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| Addressing concerns about his brand of comedy and the Academy Awards, Chris Rock said: “I’ve been on ‘Oprah’ four times. That’s four hours of daytime television, and I had a good old curse-free time.” January 20, 2005 This Oscar Host Is Willing to Call It as He Sees It By LOLA OGUNNAIKE Correction Appended BEVERLY HILLS, Calif., Jan. 18 – The Oscar nominations have yet to be announced, but Chris Rock, the host of next month’s Academy Awards ceremony, has already decided who one of the evening’s big winners should be: Jamie Foxx, the star of the biopic “Ray.” “I am rooting for Jamie, and if he doesn’t win, I’m going to talk about it on the show,” Mr. Rock promised, a sly grin tiptoeing across his face. And if Mr. Foxx comes up empty? “I’ll take an Oscar from one of the sound or light people that win and give it to him,” Mr. Rock said. “Jamie Foxx is not going to walk out of that place without an Oscar.” He was no less forthright about his pans. Of “The Aviator,” Martin Scorsese’s drama about Howard Hughes, the germ-phobic Hollywood mogul, Mr. Rock said: “It’s a weird movie; it’s well made, but a story about a rich guy who gets things done doesn’t excite me. Oooh, he overcame obstacles, like how much money to spend. And he washed his hands a lot.” The casting of the acerbic Mr. Rock as host of the 77th annual Oscars, which ABC will broadcast on Feb. 27, is an untraditional move for the Academy of Motion Picture Arts and Sciences, which in recent years has chosen less caustic comedians like Billy Crystal and Steve Martin to serve as M.C. “Edgy is the word that keeps coming up,” Bruce Davis, the academy’s executive director, said. “I like to hear that people are nervous, because that means you’re more likely to watch.” With ratings for NBC’s Golden Globes broadcast down 40 percent from a year ago and few of the expected nominees doing huge box-office numbers, an even heavier weight to both attract and keep an audience is being placed on Mr. Rock’s narrow shoulders. Gilbert Cates, the executive producer of the broadcast, said he was also hoping that Mr. Rock would draw more young male viewers than have watched recent Oscar shows. ABC has yet to decide if it will impose a time delay on the show, but Mr. Cates said that he and the academy were opposed. Mr. Rock said he expected a delay in the wake of Janet Jackson’s performance at the Super Bowl last year. “What Janet pulled out was not a breast,” Mr. Rock said. “You pull out breasts for mammograms. You pull out breasts to feed children. What Janet pulled out was – ” Here the comic used a word that a delay would most certainly bleep from the Oscars. In 1999 when the director Elia Kazan received an honorary Oscar, Mr. Rock called him a “rat” during a brief but biting routine on the show, making reference to Mr. Kazan’s McCarthy-era conduct. Still, Mr. Rock said that he could understand what all the fretting is about. “I’ve been on ‘Oprah’ four times,” he said. “That’s four hours of daytime television, and I had a good old curse-free time.” He turned serious briefly. “This act works everywhere,” he said picking at a cheeseburger in the Polo Lounge of the Beverly Hills Hotel. “I’ll play the Apollo and the Senate in the same day and tear both places apart. Bill Cosby works everywhere. Richard Pryor works everywhere. Ray Romano used to open up shows for me in front of all-black audiences and he would kill. He would kill so much I would be nervous to go on after him.” “If something is funny,” Mr. Rock continued with a shrug that read, duh, “people like it.” He has hired a team of 10 writers, including Ali LeRoi and Wanda Sykes, who both worked with him on his HBO series, “The Chris Rock Show.” On Mr. Martin’s advice, the team also includes John Max, a “Tonight” show writer who has worked on the Oscars with Mr. Martin and Mr. Crystal. “Sight unseen I hired the guy,” Mr. Rock said. “And you know what? He’s really good.” He said he also planned to seek pointers from Mr. Crystal and Whoopi Goldberg – who was criticized for off-color humor when she was the host in 1999. Mr. Cates said no restrictions had been placed on Mr. Rock. “He doesn’t need me to explain what the realities of network television are,” he said. “I think it would be both undignified and inappropriate.” So what subjects, if any, will Mr. Rock avoid? “A ‘Vera Drake’ joke probably won’t play,” he said, nor will a “Motorcycle Diaries” riff. “You’ve got to talk about ‘Passion of the Christ,’ whether it gets nominated or not. And you’ve got to talk about ‘Fahrenheit 9/11′. You’ve got to play to what the audience at home went to see.” His days now consist of screening past Academy Awards shows and catching as many movies as possible, at least three a week now, a pace that will have to pick up as the broadcast approaches. Mr. Rock is also tweaking material at comedy clubs in Los Angeles and San Francisco. The comedian said he would probably try out some jokes at senior citizen homes, too. He was not kidding. Mr. Rock is no awards show novice. He was a host of the MTV Video Music Awards in 1997, 1999 and 2003. Van Toffler, president of the MTV Networks Group, called the academy’s choice of Mr. Rock “brilliant.” “I’ve seen Chris at benefits and I’ve seen him do clubs,” Mr. Toffler said. “He is scientific about who is watching and will work that crowd.” It was Mr. Rock who, during the 1999 MTV awards, joked that Jennifer Lopez’s bottom was so big it needed its own limousine. “Chris definitely increased my expenditures for apology gifts,” Mr. Toffler conceded. “I think the production team at the Oscars should prepare for flowers and candy because he might insult a few people.” While Warren Beatty, Tommy Lee Jones and David Carradine tucked into power lunches at the Polo Lounge, well-wishers stopped by Mr. Rock’s banquette. The actor Stephen Dorff asked Mr. Rock if he was ready for his gig. “I’m in shape,” the comic said. “Put the money on me.” A high-ranking executive at William Morris, the talent agency, urged Mr. Rock to keep the telecast under nine hours. The most beloved V.I.P.’s to interrupt the lunch interview, however, were Mr. Rock’s wife, Malaak Compton Rock, and his precocious 2-year-old daughter, Lola. When asked what her father does for a living, she answered with a smile and one word: “Jokes.” Mr. Rock, who Time magazine once declared “the funniest man in America,” has won three Emmys and two Grammys. While he easily sells out arenas, his appearances in films like “Pootie Tang” and “Bad Company” have not earned him the movie-star status of Oscar hosts like Mr. Martin or Mr. Crystal. So what is he doing as host of the Academy Awards? At this point in his career, Mr. Rock, said he has outgrown the MTV awards – “I’m too old; it’s Dave Chappelle’s time” – and finally feels mature enough to take the Oscar post. Mr. Rock still ran his decision by a few friends, something he said he rarely does. “Some people were like, can you be cutting edge and host the Oscars?” Mr. Rock said. “Is doing this going to hurt your brand? Don’t expect Mr. Rock to imitate Billy Crystal, whose host turns have included singing and dancing through elaborate production numbers. “I like what Billy did, but I can’t do that,” Mr. Rock said. “Nobody wants to see me out there singing about ‘Sideways.’ If I sing about ‘Sideways,’ I’m playing Caroline’s. If I keep it like how I do it, I’m at the Garden.” Besides the material he’s developing for the show, Mr. Rock is also working on jokes for an “after-gig.” Emulating one of his idols, Prince, who often holds intimate jam sessions after his concerts, Mr. Rock plans to do a 45-minute show at a club after the Oscars. “I’m working on that as much as I’m working on the ceremony,” he said, laughing. “How funny is that?” Correction: January 21, 2005, Friday: Because of an editing error, an article in The Arts yesterday about the comedian Chris Rock, who is to be host of the Academy Awards ceremony next month, omitted a word, reversing the meaning of a sentence about concerns that he might be too acerbic or profane. The sentence should have read: “Still, Mr. Rock said that he could NOT understand what all the fretting is about.” | |||
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Month: January 2005
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January 28, 2005
Windows, Boxes and a Halo Bolster Microsoft Profit
By LAURIE J. FLYNN
icrosoft posted solid growth in quarterly sales and profit yesterday, buoyed by strong holiday sales of personal computers and video games.
Microsoft, the world’s largest software company, said sales for the second quarter rose 7 percent, to $10.82 billion, surpassing the $10.55 billion average of Wall Street analysts’ estimates.
“This was yet another excellent quarter,” said John Connors, chief financial officer at Microsoft. “In general, the economic environment is healthy.”
Microsoft earned 32 cents a share during the quarter on profit of $3.46 billion. That compares with a profit of 14 cents a share, or $1.55 billion, in the year-earlier period, when the company took a $2.21 billion charge for an employee stock-option exchange program. Excluding a stock-based compensation expense in the latest quarter, Microsoft said, it had a profit of 35 cents a share, beating analysts’ forecast of 33 cents.
Shares of Microsoft, which reported its results after the close of regular trading, rose 10 cents, to close at $26.11, then rose as high as $26.60 in after-hours trading.
Some of Microsoft’s new businesses did well, including its home and entertainment division, which posted its first profit. Sales in that division were led by Halo 2, a science-fiction video game featuring a genetically enhanced “supersoldier,” which helped turn Microsoft’s Xbox into the best-selling game console on the market during the holidays. The company said it had sold more than six million copies of the game since it was released in November.
Over all, the games unit had a profit of $84 million, in contrast to a loss of $397 million in the year-earlier period. Mr. Connors warned that the company did not expect the business to continue to post a profit this year, though it is on track to reach sustained profitability in 2007.
Most of the company’s traditional businesses also posted strong sales, which company executives attributed to an increase in sales of personal computers and servers. Revenue from the Windows operating system division increased 5.3 percent, to $3.22 billion.
But the brightest spot was Microsoft’s server and tools business, which grew 18 percent during the quarter, to $2.52 billion from $2.15 billion a year earlier. “The world is buying a heck of a lot of servers,” Mr. Connors said.
Revenue from the SQL Server product alone grew 25 percent, indicating that Linux, a free open-source operating system used to run many servers, is posing less of a threat to Microsoft’s corporate business than people may think.
“Linux is an issue, but it’s not the Microsoft killer it’s made out to be,” said Charles J. Di Bona, an analyst with Sanford C. Bernstein & Company. “They’re holding their own.”
Analysts said the gains in Microsoft’s server business indicated a strengthening corporate market. “It’s a good sign of demand for enterprise PC’s,” said Gene A. Munster, an analyst at Piper Jaffray.
Mr. Munster described the quarter as solid, but said Microsoft still faced the considerable challenge of being a mature technology company. Successes like Halo 2, for example, “don’t come around every quarter,” he said.
The company’s MSN Web sites had a profit of $130 million during the quarter, after losing $95 million a year earlier. Mr. Connors said that advertising revenue was increasing for the MSN business, but that the gains were offset by a decline in revenue from Internet access fees as customers move toward higher-speed broadband access. Revenue rose 7.7 percent, to $588 million.
Analysts characterized the quarter as strong, though some cautioned that the success of Halo 2 was a one-time event. Still, the company posted solid gains in major businesses, most notably Windows, which accounts for the majority of its revenues.
Microsoft raised its forecast for the full year. The company now expects to earn $1.09 to $1.11 a share, up from its previous forecast of $1.07 to $1.09. Revenue is now expected to be $39.8 billion to $40 billion.
For the third quarter, Microsoft predicts earnings of 27 cents to 28 cents a share on revenue of $9.7 billion to $9.8 billion, in large part on improvements in corporate spending.
Mr. Connors said Microsoft expected PC shipments to increase 9 percent to 11 percent during the rest of 2005, up from an earlier forecast of 8 percent to 10 percent.
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Robert Louis Stevenson
Slinger of ink
Jan 27th 2005
From The Economist print edition
Bridgeman

A man who, by turns, was seductive and infuriating
Robert Louis Stevenson: A Biography
By Claire Harman
HarperCollins; 503 pages; £25
Buy it at
Amazon.co.uk
IN 1885 Robert Louis Stevenson dreamed a “fine boguey tale” that in a matter of weeks had been turned into one of the most famous stories ever published—indeed, so famous, Claire Harman says, that it hardly needs to be read at all. At its heart is not just a shocking story of evil and transformation, but also a crystallisation of man’s greatest dilemma, his relationship with himself. “The Strange Case of Dr Jekyll and Mr Hyde” exposes, as Dr Jekyll himself says, “the thorough and primitive duality of man”. The strength of Ms Harman’s new biography is how it engagingly explores in fresh detail how the conscious warred with the unconscious in Stevenson himself.
Born into a long line of obsessive and successful engineers, Stevenson quickly revolted against such a calling and was determined to be a “slinger of ink”. He spent the first half of his life as a near-invalid, ill and frail and certain he was doomed to an early death, just like Shelley. And, like Shelley, he was “toiling to leave a memory behind”. In the second half of his life—as close friends submitted to one fatal illness after another—Stevenson conceived an unlikely lust for life while touring the South Pacific, submitting to the roughest and most dangerous of conditions, but this time with barely a murmur.
Ms Harman’s is the first biography of Stevenson since an eight-volume edition of his collected letters was published by Yale University Press in 1994-96. She uses the wealth of new evidence to examine her subject’s extraordinary range of interests, a mercurial side that sometimes verged on unpleasantness, and his ever urgent desire to earn money.
For years, Stevenson allowed himself to be pampered, fussed over and financed by overbearing parents and by “Cummy”, his sainted nanny—while taking every opportunity to escape their influence. He sat in dark rooms with writer’s block, depressed and self-pitying. Yet at the Savile Club he was recognised by Henry James and others as a wit, a wag and a bohemian. He took countless trips to spas in search of a cure for his undiagnosed and occasionally hypochondriacal illness. Yet he told J.M. Barrie that he smoked cigarettes “without intermission except when coughing or kissing”. Even after his first alarming experience of spitting blood, he still saw himself as a professional consumptive in search of a cure, blind to his own self-abuse.
When ill himself (tuberculosis was never formally diagnosed), Stevenson showed great compassion to other sufferers, as his friendship with William Henley, a long-hospitalised poet, testifies. Ms Harman has found an unpublished poem by Henley which neatly encapsulates his friend’s personality:
An Ariel quick through all his veins
With sex and temperament and style;
All eloquence and balls and brains;
Heroic and also infantile.
Stevenson was a fanatical launcher of projects which he rarely finished. In his essays, he laboured over style and ideas, inventing many aphorisms that were quickly adopted by books of quotations (“To travel hopefully is a better thing than to arrive”). Yet his most popular, and profitable, works were impulsively tossed off: “Treasure Island” began as a map he painted for his stepson one rainy day, followed within days by chapters serialised in a children’s paper, Young Folk. It then lay in a drawer for two years before anyone thought it worth putting out as a book.
For Cummy—who had the most baneful influence on him as a boy, condemning theatre as the mouth of hell, prescribing caffeine for insomnia and instilling a very literal fear of damnation—Stevenson wrote the bucolic “A Child’s Garden of Verses”. This is one of his most enduring works, written in a dark, shuttered room when his health was at its worst.
Stevenson’s contradictions come to the fore in his relationships with women. Mothered and smothered when young, he later became obsessed with women who seemed to want most to control him. His early manhood was dominated by a largely unrequited love for the married Frances Sitwell, but he eventually transferred his obsession to an American, Fanny Osbourne, another married woman, whom he met in France during one of his bohemian escapades.
He travelled to and across America to persuade Fanny to leave her husband; when she relented at last, Stevenson found himself married to someone who matched him for hysteria and hypersensitivity. Fanny became his harshest critic, but also his inspiration and a trusted editor. Literary friends of Stevenson’s saw her as a gold-digging bore. Yet Stevenson never had a sharp word in public to say against his wife and described himself as “uxorious Billy”. Their relationship only ever showed real signs of strain when his own condition seemed to stabilise and his future look brighter.
As a biographer, Ms Harman feels that subjects become “less knowable the more data accrues around them”, but that through this mess of information there is a glimpse of “real life poking through”. And so it is, for better or worse, that she rarely takes a firm position about her subject. Her complex portrait paints a man whom she finds both admirable and infuriating. Her prose has such narrative force that Stevenson’s death from cerebral haemorrhage leaves a genuine sense of shock and loss. Ms Harman’s kaleidoscopic light suits a man whose personality seemed in a state of constant flux.
Robert Louis Stevenson: A Biography.
By Claire Harman.
HarperCollins; 503 pages; £25


Copyright © 2005 The Economist Newspaper and The Economist Group. All rights reserved.


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