with that car, I think we should be OK but it’s always going to be a difficult weekend and you need to get everything right before you can be really quick.
    Q: Is the best car around Barcelona guaranteed to be the best car around Monaco?
    Kimi Raikkonen: Not really. I think there is so much difference between those two places. You need very good traction (here). I think the Renault has very good traction, they’re usually very strong on this kind of circuit, as they were last year, but I think that as long as we get everything working we should be OK and we should be able to challenge for victory.
    Q: Kimi, do you think, at this moment, it is going to be a championship between yourself and Renault, or do you still think that Ferrari can come back strong even if they are quite a long way behind?
    Kimi Raikkonen: I don’t know really, it’s too early to say. There are many races to go and anything can happen, so… We are quite far away from the Renaults but they only need a few bad races and it can turn quickly. You cannot count out the Ferraris yet and you never know the other teams, so let’s just wait and see.
    Q: Kimi, Barcelona is a track that normally shows the performance of the car quite well, and now many experts are already saying that you are the real challenger to Alonso. Do you think you have the car to chase him?
    Kimi Raikkonen: The car has been very good in the last two races. It was even plain in Barcelona and Imola because we got some new parts and a new engine, so it improve but it’s too early to say. It’s pretty much the same answer, there are so many races to go. You just need a few bad races and you’re out completely or it can turn around again, so we just do our best and we don’t have much to lose, so we try to win the races and score more points than the leaders. We just do our best.
    Q: The last time Michael Schumacher went six races without winning was ’96/’97. He has now not won for the last six races, counting the last race of last year. What do you think of this? Is it the downfall of Ferrari? Is it Michael maybe losing a bit of his edge or is it just a short period of uncompetitiveness?
    David Coulthard: I think it is quite clear for everyone that it’s more to do with tyres than anything else. I think Imola would show that. It’s a long season. You can only write the ‘Downfall of Ferrari’ chapter once you get to the end of the season, if they’re still struggling, and even then, maybe we have to say that the tyres were clearly a bigger factor. I don’t think he is losing his edge.
    Jacques Villeneuve: David is right.
    Giancarlo Fisichella: It is Formula One, it happens. You have a period where for three or four years Ferrari can win, three or four years when McLaren, Renault, Williams or whoever. I think that period is maybe finished for Ferrari, I don’t know. I think they still have a very good package. In Imola they were one-and-a-half seconds quicker than everyone else during the race. One of the main reasons could be even the tyres, but I think they are there.
    Q: And Michael isn’t losing his edge?
    Giancarlo Fisichella: I don’t think so.
    Kimi Raikkonen: I think if you put the same Michelin tyres on that car they would be at the front end again. I think they have some problems with their tyres, but they can as easily find some new tyres for this race and they can win the race, so I don’t know.
    Q: Kimi, have you ever got angry about anything, and jumped up and down and shouted?
    Kimi Raikkonen: Yeah, many times but of course you’re not happy if you retire or something but I guess it mostly happens more in normal life than in racing.
    Q: Can you give us examples?
    Kimi Raikkonen: No, not really.
    Q: What are the kind of things that make you angry in normal life, as you say?
    Kimi Raikkonen: If you keep asking (questions like those). (Laughter)
    Q: So what sort of things make you angry, Kimi? No really, what is it? The way other human beings react? You’re a very cool, calm…
    Kimi Raikkonen: Normal things make you angry. It depends really. If someone comes and hits you of course you’re going to get angry.
    Q: David, in the past, I believe you had members of the McLaren team staying in your hotel here. Are they back this year?
    David Coulthard: Yeah, absolutely, yeah. They’re very good clients, they spend a lot in the bar, and we enjoy having McLaren there.
    Q: ITV are there as well, I think.
    David Coulthard: Are they? I’m not sure. I know Martin (Brundle) is staying in my studio apartment next door to mine, but I’m not sure about the others.
    Q: Does he pay for that?
    David Coulthard: No, he’s my guest.
    -fia


  • Monaco GP: Red Bull preview
    Racing series F1

    Date 2005-05-15
    Some say it’s the humour. Others say it’s the epic sweep. Many believe it’s the memorable characters. Everyone finds something to love in the Star Wars Saga, but one thing everyone agrees on: No film series has more thrilling action than the tale of a galaxy far, far away. And what is a better place to promote the film than during the Monaco Grand Prix weekend.
    With the famous Cannes Film Festival taking place just a few kilometres down the coast from Monte Carlo, Red Bull Racing and the makers of the Star Wars films are staging a promotional partnership over the weekend of the Monaco Grand Prix. “Revenge of the Sith” is the sixth film and is due to go on general release shortly. The film’s director, George Lucas and some of the stars of the film will be guests of the team in Monaco.
    David Coulthard:
    “There’s something special about driving round the Monaco GP circuit. The first time I drove a GP car here I was sure that my back wheel would catch the barrier at some of the tighter corners, it just didn’t look possible to squeeze the car through.”
    “To be the fastest car around Monaco you need to have the wall of the rear tyre just kissing the barrier at several places on the circuit, which is an intense experience because of the concentration it takes. One slip and it’s all over, there’s nowhere you can relax. I’ve won Monaco twice and I drove one of the best laps of my life to take pole there too. I’ll be happy if we can come home in the points again and I see no reason why we shouldn’t be able to.”
    Tonio Liuzzi:
    “I have raced here twice before in F3000: two years ago I had a big crash and last year I won. I like the challenge of this place, because you are faced with the two options of being quick and accurate or ending up in the wall. I’ve never been a big fan of street circuits, but Monaco is something special and I love it. The atmosphere is fantastic.”
    “The trick here is to have confidence in yourself and in the car. You need a different approach, because with no run-off areas, you can’t tell yourself you will brake later and see what the car does. I am feeling confident and well prepared and our car is good in terms of traction, which is very important here, so I think we can have a good weekend. The only negative thing is that I will be first on track for Saturday’s qualifying.”
    Christian Horner, Sporting director:
    “In many respects Monaco is the highlight of the Grand Prix calendar and is certainly a huge challenge for both drivers and teams. It is currently the only street race of the year and its unique layout makes overtaking virtually impossible to achieve. David has a fantastic track record at this circuit having won there twice. I also have fond memories of Tonio winning F3000 there last year.”
    “Red Bull Racing are collaborating with the new Star Wars movie, Return of the Sith, in Monaco. Characters from the movie will be guests of the team in the paddock and on the grid, which I’m sure will generate a great deal of interest. Monaco is the perfect setting to promote a movie and we are delighted to be part of the fun. Hopefully the force will be with us!”
    Gunther Steiner, Technical Director:
    “The test programme in Paul Ricard went well. We got all our tyre testing done and we are very happy with the choice of tyres that Michelin has provided. We also tested some aerodynamic parts that we will introduce at this grand prix. They will give us more efficiency, which is very important at this circuit.”
    “Traction control is another area that we focused on during the test. With our current test programme we hope that we can continue to make improvements to keep up with the progress that the big teams are making.”
    Simon Corbyn, Head of Race Engineering, Cosworth:
    “The unique nature of the Monaco circuit places maximum emphasis on good engine driveability and effective engine control systems. Cosworth have no concerns with the two TJ2005 race engines carried forward from the Barcelona GP and we will run with increased engine performance in the race at Monaco. Cosworth are well prepared for this event.”
    -redbul