Month: February 2005


  • The Patriots may lose two-thirds of this Super Bowl scene. The defensive coordinator Romeo Crennel will coach the Browns, and linebacker Roman Phifer may retire


    February 8, 2005

    Holding On to Dynasty Is Patriots' Next Challenge


    By DAMON HACK





    JACKSONVILLE, Fla., Feb. 7 - In the frantic final days before Super Bowl XXXIX, with schemes to study and history to clutch, the New England Patriots dispatched members of their personnel department to begin scrutinizing salary-cap numbers and college rosters for the draft in April.


    Those are some of the behind-the-scenes maneuvers that have elevated the Patriots above the gravitational pull of parity. By preparing for every possibility - be it a coaching departure or the loss of a player - Coach Bill Belichick has rarely been caught unprepared.


    "A lot of coaches in the N.F.L. work hard," Jimmy Johnson, the former coach of the Dallas Cowboys and the Miami Dolphins, said in praising Belichick last week. "But there is a difference between working hard and working smart."


    The Patriots stamped themselves as a dynasty Sunday with their 24-21 victory over the Philadelphia Eagles at Alltel Stadium for their third Super Bowl title in four seasons. But New England's bid to claim a fourth Super Bowl crown next season - and a third straight, which would be a first - will face its most challenging test since the run began.


    Romeo Crennel, the Patriots' defensive coordinator since 2001, has accepted the Cleveland Browns' coaching job. Charlie Weis is expected to report Thursday to South Bend, Ind., leaving the Patriots' offensive coordinator post for the Irish coaching job he accepted in December.


    Although most of New England's starters will return, the Patriots could enter the free-agent period with some key unsigned players, including receiver David Givens, guard Joe Andruzzi and place-kicker Adam Vinatieri, whose contracts expire March 1.


    The Patriots must also decide whether to keep the injured cornerback Ty Law, who is set to count roughly $12 million against the 2005 salary cap.


    On Monday, just hours after he thanked Weis and Crennel for their contributions to New England, Belichick said of the vacancies, "We'll deal with that in due course."


    The Patriots are probably dealing with it already.


    Belichick refused to name candidates, but he has assistants with strong ties to the team. For the defensive coordinator job, the 34-year-old secondary coach, Eric Mangini, is thought to be the lead candidate. Mangini, like Belichick, is a graduate of Wesleyan in Middletown, Conn. He was later an assistant under Belichick in Cleveland in 1995 and worked under Bill Parcells and Belichick with the Jets from 1997 to 1999 before moving to New England with Belichick in 2000.


    But he is also a rising star on the radar of several teams.


    One potential replacement for Weis is Dante Scarnecchia, Belichick's assistant head coach and offensive line coach.


    Scarnecchia, who will turn 57 on Feb. 15, has been a Patriots assistant for 21 seasons. In 35 years coaching in college and the N.F.L., Scarnecchia has also taught tight ends, special teams, linebackers and defensive backs. With a surprisingly low profile given his longevity and success, he has coached three different right tackles in three Super Bowls.


    The tight ends coach Jeff Davidson and the running backs coach Ivan Fears have also been talked about as replacements for Weis.


    How crucial is losing Crennel and Weis?


    "They are two outstanding coaches, but the thing is, they have Belichick," the Eagles' defensive coordinator, Jim Johnson, said last week. "That's the key. They still have the head man, and I'm sure Bill has a plan. He probably already has someone else in mind."


    Different forces have brought down the league's dynasties through the years, including age and the defection of talented assistants. New England must cope with both.


    The Pittsburgh Steelers - who won four titles in six years through the 1979 season - and the San Francisco 49ers - who won five titles between the 1981 and 1994 seasons - remained strong until their Hall of Fame talent base, among other things, eroded.


    The Dallas Cowboys, the only team besides the Patriots to win three titles in four seasons, sustained significant free-agent losses toward the end of their championship run in the 1995 season, one year after the start of the salary-cap era.


    "The difference now is that you don't see other dynasties functioning at the same time," Bill Walsh, who won three titles with San Francisco, said in a telephone interview Monday. "When we were at our best, so were the Giants and Redskins and many other teams in the N.F.C. and A.F.C. We had to deal with other dynasties that were dominant. I don't think you see the caliber of teams now that you saw then because of free agency, but New England is an outstanding team, and their accomplishment is magnificent."


    Walsh, who cited the quarterback position as the key to sustained success, said different factors could crack the foundation of a dynasty.


    "Sometimes it's the combination of the players changing," he said. "Some age and don't perform as well. A loss of focus can occur. Coaching staffs change because men become head coaches out of the staff. We lost a series of guys that we had to replace, and I'm sure the Patriots will, too."


    Only New England has won three titles in the cap era, which was intended to spur competition, not create dynasties. Commissioner Paul Tagliabue, however, said the cap was not designed to be so rigid that a team could not enjoy years of prosperity.


    "When we did this system in the early 90's, we thought there was enough flexibility in it so you could keep teams together and have repeat success," Tagliabue said. "New England's done it, Philadelphia's done it, the Rams did it, the Broncos did it. Other teams have done it. Green Bay has had a phenomenal era and a phenomenal quarterback through the salary-cap years. And I think that's one of the lessons.


    "We thought the system would allow for great competition and allow for repeat winners, and that's what's turning out to be the case."


    New England is in an ideal position to remain atop the league.


    Quarterback Tom Brady is signed through 2006, linebacker Tedy Bruschi through 2007 and safety Rodney Harrison through 2008. Though linebackers Roman Phifer and Ted Johnson may retire, the Patriots should attract A-list free agents.


    "It takes a lot of discipline," Scott Pioli, the Patriots' vice president for player personnel, said of playing for New England. "It's not about how long their hair is or how much jewelry they wear. We have certain expectations for guys being in the right place at the right time and doing their job a certain way. That's discipline to us."


    Belichick was still not ready to judge his team's place in history. The 2005 season beckons.


    "We'll start at the bottom of the heap like everybody else," he said.




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  • Many in the crowd were Rastafarians, the dreadlocked spiritualists who regard Ethiopia as the promised land and have particular reverence for Haile Selassie, the late emperor, a divisive figure. Some waved posters of him at the event.






     




    February 7, 2005

    Reggae Fans Get Up, Stand Up for a Birthday

    By MARC LACEY





    ADDIS ABABA, Ethiopia, Feb. 6 - If he had been onstage, Bob Marley would have waved his graying dreadlocks in the air and beseeched black people to continue struggling. In that lilting voice of his, he would have sung of love, of unity, of his beloved Ethiopia.


    But Marley was only a memory, albeit a powerful one, at the celebration of the 60th anniversary of his birth on Sunday in the sprawling central square of the Ethiopian capital. So his wife, Rita, his sons, including Ziggy Marley, and numerous other admirers did the singing for the late reggae great, as tens of thousands of people jumped and gyrated to the trademark beat at a daylong concert entitled "Africa Unite." Also performing were the singers Lauryn Hill, formerly of the Fugees; Angélique Kidjo from Benin; and Ethiopian entertainers singing their versions of reggae.


    It was a curious scene. Meskel Square, the spot where giant portraits of Marx and Lenin looked down on Ethiopians during the country's Communist days, was decorated with likenesses of Marley. Among the revelers were beggars, prevailing on all the idealists to give them something to eat.


    Ethiopia is regarded as the promised land for Rastafarians, the dreadlocked Jamaican spiritualists who gave Marley so much of his inspiration. That special status comes despite the poverty of the place, the regular bouts of starvation, the sicknesses that fell so many Ethiopians. Indeed, many here mock the Rastas.


    Nearly a quarter of a century after Marley's death, Rastas and other reggae lovers have flocked here from all over the world in recent days to remember him and his powerful litany of lyrics. The Marley fans came from Jamaica, the birthplace of Rastafarianism, and from other countries that have fallen under reggae's spell. Besides celebrating, one of the goals of the gathering was to win over the many people in this conservative Christian and Muslim country who view Rastas with deep suspicion. The concert was organized by the Bob and Rita Marley Foundation, a philanthropic group that works in Ethiopia. It was the first time that the birthday festivities had been held outside of Jamaica since Marley died of cancer at 36 in 1981.


    The Ethiopian government sanctioned the concert because it saw the influx of so many visitors as an economic boon. But the arrival of the Rastas was unnerving for some locals, who have trouble grappling with their marijuana use and the belief among many of them that Haile Selassie, the country's deposed emperor, was more deity than man.


    "This is our pilgrimage country," said a man who calls himself Jah Eliejah Adanjah, an aging Rasta from the Caribbean island of Guadeloupe who was setting foot on Ethiopian soil for the first time. "The feeling is so strong that I can't find words to express it."


    Rita Marley gave an indication of the deep ties Rastas feel toward Ethiopia when she said last month that she planned to dig up the singer's remains in Jamaica one day and rebury them in his spiritual home of Africa. Her remarks drew fierce criticism in Jamaica, Marley's birthplace, but she said it had been her husband's lifelong wish to reach the promised land.


    In the raucous, celebrating crowd were some Japanese Rastas who said that Marley's message of black empowerment appeals to anybody who is rebellious inside. "I feel the songs as much as anyone else," said Chihiro Nakamori, 25, of Kyoto, who had fledgling dreadlocks hanging from his head. "When I smoke the herb, I connect with another world." Many Rastafarians believe that smoking marijuana is a sacrament approved by the Bible.


    There were Ethiopian Rastas, as well, young people in dreadlocks who said Marley's music spoke to them but that some Rasta beliefs did not. One group of them chewed khat, a popular stimulant here, instead of smoking marijuana.


    Rastas named their movement after Haile Selassie, who was known as Ras Tafari before becoming Ethiopia's emperor in 1930. The movement, which came of age at a time when Africa was under white rule, deified Selassie, a black emperor who symbolized an independent Africa. Ethiopians are extremely divided on the merits of Selassie, a man who gave the country's image a boost on the international stage but ruled in an authoritarian manner.


    Before he was deposed in 1974, and murdered the following year, Selassie set aside land for those in the black diaspora who sought to help develop Ethiopia. Hundreds of Rastas responded and settled in the remote village of Shashemene, where they continue to worship him.


    But the presence of Rastas in their midst has not calmed the concerns of some Ethiopians, who see the way of life of Rastafarians as a bad influence for their children. "There's a hidden agenda here," said Dr. Henok G. Hiwot, an Ethiopian who speaks to parents about dangers young people face if they adopt a Rastafarian way of life: "This is a Bob Marley celebration, but we fear they're trying to attract Ethiopians to their culture. We don't want that."


    Critics of Rastafarianism had a message for the many visitors: find another promised land.


    During the concert, members of various Protestant churches slipped quietly through the crowd handing out pamphlets that attacked the deification of Selassie by Rastafarians. It was a risky enterprise, as the authorities had detained eight young people who were caught with the pamphlets on the eve of the concert that the government had endorsed.


    Many, though, saw no harm. Abuna Paulos, the patriarch of the influential Ethiopian Orthodox Church, of which Selassie and later Marley were members, delivered the celebration's opening prayer. "The church's task is to preach any time to anyone, no matter their hairstyle," said the gray-bearded patriarch, calling Marley his "spiritual son."


    At scholarly discussions leading up to the concert, Marley's lyrics were deconstructed and applied to present-day problems. Azeb Mesfin, the wife of Prime Minister Meles Zenawi, spoke of how the Marley hit "No Woman, No Cry" inspires struggling women in Africa. When it comes to AIDS, which is taking the lives of so many Africans, she referred to another Marley song: "We should 'get up, stand up' and defeat this terrible scourge," she said.


    The revelers who turned out in the beating sun to soak up Marley's music were similarly adapting the lyrics to their own lives. Wouhib Bayou, 29, an Ethiopian who says he finds most Rasta ideology compatible with his Muslim beliefs, said "Waiting in Vain," one of Marley's love songs, perfectly captured his frustration with Ethiopia.


    "When you see other countries on TV and you see how advanced they are, you long for that kind of wealth," he said. "I'm waiting for that right here in Ethiopia, but I'm waiting in vain."



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  • Michael Milken in 1989


    The Drexel tie still binds at the Jefferies Group, where Brent Stevens, Chris Kanoff, and Andrew Whittaker are senior executives



                                                     Peter J. Nolan, Jonathan D. Sokoloff and John G. Danhakl of Leonard Green & Partners with memorabilia from their Drexel days


           From top to bottom, some Drexel alumni: Andrew Heyer of Trimaran Capital; Mark Attanasio, the owner of the Milwaukee Brewers; Mark Lanigan of Black Canyon Capital


     


    February 6, 2005

    The Drexel Diaspora


    By JENNY ANDERSON





    BRENT STEVENS did not sleep on that February weekend in 1990. A newly minted Wharton School M.B.A., Mr. Stevens had recently joined Drexel Burnham Lambert, the swashbuckling investment bank that dominated the market for financing risky companies. That Sunday, after working on a deal nonstop for 48 hours, he received an ominous telephone call from a managing director, telling him to go home. He was dumbfounded. Deals were over when they were over, he said, and no one at Drexel slept until they were.


    The next morning, Mr. Stevens arrived at 5:30 at Drexel's office in Beverly Hills to find his boss, Robert Beyer, sitting in his chair. "You're going to hear some pretty difficult things today," he recalled Mr. Beyer telling him. "A lot of them will be true. Don't worry, you'll be fine."


    Within the hour, Mr. Stevens learned that Drexel, once the most profitable and feared bank on Wall Street, had a liquidity crisis. By evening, the firm would be bankrupt. Later called the "St. Valentine's Day massacre," the bankruptcy left more than 5,700 people in Beverly Hills and New York unemployed and potentially tainted by their association with an institution considered by many people at the time to be defiant, greedy and criminal.


    That perception, of course, did not come out of thin air. In December 1988, Drexel agreed to plead guilty to six felony counts and to pay a $650 million fine. Three months later, Michael R. Milken, the firm's legendary junk-bond trader, was indicted on 98 charges, including racketeering. He later pleaded guilty to six felony counts, paid $600 million in fines and restitution and served two years in prison.


    But what became of Mr. Stevens and his co-workers? Today, almost exactly 15 years after the firm's demise, he and many other young employees swept up in the Drexel diaspora have risen to prominent positions on Wall Street. Mr. Stevens is the head of leveraged finance at the Jefferies Group, an investment bank known for lining up complex financing for high-risk companies. Not coincidentally, his boss - Richard B. Handler, the chief executive of Jefferies - was a 28-year-old trader at Drexel when the firm blew up.


    Several other former Drexel employees are managing billions for pension funds, endowments, wealthy people and one another - often using junk bonds. Mark L. Attanasio, a senior vice president at Drexel when it collapsed, is a managing partner at Trust Company of the West, a $109.7 billion money management firm. Last month, he bought the Milwaukee Brewers for more than $220 million.


    Interviews with more than two dozen former employees showed that, far from being embarrassed by their connection to Drexel, most retain an almost cultlike devotion to the firm and much of what it stood for. Few of them were crucial players in building Drexel's core franchise, junk bonds. And few of them were especially close to Mr. Milken, who has since survived cancer, established two major foundations devoted to cancer research and become a major investor in an education initiative, Knowledge Universe Inc.


    But to a person, they all described their Drexel DNA as a crucial factor in their success today. "It showed you the sky was the limit," Mr. Handler said. "You realized you could make a difference in finance. The sheer volume of deals, the market share you could have, your ability to add value to clients, how you could drive your competition nuts, also how much wealth creation was possible."


    A HANDFUL of Drexel's most senior managers also went on to make names for themselves. Perhaps the best known is former Drexel trader Gary Winnick, who founded Global Crossing, the onetime telecom giant that imploded under a mountain of debt in January 2002. Mr. Winnick cashed in more than $700 million in stock before the firm went belly up. Another veteran star is Leon D. Black, founder of Apollo Management, one of the most respected names in the buyout world. He made his fortune buying the bankrupt portfolio of Executive Life, the insurer. Apollo now manages more than $13 billion, registering compound annual returns of more than 40 percent since 1990 on the $12 billion it has invested.


    But it is only recently that the younger members of the firm - associates and executive vice presidents, vice presidents and young managing directors - have made their mark. They include Peter J. Nolan, Jonathan D. Sokoloff and John G. Danhakl - all 20-something associates when the firm went bust - who now run Leonard Green & Partners, a private equity shop in Los Angeles that manages $3.7 billion and has posted stellar returns, almost 40 percent a year over the past 16 years. Another is Ken Moelis, who had more seniority at Drexel - though still in his 20's when the firm collapsed - and now is joint global head of investment banking at UBS. The list goes on.


    The money being made in the credit markets by former Drexel employees is vindication to some former managers, who said they felt that the firm was destroyed unnecessarily. "One prosecutor said to me in 1990, 'With compensation levels like this, this has to be a den of thieves. You couldn't make this much money,' " recalled a former manager who asked not to be identified. "I said, 'Compensation levels are lower than what they will be doing 10 years from now.' "


    He was right, of course: he and his fellow alumni are making more money today than they ever dreamed during their Drexel days. Mr. Handler's stock and options in Jefferies alone are worth almost $200 million, and Jefferies is one of the best-performing financial stocks on the New York Stock Exchange. The Leonard Green group has returned more than $1.4 billion to investors over the past two years, with each of the three managing partners taking home somewhere in the range of $100 million each.


    One former government official who was involved in the Drexel case said he was not surprised that many of the alumni had prospered. "The sad thing about Drexel was that a lot of their business was untainted by this, but when it blew up it all blew up," said Gary Lynch, now the general counsel at Credit Suisse First Boston.


    The legacy of Drexel, gray to the outside world, is as white as snow to the group: It was an institution where hard work and good ideas were rewarded, hierarchies were absent, talent abounded and the potential to be very, very, rich was palatable, former employees said. They recall exactly where they were the morning the firm went bankrupt - as well as the details from the steamy party later that week at the Sugar Shack, a Los Angeles bar, now defunct, where mai tais flowed generously and sex was rampant, several employees recalled.


    Some still remember their Drexel seniority rank precisely and offer that information voluntarily: 15th to be hired in corporate finance in New York, said one; 10th in trading in Beverly Hills, said another. Almost everyone in the group owns some Drexel memorabilia: a chair, a desk, a computer, all bought or taken during the bankruptcy. And while many were reluctant to be interviewed for this article, once seated, they could not stop talking.


    To be sure, nostalgia about Drexel's rise and fall is not universal, especially among senior managers. One senior trader who worked with Mr. Milken on his famous X-shaped trading desk and asked not to be identified said: "There were those who sat on the X and those who didn't. There were those who were hired by Mike and those who were not." As for the fond memories of others, he said: "They did not appear before a grand jury. They did not lose millions in stock."


    No matter what they think of Drexel, however, former employees and other Wall Street watchers seem to agree on this much: there may never be another firm quite like it. "Drexel had a certain chutzpah that hasn't been seen since," said Charles R. Geisst, a Wall Street historian at Manhattan College. "People seem to forget it was the only major financial firm to be shut down by regulators. That's a strong message that chutzpah shouldn't continue." And by most accounts, it hasn't.


    By the mid-1980's, Drexel was the nexus of the nation's high-yield bond boom and takeover frenzy. Corporate raiders and entrepreneurs like T. Boone Pickens and Ted Turner and Ronald O. Perelman were making plays for companies far bigger than their own. They financed these takeovers with junk bonds, for which Mr. Milken had created a market. The firm - many would say Mr. Milken alone - helped build the cellular, video game and cable industries, including companies like CNN, MCI and McCaw Communications.


    In 1980, Drexel underwrote 48 high-yield deals that brought in $1.6 billion. In 1989, the firm did 100 deals worth $23.2 billion. Drexel's share of the junk bond market was 40 to 60 percent throughout the decade, according to Thomson Financial. It was not until 1987 that a rival, Credit Suisse First Boston, posted a market share in the double digits.


    Not surprisingly, Drexel attracted top Ivy League talent. "It was the hot place to go, especially the Beverly Hills office," said Mark Lanigan, who graduated from Harvard Business School in 1986 and now runs an investment fund seeded by another hedge fund group run by former Drexel employees. "They were shaking up the world. Every other day you opened The Wall Street Journal and Drexel was helping to launch a hostile takeover or helping an established company defend itself."


    Most of the junior bankers chose Drexel over other top-flight banks. They picked it because they thought they could learn more, advance faster, make more money and - corny as it sounds, even on Wall Street - become part of history.


    "Drexel was tied to a rocket," said Leon Wagner, chairman of GoldenTree Asset Management, a $6.5 billion money management firm, who joined Drexel's high-yield trading desk in 1986 from Lehman Brothers. "Just to be able to sit on the desk and see the calls start at 4:15 in the morning, Boesky and Perelman and Diller and Murdoch," he said referring to Ivan Boesky, the arbitrageur; Mr. Perelman, of Revlon; Barry Diller, now chairman of IAC/InterActiveCorp, and Rupert Murdoch of the News Corporation.


    Because the firm controlled the market, young associates were thrown on big deals and told to execute them. "I learned more in five years than I have in the subsequent 15," was a typical observation among the former Drexel employees interviewed. Mr. Attanasio, who made his fortune selling his fund, Crescent Capital, to Trust Company of the West, said, "We were the market, so you learned the market."


    Frederick H. Joseph, Drexel's former chief executive, who is now managing director and co-head of investment banking at Morgan Joseph & Company, the boutique investment bank, likened the experience to being at a top-notch university. "Harvard is as good as it is because of the people there," he said in an interview. "It's a favorable vicious cycle."


    There was the money, too - lots of it. The parking lots at the Beverly Hills office were filled with red and yellow Porsches, Ferraris and BMW's. And Drexel knew how to have a party. At the firm's famous Predators' Ball, where it entertained corporate titans, members of the younger generation said they ran around taking notes, gawking at the crowd. Frank Sinatra performed in 1984, Diana Ross in 1985. Star power at credit conferences was rare at the time; the employees thought it was cool.


    Despite the controversy engulfing the firm in 1990, few employees saw the end coming. Mr. Moelis was skiing with clients in Colorado. Mr. Wagner found out on the Friday before the implosion from his wife. Mr. Attanasio had been in Germany the previous week doing due diligence on a deal.


    It was by no means immediately apparent that Drexel's young associates and vice presidents were employable. "You had been in Chernobyl," Mr. Nolan said. Many of them kept working on Drexel business: Chris Kanoff, now head of corporate finance at Jefferies, promised to finish a deal for a client and, using the law offices of Latham & Watkins, finished it in eight weeks.


    Others scrambled to find jobs elsewhere after the bankruptcy. One group went to Donaldson, Lufkin & Jenrette. Another went to Jefferies, and a third started Canyon Capital Advisors, now a successful $7 billion hedge fund. Mr. Sokoloff joined Leonard Green, and two others would do so later. Some regrouped back East, including Ted Virtue, now the chief executive of MidOcean Partners, a $3 billion private equity fund, and Mr. Wagner of GoldenTree. Others who worked on the East Coast started over, including Jay R. Bloom, Dean C. Kehler and Andrew R. Heyer, who run the highly successful Trimaran Capital Partners.


    FIFTEEN years later, they are bonded by more than history. One just raised $1.5 million for a charity related to a family illness; a substantial amount came from Drexel people. "What do you say to that?" he said, asking not to be identified. Chris Andersen, a senior banker in the New York office when Drexel collapsed, has a Christmas party every year in the Versailles Room at the St. Regis. Of the 250 people who came last year, more than half had been at Drexel. "The culture, at its core, was almost a religious fervor for what we were doing and the power to transform things," said Mr. Andersen, who founded G. C. Andersen Partners, a merchant banking firm.


    And few jumped as the ship was sinking. "It was us against everyone else," said Mr. Heyer of Trimaran. "You couldn't have infighting if you were taking on the world."


    Mr. Virtue, who ran the high-yield business, and then banking, at Bankers Trust, now part of Deutsche Bank, before starting MidOcean, said: "There was a sense that we were abandoned orphans. We kept tabs on each other."


    The alumni work together on deals and say that their close ties allow them to execute tough transactions in less time. For example, when Jonathan Coslet, a partner at Texas Pacific Group and a former Drexel financial analyst, bought J. Crew in a highly leveraged deal in 1997, the banker working on the deal was Mr. Lanigan, then at Donaldson, Lufkin & Jenrette. The company received complex financing for the deal from Trust Company of the West, where Mr. Attanasio and two other former Drexel employees - Jean Marc Chapus and Mr. Beyer (Mr. Stevens's former boss) - were involved. Mr. Chapus is managing partner at TCW, where Mr. Beyer is the president.


    When it came time for a second financing, Texas Pacific Group turned to Black Canyon Capital L.L.C., an investment fund run by Mr. Lanigan and backed by the principals at Canyon Capital Advisors. It financed the full $275 million.


    Mr. Milken, of course, has also remained in the spotlight. After serving his prison term, he received a diagnosis of prostate cancer. He successfully battled cancer and has been active in the research arena, gracing the cover of Fortune magazine last month alongside Lance Armstrong.


    Many former Drexel employees speak glowingly of Mr. Milken. "He's so brilliant, it's like getting near the sun," Mr. Wagner said.


    Mr. Virtue added: "He was the best visionary Wall Street every had."


    But in an odd way, some former Drexel young guns are equally grateful that the firm collapsed when it did. "When you were part of the Drexel franchise, you weren't sure if it was Drexel" or you, Mr. Coslet said. "Now they have made a name for themselves and it's nice for them to say: 'It was my innovation and my talent. I did it on my own.' "


    Of course, they all took from the experience a powerful lesson, one that might have served them as well as any expertise they absorbed during their Drexel days. "There's a difference between being very competitive and can-do, and winning at all costs," Mr. Wagner said. "All costs is costly."




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  • February 6, 2005

    OP-ED CONTRIBUTOR


    Four Centuries and a Cloud of Dust


    By STACY SCHIFF





    IT has always been just under 300 miles from Boston to Philadelphia. But long before 100 yards of Florida turf divided them, they were universes apart.


    From its inception Boston was the Puritan redoubt, theocratic and autocratic, narrower in its thinking, the hierarchical land of the ministerial Mathers. Men were sacrificed in Boston to their dissenting opinions, as Harvard's first president discovered. He had the temerity to challenge the institution of baptism, after which he lost his job.


    Philadelphia was the Quaker colony, the seat of tolerance and equality, heterogeneous in the extreme, closer to the democratic ideal. Money went further in that colony than did authority. In the words of one 18th-century immigrant, "Pennsylvania is heaven for farmers, paradise for artisans and hell for officials and preachers." Even from a distance the regional differences stood out in high relief. To the European mind, New England was a benighted backwater in which good Quakers were persecuted. Philadelphia was a utopia on earth.


    No one better grasped that divide than - or crossed it to such stunning effect as - Benjamin Franklin. Always generous, ever the diplomat, he managed to be born in both places. To Oliver Wendell Holmes Sr., Franklin remained "a Bostonian who dwelt awhile in Philadelphia." From New England, where he was born originally and in the time-honored way, Franklin took a work ethic, a reverence for the written word, a religious equation between virtue and industry, and a weakness for that preacher's perennial, the well-honed adage. In Boston he also found it easy to make himself "a little obnoxious" to the authorities. He had seen his brother jailed for his public statements; already Franklin had begun to ask too many questions, and to be "pointed at by good people as an infidel or atheist." Fearing prosecution, off he flew, in a sort of dress rehearsal for America's dash to freedom, to the city of brotherly love. That personal rebellion Franklin accomplished in a most un-Bostonian way. Not only did he secure his freedom by telling a lie, but - could he have any more effectively thumbed his nose at the puritan state? - the tale involved his having got a local girl pregnant.


    At 17 he was reborn as a Philadelphian. Franklin's entry into that city - he retroactively calculated the date to have been Oct. 6, 1723 - warrants one of the stained glass windows of American history. Franklin may just as well have been riding a donkey, Dale Carnegie, Horatio Alger and Huck Finn laying palms before him. His was also very much a flight from one world, one culture, to another. The Second Street baker was puzzled when his young customer ordered a biscuit, an entity unheard of in Philadelphia, where both the baked goods and the currency were different. With less difficulty the teenage runaway stumbled into a Quaker meeting, where he fell fast asleep, gloriously at home in the cradle of liberty. And in the ecumenical air of Philadelphia he thrived. Decades later he would himself streamline mail service between those two realms, previously separated by a matter of weeks.


    It was in large part thanks to Franklin that Philadelphia further distinguished itself from the wooden settlement on Massachusetts Bay. For all its intellectual and spiritual rigor, Boston was already a familiar town; there was more wealth in Philadelphia but more luxury in Boston. (The only Philadelphia building that impressed foreigners was the prison.) Boston was a New World oddity for its Old World design; it amounted to a tangle of irregular, muddy, open-guttered streets. Mark Twain thrilled to that labyrinth, which kept a man in delicious suspense as to what lay around the next corner. He proposed as well that the twisted streets served a civic purpose, "for I do not know what else to attribute Boston's patient affability to if it be not the schooling her citizens get in teaching lost strangers how to find themselves."


    Well-lighted, well-paved Philadelphia offered up no hidden delights. It was laid out on an open grid. From most accounts its contribution to 18th-century civilization appears to have been its awe-inspiring sidewalks, "so well built that you can walk on them as comfortably as you would in your own bedroom." Philadelphia was clean, it was orderly, it was rational - too much so for some tastes. In 1831 Tocqueville's traveling companion balked at its geometric precision: "It is of a regularity that one is tempted to find too perfect." As for the city's nomenclature, it was nothing less than an insult to the human spirit. Who would name their streets with numbers? "Don't you find that only a people whose imagination is frozen could invent such a system?" groused Tocqueville. Clearly Philadelphia culture consisted solely of arithmetic.


    In Boston by contrast there was always a certain disconnect between straight-spined propriety, the upright embrace of knowledge, and a propensity toward anarchy, of which Boston traffic survives as the pre-eminent legacy. Along with the city's religious culture went an impulse toward the wanton and the destructive, toward public-spirited eruptions. The Puritan city was at once more straightforward and more subversive. In 1773 the East India Company dispatched to the colonies a large shipment of tea, from which Parliament had refused to remove a duty tax. Philadelphia (and New York) turned away the ships. Boston did not. Thereafter its God-fearing citizens pitched 342 chests of tea leaves into the harbor.


    No one did more to put Boston on the map than John Adams, as rigid, uncompromising and eloquent as Franklin was fluid, conciliatory and taciturn. If the faux Quaker proceeded with a simple strategy - "Never contradict anybody" - the Bostonian's lifeblood was dispute. After a blow to his ego, Adams confessed to Franklin: "My talent, if I have one, lies in making war." The two men served together on committee after committee. They shared a New Brunswick bed and a Paris address; they collaborated on the Declaration of Independence and on the treaty that recognized America as a sovereign nation seven years later. Together they represented their country abroad. Otherwise they had nothing in common. In 1776 Franklin led the committee that wrote the Pennsylvania Constitution. Several years later Adams penned that of Massachusetts. As the historian Gordon Wood has pointed out, the two documents diverge on nearly every point.


    It was Franklin's laissez-faire approach that most riled Adams, and it is Philadelphia's sagging socks that most set it apart from over-achieving, buttoned-up Boston. If Boston demonstrates bounding ambition, Philadelphia presents itself as the easygoing younger sibling. Either the familial expectations were different or the family adapted. As the best-selling Pennsylvanian Owen Wister saw it, success is a birthright in Boston. It surprises in Philadelphia.


    In E. Digby Baltzell's formulation, Boston owes its pre-eminence largely to its individualistic, undemocratic spirit. The ruling elite in that city may have been intolerant but it was also responsible. In Philadelphia it was tolerant and irresponsible. So Baltzell explained the disproportionate number of Massachusetts natives among the founding fathers - as well as Philadelphia's lamentable showing in the "Dictionary of American Biography." That city was inoculated with an "antileadership vaccine," the legacy of Quaker egalitarianism and anti-intellectualism. Quakers tended not even to go to college, a tradition Franklin - a Bostonian again in Baltzell's book - accidentally upheld.


    Baltzell could have pointed out that Philadelphians can be proud while Bostonians tend toward the chauvinistic. It is a little bit the secret of their success. "Philadelphia with all its trade, and wealth, and regularity is not Boston," asserted John Adams. "The morals of our people are much better; their manners are more polite and agreeable - they are purer English. Our language is better; our persons are handsomer; our spirit is greater; our laws are wiser; our religion is superior." That same eminently moral and polite people had the previous winter thrown a Tea Party.


    One particularly irritating thing about John Adams is that he was so often right. In his will Franklin bequeathed equal sums to his native cities, to be placed in long-term trusts. Philadelphia followed his instructions to the letter. Hot-headed, cold-blooded Boston pushed the envelope, putting the premium on maximum profit. Two centuries later Philadelphia's fund totaled $2.5 million. Boston's was worth more than twice as much.



    Stacy Schiff is the author of the forthcoming "A Great Improvisation: Franklin, France and the Birth of America."




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  • Michael Jackson walking into the Santa Barbara County Courthouse on Day 1.


    February 6, 2005

    Jackson Goes to Court: To Moonwalk or to Tiptoe?


    By MIREYA NAVARRO





    LOS ANGELES


    ON Day 1 he looked angelic in his white three-piece suit with a rope of jeweled baubles at the waist and a gold armband. On Day 2 he chose a black suit and a red shirt accented with a choker pendant, a brocade vest and a royal crest.


    As his trial on charges of molesting a 13-year-old boy began last week, Michael Jackson did not play the part of the criminal defendant ordered by his lawyers to buy a respectable suit and tie. Instead he was his flamboyant pop-star self. With the trial expected to last as long as six months, court-watchers seemed to be in for a long parade of Mr. Jackson's music-videoworthy outfits.


    But some criminal defense lawyers, including some who have represented celebrities, question this not-so-incidental aspect of the defense strategy. Wardrobes do not make or break cases, they said, but Mr. Jackson's choices are an important piece of the image projected to the judge and jury who will decide his fate.


    "Particularly in a case of this type," said William B. Moffitt, a past president of the National Association of Criminal Defense Lawyers, "what you don't want the jury thinking is, 'This guy is weird, and he's so weird he might have done this.' Would style play a role in that perception? Sure it can."


    Mary Fulginiti Jenow, a former federal prosecutor who is now a criminal defense lawyer in Los Angeles and a legal analyst for several cable television channels, shares his opinion. "Juries dissect every aspect, including what you wear," she said. "Why give one juror or five jurors ammunition in any way to think less of you as a defendant?"


    "That's the problem with Michael Jackson," Ms. Fulginiti Jenow said. "He looks like he's ready to break out into the moonwalk."


    Celebrity defendants have a history of cleaning up for court. Winona Ryder, usually seen in blue jeans and tight tops, was buttoned into ladylike outfits by Marc Jacobs for her trial on shoplifting charges in Los Angeles in 2002. Robert Blake, on trial in Los Angeles for the murder of his wife, appears before the jury with his hair neatly cut wearing fade-into-the-wall suits.


    There are also limits to dressing well: appear too rich and a jury might be resentful. Martha Stewart was mocked in the media and apparently offended some jurors during her trial last year when she carried a Herm¨¨s handbag that has a starting price of $6,000.


    When Mr. Moffitt defended a member of the Red Hot Chili Peppers rock band in a sexual battery case in 1990, he put him into jackets. (The cleaned-up Pepper was convicted and fined.) If he were defending Mr. Jackson - who has pleaded not guilty to lewd acts with a minor, attempted child molesting and giving the boy alcohol - Mr. Moffitt said he would again recommend the suit route. "You'd probably see Michael Jackson for the first time in an Armani suit," he said. "He'd look like a human or an age-appropriate person instead of a pop star."


    There is a gag order in the Jackson case, and the legal teams on both sides were not available for comment. According to published reports, prosecutors have complained to the judge about Mr. Jackson's sunglasses and armband and asked that he be stopped from wearing them in the courtroom.


    But some experts caution that well-known defendants who undergo a radical makeover risk sending the wrong signal to jurors: that they are pretending to be something they are not. "In this case you have to wonder whether it wouldn't be better to let him be his flamboyant self," said Bradley A. Pistotnik, a civil lawyer in Wichita, Kan.


    "If he tones down his dress too much, it's likely that the jury would perceive that he's not been honest," said Mr. Pistotnik, who is the author of "Divorce War!," a book about strategies for women to win their divorce cases.


    Mr. Jackson, whose style has always been theatrical, sometimes outrageous, including signature elements like military garb and royal emblems befitting the king of pop, may be a poor candidate for Armani. As he has emerged from under umbrellas and from behind his trademark sunglasses last week to sit through jury selection in the courtroom in Santa Maria, Calif., he seemed to be sticking to his sartorial guns. The trial resumes with questioning of prospective jurors tomorrow.


    "There's a symbolic level to Michael Jackson's dressing," said Ann Powers, a senior curator at Experience Music Project, a museum in Seattle that has on display the sequined white glove and jacket Mr. Jackson wore at the 25th anniversary of Motown Productions in 1983.


    "The white outfit was a symbol his fans could pick up," Ms. Powers said. "Wearing white he projects the idea of his innocence. Wearing red he projects the idea of being targeted - red, the color of blood."


    Mr. Jackson has put on a suit and tie in the past for court appearances, although always with some flourish - a red tie, the ubiquitous armband - and his fans say he is dressing in a businesslike way for his trial. But some of these fans, who believe the criminal case is a fabrication and who have gathered outside the courthouse to show their support, argued that what he wears should not matter.


    "That really doesn't have anything to do with anything," said Vienna Wood, 15, a ninth grader from Scotts Valley, Calif., who runs a fan Web site and showed up in Santa Maria for the first day of jury selection. "I've always thought it's pretty cool because it accentuates how big of a superstar he really is."


    Although his 12-member jury may end up including some fans, Mr. Jackson needs also to appeal to a pool of jurors from the conservative Santa Maria area of agricultural Santa Barbara County, lawyers and trial consultants said. These are people, the experts noted, who may not relate to his lifestyle and who may have read countless "Wacko Jacko" articles in the tabloids over the years, but who could still connect with the star on a human level.


    "It's in his interest to try to persuade the jury that his looks and appearance are about entertainment and that in his real life he's closer to the mainstream," said Joseph A. Rice, president of Jury Research Institute, a trial consulting firm in Alamo, Calif. "He just has to put the entertainer in one box and the 46-year-old man in another box and persuade the jury that he understands the boundaries."


    Mr. Rice, whose firm helped pick the jury in the successful civil case brought by the family of Nicole Brown Simpson against O. J. Simpson, said that with Mr. Jackson "the rules are out the window" because so much of the singer's celebrity is tied to the way he looks, not just his style but his plastic surgeries, his skin tone, his makeup, his Peter Pan persona.


    But even if jurors already expect a certain image, Mr. Rice said, "at a certain point they'll be looking at the values of this man, and if he's all glitz, that opens him up to speculation about whether he engages in improper conduct."


    Even Hollywood seems to find Mr. Jackson's style over the top. Phillip Bloch, a celebrity stylist, described the defendant as "a freak show, plastic surgery aside." He said Mr. Jackson's courtroom choices look like fashion for women that would seem "a little odd" even on the red carpet.


    "This is a time when people use wardrobe to help and camouflage realities," Mr. Bloch said. "This is the time to be what they want you to be. He needs to put on a suit and tie and get a haircut."


    But Ms. Powers, the curator at Experience Music Project, said that considering the absence of sequins, fedoras, gloves and other items of clothing associated with Mr. Jackson, his courtroom outfits are really quite conservative. They are even, she said, elegant and masculine.


    "This, for him, is subdued," she said. "For him, this may be as far as he could go."




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  • President Bush (news - web sites) meets with members of his cabinet, Monday, Feb. 7, 2005, in the Cabinet Room of the White House. Left to right, Secretary of Interior Gale Norton, Secretary of Treasury John Snow, and Bush. (AP Photo/Ron Edmonds)


    February 6, 2005

    Going for Broke May Break Bush


    By NICHOLAS CONFESSORE





    RARELY has a domestic policy proposal so monumental come down the pike with so little obvious reason for being.


    Opinion polls show no public clamor to change the Social Security system; citizens are not yet marching on the Capitol demanding that they be allowed to invest a portion of their payroll taxes in the stock market. Nor does the program face an imminent threat that demands immediate action: According to the Congressional Budget Office, the Social Security trust fund won't run out until 2052, after which payroll tax receipts will still cover 81 percent of the benefits promised senior citizens. Even many Republicans seem cool to the idea.


    Nevertheless, Mr. Bush embarked last week on a five-state Social Security tour, determined to get traction on the first major effort of his second term.


    And if the past is any guide, he is unlikely to change direction. Time and again during his first term, President Bush ignored the informal rules that once delimited what was possible in political life, ushering in transformative changes to American political life whether or not the public demonstrated a strong appetite for them in advance. By comparison with ambitious presidents of the past, Mr. Bush has made a habit of creating his own momentum.


    "Presidents tend to attempt big things at the peak of their powers, meaning recently being elected, re-elected or in mode of momentum," says Joel Johnson, a former senior adviser in the Clinton White House. "Bush has made a few big moves that were not necessarily destined to succeed, and has had success in grinding out victories on them."


    The question is whether Mr. Bush has the power to persuade Congress again. Most transformative presidents of the past have acted with the wind at their backs. When he set out to birth the New Deal, Franklin Roosevelt enjoyed high approval ratings and Congressional majorities that were gigantic by today's standards. Lyndon Johnson capitalized on the shock of President Kennedy's assassination to pass the Great Society legislation. And the public was already deeply disillusioned with d¨¦tente when Ronald Reagan set out to upend American policy toward the Soviet Union.


    When presidents set out to move a recalcitrant public toward their point of view, they usually took care to lay the groundwork first. Woodrow Wilson won only a 42 percent plurality in 1912, in a three-way election. When it came time to push through large-scale tariff reform through Congress in 1913, he took the radical step of appearing personally before a joint session, which no president had done since John Adams.


    When Roosevelt moved to bring the Unitd States into World War II, he started small, pitching his "lend-lease" program as a limited effort to let Great Britain borrow arms and mat¨¦riel. The comparison to Roosevelt is not lost on Mr. Bush's supporters, many of whom have cast his sweeping proposals for an "ownership society" as the conservative inverse of Roosevelt's New Deal. But Roosevelt also suffered humiliating setbacks when he confused high approval ratings with an unfettered mandate, and tried to pack the Supreme Court following his landslide victory in 1936.


    A closer parallel to Mr. Bush's first four years might be those of James Polk, who won office narrowly in 1844 and applied himself to four well defined but ambitious goals: To restore the independent treasury; lower trade barriers; resolve the Oregon boundary dispute with Great Britain; and acquire southern California.


    Polk accomplished all, but, exhausted, chose not to run for re-election. In his second term, Mr. Bush has only upped the ante considerably, with a domestic proposal that in some respects is more far-reaching than any he has ever proposed. "It seems like the riskiest of presidential politics that I can imagine or remember," says the presidential historian Robert Dallek. "It may speak volumes about the fact that he wants to be a transitional president who does big things. But if you take big risks, you can fail in big ways."


    This time, it's unclear how much more political leverage he has. For each of Mr. Bush's battles against Beltway conventional wisdom - his push for large tax cuts despite ballooning federal deficits and for an invasion of Iraq despite widespread skepticism that the country was an imminent threat - he could muster reasonably high approval ratings, strong Republican support and a divided opposition. When there was no momentum for change, Mr. Bush relied on the bully pulpit and his party's control of Congress.


    Mr. Bush seems convinced he can do the same with Social Security. But he may have to dig deep into his political piggy bank. There is little groundswell for Social Security privatization. In an NBC News/Wall Street Journal poll taken in mid-January, only 40 percent of adults thought it was a good idea "to allow workers to invest their Social Security contributions in the stock market," while 56 percent said that the president did not have a mandate for such a program. Other polls show the country no more than evenly divided on the issue.


    Mr. Bush must also overcome approval ratings stuck near 50 percent, a united Democratic opposition and Congressional Republicans for whom the president's proposals have little upside.


    There's no doubt that voters are more open than they were to privatizing Social Security. Michael Tanner, who leads the Project on Social Security Choice at the Cato Institute, gives Mr. Bush the credit. "Without a president willing to lead on this, you wouldn't be doing it this year," Mr. Tanner said.


    But other conservatives are not so sure. Gathering support for an Iraq war may prove to be easier than the push to change Social Security. "9/11 was huge; it had to be responded to," says William Kristol, an occasional adviser to the White House and editor of The Weekly Standard, a conservative magazine.


    It's not clear, Mr. Kristol says, whether Social Security's fiscal troubles rise to the same level. "It's more like Clinton's health care proposals. Was there a problem in the health care system? Sure. Was it a moment when American society thought, 'We have to come to grips with health care?' No."


    When Mr. Clinton first took office, Democrats enjoyed majorities in the House and Senate larger than those Republican have today. But in 1994, Republicans won control of the House for the first time in 40 years, in part because of the health care debacle.


    "The Republicans said, you've got all the reins of power, you pass health care," says Norman J. Ornstein, a resident scholar at the American Enterprise Institute. "Social Security might do the same for the Democrats."


    There is, of course, yet another possibility: that Mr. Bush understands perfectly the risks to his own party, but nevertheless believes that fundamentally changing Social Security is in the country's best interest.


    Here, too, there is precedent. Johnson used every ounce of his political skill and legislative know-how to ram the 1964 Civil Rights Act through Congress over the opposition of most Southern Democrats, convinced that America would become a better place for it. At the signing ceremony, Johnson is said to have remarked that he had just delivered the South to the Republican Party for a long time to come. His words proved prophetic.


    "Bush is not only defying the tides of history, but he's also defying the advice of his own side and doing what he thinks is right," says Lou Cannon, a journalist and author of several books about Reagan. "There's something perversely admirable about it."




    Copyright 2005 The New York Times Company | Home | Privacy Policy | Search | Corrections | RSS | Help | Back to Top


     


     





  • Super Bowl XXXIX - Viva Las Vegas
    Local tourism leaders on Friday said they've likely found a way to air a new Las Vegas ad during the telecast of Super Bowl XXXIX.


    And once again, a National Football League spokesman said the league's attorneys will be ready to pick off the city's every pass attempt.  This report was written by Chris Jones and appeared in The Las Vegas Review Journal


    In what has recently become an annual sideshow to the country's most popular sporting spectacle, the Las Vegas Convention and Visitors Authority is trying to land a "Vegas Stories" ad in the Fox network's pregame, postgame or game coverage of Sunday's contest between the New England Patriots and Philadelphia Eagles.


    The authority's attempts to buy national ad time have been rejected for each Super Bowl since 2003. But last year it managed to reach an estimated 20 percent of that Super Bowl's 144 million U.S. television viewers by separately purchasing ad time from local CBS affiliates in five U.S. cities.


    In 2005, the authority hopes to spend $2.2 million to reach more than 25 percent of TV viewers with local ads in Boston, Chicago, Dallas, Los Angeles, New York, Philadelphia and San Francisco.


    "These are major markets for us," said Rossi Ralenkotter, the convention authority's president and chief executive officer. "It's our responsibility to look at opportunities that can create more demand for Las Vegas, and the ... person out there watching the Super Bowl is our customer."


    Despite evidence to the contrary, the NFL vehemently disagrees. The league, which wants no association with gaming, was not aware of last year's local ad buy until it was complete. It has since vowed to stop similar efforts.


    NFL spokesman Brian McCarthy on Friday confirmed that position is unchanged, though he could not comment on what actions, if any, may be taken between now and Sunday to halt the proposed ads.


    Unlike a year ago, however, this year's deal came at the request of the Super Bowl's host network, said Billy Vassiliadis, chief executive with R&R Partners, which developed the Las Vegas ads.


    "We were approached by them," Vassiliadis said of Fox's affiliate sales division.


    And what if the NFL intervenes?


    "I don't know what (the situation) is going to be two hours from now, Saturday or Sunday," Vassiliadis said around 3 p.m. Friday. "I know the NFL has expressed concern ... and I'm not holding my breath" that the ads will air around game time.


    If Fox kills the ads, Vassiliadis added he's confident the network would compensate the authority by offering time on the network's most popular programs such as "American Idol."


    Ralenkotter, however, said the negotiations have changed daily, but as of Friday, he said, "We think we're there."


    Vassiliadis confirmed that the past few weeks have resulted in several changes to the ad buy, most of which centered on which ads would be shown. The authority now hopes the Fox affiliates will air the first of five unseen "Vegas Stories" ads.


    That 30-second spot, titled "Punch Drunk," depicts a trainer who's secretly pleased when his defeated boxer can't recall their activities from the prior evening.


    "For us to be able to introduce a new spot in conjunction with the Super Bowl is great timing for us," Ralenkotter said.


    Local visitors are expected to spend $101 million on nongaming goods and services this weekend. That doesn't include the untold millions that football fans will wager at Nevada's sports books and casinos before, during and after the Super Bowl.


    Resorts owned by Harrah's Entertainment, MGM Mirage and Mandalay Resort Group, as well as downtown's Golden Nugget, set up football-themed VIP booths to greet customers this week at the airport, McCarran International spokeswoman Debbie Millett said Friday.


    Harrah's Entertainment spokesman Gary Thompson added his company expects this weekend will bring more business to town than New Year's Eve weekend five weeks ago.


    "The Super Bowl is one of the city's top events, right up there with the week after Christmas leading up to New Year's," said Thompson, whose Rio and Harrah's Las Vegas resorts host high-rolling football fans this week. "If you've ever spent a Sunday watching football in a sports book, you know it's an exciting place."


    The NFL's recent crackdown on casino-related Super Bowl events has spooked some businesses in Las Vegas, one of five U.S. cities where league-hired investigators will prowl this weekend to nab anyone who violates its copyright protections. But that isn't deterring tribal casino operators from hosting for-pay football viewing events Sunday afternoon.


    The Pechanga Resort & Casino in Temecula, Calif., is using the term "Superbowl" to tout a $7.99 buffet with a 3:15 p.m. kickoff, drink specials and pregame and quarterly giveaways.


    Near Spokane, Wash., the Kalispel Tribe's Northern Quest Casino has newspaper ads promoting its "Big Game Party" that uses the trademarked Super Bowl XXXIX name and includes the Fox Sports logo. It will charge patrons up to $25 to watch the "Wing Bowl" chicken eating contest, score a T-shirt and nosh at a buffet. This report was written by Chris Jones and appeared in The Las Vegas Review Journal


     


     


  • Paul Giamatti (news), left, Virginia Madsen, second from left, Sandra Oh and Thomas Hayden Church, right, hold the award for outstanding performance by a cast in a motion picture for their work in 'Sideways,' backstage at the 11th annual Screen Actors Guild (news - web sites) Awards on Saturday, Feb. 5, 2005, in Los Angeles. (AP Photo/Reed Saxon)


    Jamie Foxx (news) holds up the award for outstanding performance by a male actor in a leading role for his work in 'Ray,' at the 11th annual Screen Actors Guild (news - web sites) Awards on Saturday, Feb. 5, 2005, in Los Angeles. (AP Photo/Kevork Djansezian)



    Hilary Swank holds the award for outstanding performance by a female actor in a leading role for her work in 'Million Dollar Baby,' backstage at the 11th annual Screen Actors Guild (news - web sites) Awards on Saturday, Feb. 5, 2005, in Los Angeles. (AP Photo/Reed Saxon)


    Foxx, Swank Take Actors Guild Honors







    Sat Feb 5,10:31 PM ET


    By DAVID GERMAIN, AP Movie Writer

    LOS ANGELES - Jamie Foxx (news)'s uncanny re-creation of Ray Charles in "Ray" earned him the Screen Actors Guild (news - web sites) Award for best actor Saturday, while Hilary Swank won the best-actress prize for "Million Dollar Baby," playing a spirited boxer whose life takes a tragic turn. The cast prize for best movie ensemble went to the road-trip comedy "Sideways."












    Photo
    AP Photo

     

    Cate Blanchett (news) won the supporting-actress honor for her role as Katharine Hepburn (news) in "The Aviator," and Morgan Freeman (news) took the supporting-actor prize for "Million Dollar Baby," playing a sage-like ex-prizefighter.


    "Thank you for Ray Charles for just living so complex and so interesting, and making us all just come together," said Foxx, the front-runner to win the best-actor prize at the Academy Awards (news - web sites) on Feb. 27. Addressing his director on "Ray," Foxx added, "Thank you for Taylor Hackford for taking a chance with an African-American film. Taylor, you're my director of the year."


    Swank offered gushing praise for her director and co-star, Clint Eastwood (news).


    "I bow down to you," Swank said to the 74-year-old Eastwood. "You are a talent beyond compare. If I'm half the person you are and half the talent you are when I'm 74, I will know that I've accomplished something great."


    The SAG honors presented the first big head-to-head competition between Swank and Oscar rival Annette Bening (news), a nominee for the theater farce "Being Julia." At the Golden Globes, Swank won for best dramatic actress while Bening was honored for best actress in a musical or comedy.


    The two actresses are the front-runners at the Oscars (news - web sites), a rematch of the showdown five years ago, when underdog Swank pulled an upset best-actress win for "Boys Don't Cry" over Bening, who had been the favorite for "American Beauty."


    The wins gave all the actors an Oscar boost just as voting gets under way for Hollywood's top honors. Oscar ballots were mailed Wednesday to academy members, with voting scheduled to end Feb. 22, five days before the ceremony.


    Freeman paid respect to fellow contender James Garner (news) by singing a verse from the theme song of Garner's old TV Western "Maverick." Garner was nominated as supporting actor for the romantic drama "The Notebook" and received the guild's lifetime-achievement award.


    Covering all his bases, Freeman added, "I want to thank everybody I ever met."


    Blanchett thanked co-star Leonardo DiCaprio (news) and especially "The Aviator" director Martin Scorsese. Looking at her trophy, a statue of a performer holding the comedy and tragedy masks that symbolize actors, Blanchett said, "I think the head, shoulders, knees and toes of this belong to Martin Scorsese, who led us all and brought us great courage."


    For dramatic TV series, the late Jerry Orbach won the actor honor for "Law and Order." Orbach died in December.


    "How bittersweet. But it's still sweet," said Orbach's widow, Elaine. "Jerry had a motto: Never leave a hit show. ... May you all never leave your hit show."


    Jennifer Garner earned the dramatic actress honor for "Alias," and "CSI: Crime Scene Investigation" received the dramatic ensemble award for the entire cast.


    Tony Shalhoub, star of "Monk," won the guild prize for the second straight year as actor in a TV comedy. Teri Hatcher (news) won the TV comedy actress honor for "Desperate Housewives," which also won the comedy ensemble award.


    The 11th annual guild awards provided a warmup bout for "The Aviator" and "Million Dollar Baby" before they duke it out for best-picture at the Oscars. Although "Sideways" won the guild ensemble honor, "The Aviator" and "Million Dollar Baby" are still considered the best bets for the top prize at the Oscars on Feb. 27.


    The winner of the SAG cast-performance prize has gone on to receive the top Oscar four times in the nine years since the guild added that category.


    Guild nominees were chosen by 4,200 randomly selected union members. The union's full membership of 98,000 was eligible to vote for winners.

    ___


    Guild Awards: http://www.sagawards.com



  • Daniel Okrent, the public editor for The New York Times, gets a lot of e-mail. He and his assistant, Arthur Bovino, read all of it. Sometimes readers bring up an issue that deserves to be addressed in public but isn't appropriate for, or won't fit into, his biweekly column in the Week in Review. And so, from time to time, Mr. Okrent will take on these issues and questions in this Web journal.


    Readers are invited to weigh in on Mr. Okrent's postings, but he says he would prefer not to comment on their comments because, he says, "too often it's the publication that gets the last word. I’d like to reserve that for the readers."


    February 6, 2005

    THE PUBLIC EDITOR


    Talking on the Air and Out of Turn: The Trouble With TV


    By DANIEL OKRENT





    LAST Sunday, Times reporter Judith Miller appeared on MSNBC's "Hardball With Chris Matthews" to discuss the Iraqi elections. In the course of the conversation Miller said sources had told her the Bush administration "has been reaching out" to the Iraqi political figure Ahmad Chalabi "to offer him expressions of cooperation." She continued, "According to one report, he was even offered a chance to be an interior minister in the new government." This led Matthews to interrupt Miller, exclaim "Wait a minute!" and press her to elaborate.


    Now, Matthews is the sort of television host who will interrupt a guest about as often as he blinks, and his reliance on exclamation is roughly equal to his reliance on breathing. But to anyone who has tried to follow the jagged contours of Ahmed Chalabi's connections to the Bush administration, Miller's statement was a shocker. This piece of news hadn't appeared in The Times that morning; it didn't appear in The Times the next morning; as I write this column, on Friday, it still hasn't appeared. A lengthy analysis of the election aftermath by reporter Dexter Filkins, published Tuesday, didn't even hint of any current contact between Chalabi and the Bush administration.


    But if you watched "Hardball" on Sunday night, and saw Judith Miller identified as a reporter for The New York Times, you would have every reason to think she was speaking with the authority of the paper. That, presumably, is why television news and talk producers ask Times reporters to appear on their programs; that, presumably, is why The Times's publicity apparatus books broadcast appearances for as many as 12 different reporters in a typical week. Yet Miller's revelation - Jack Shafer of slate.com called it "the second biggest Iraq story of the day (after the successful election)" - was fit to be broadcast on television, even if not fit to print. Why the difference?


    Let me make a few things clear before going forward. First, I don't believe Miller's appearance on Matthews's show has anything to do with the current contempt citation hanging over her, the one resulting from her refusal to reveal sources to a federal grand jury. I believe she is right to resist the subpoena; that her apparent willingness to go to jail to protect her sources is admirable; and that The Times is right to defend her unflinchingly.


    Second, hers isn't the only byline from The Times to appear on the bottom of the screen when you're watching "Hardball"; I've been on the show myself, sneezing through my makeup. I also appear regularly on a local Times-produced show here in New York, and occasionally on various other broadcast outlets whose producers are looking for a talking head to take a shot at The Times, defend The Times or bloviate about the state of American journalism. I disclose all this unexceptional and uninteresting information as a preface to my argument that reporters - not columnists or critics, only reporters - should appear on television news programs rarely, on talk shows even less often, and on programs dominated by interrogators as insistent and adept as Matthews not at all.


    There are many, many reasons why newspaper people would want to appear on television. There's vanity, of course, and the ensuing cheap thrill of having someone stare at you on the subway, trying to figure out who you are. There's the admirable desire to help promote the paper you work for, and the less admirable one to promote your own career. There's the-well, I can't actually think of any others. But I can give you several reasons why it's bad for reporters, and bad for The Times.


    Judging by their absence from the paper, one must conclude that either Miller's Chalabi revelations were wrong or unsubstantiated or that The Times is suppressing an important piece of news. If the first, the paper has suffered a blow to its credibility: Matthews introduced Miller as "an investigative reporter for The New York Times." The ID on the screen said "Judith Miller, 'The New York Times'." At five separate points in the show Matthews invoked her connection to The Times, as any host would.


    If there's an act of suppression going on, the price is of course incalculable. But I don't remotely think that is the case. I've been able to determine with a very high degree of confidence that editors in the two departments most likely to have an interest in Miller's Chalabi assertions were unaware of them. (Miller was away from New York this week, and did not respond to messages I left on her office phone, her cellphone, and on e-mail. Executive editor Bill Keller declined to discuss the matter. "I'm sorry to be unhelpful on this one, but Judy faces a serious danger of being sent to jail for protecting a confidential source," Keller told me in an e-mail message. "I think this is not the time to be drawn into unrelated public discussions of Judy.")


    Newspapers are different from talk shows. In the best circumstances, what appears in the newspaper is the collaborative product of reporter, editor, copy editor, desk or department head, and sometimes, the anointing ministrations of a masthead editor. What emerges from most television talk programs - in fact, what makes them interesting - is unedited, at times lightly considered, often impulsive. Yet those letters at the bottom of the screen ("Reporter, The New York Times") weld everything that's said to the paper's credibility.


    Miller dodged the second danger lurking in the television studio, when she wouldn't take Matthews's bait and tell him whether she thought the elections, as he put it, "prove President Bush right, yes or no, about Iraq." But in the real-time, high-speed badminton match of a television interview or debate, opinions (or at least characterizations) that would never appear in the paper emerge. At several points during last year's presidential campaign, readers complained that one or another of The Times's political writers, appearing on TV, had said something that indicated they were biased for or against (in fact, almost always against) one of the candidates, and should therefore be disqualified from further coverage. This is not what you want your readers to think.


    In the privacy of a one-on-one, off-camera interview, some print reporters will extract the information they're looking for with smiles and flattery; others will try pounding and intimidation. I know one magazine reporter who can switch between the two modes (and various others) so fluently you'd swear you were watching one of those one-man shows where a single actor plays a dozen roles. But both cajolery and aggression (not to mention their less glamorous teammates, patience, determination and shoe leather) are tactics informed, and justified, by a noble strategy: gathering the information that will enable readers to understand the events, personalities and issues of the day. So long as legal and ethical lines aren't breached, what matters is not the method of reporting but the results.


    On television, dogged questioning can appear to be oppositional, even harassing. When White House correspondent Elisabeth Bumiller served as a panelist in a televised debate during last winter's primary season, some readers were convinced that her aggressive questioning of John Kerry and a head-to-head scrap with Al Sharpton demonstrated hostility. The same questions and the same attitudes deployed in a private interview could have produced answers that, in the paper, would have seemed absolutely proper and appropriate. But television can transform and distort reality; thinking you know a reporter from what you see on TV can be like thinking you know an actor from the way he behaves on stage.


    I don't think any of my cavils pertain to columnists or critics, who make their livings peddling opinion. They are their own brand names. When David Brooks appears on one show and Maureen Dowd on another, their diverging viewpoints do not demonstrate contradictions at The Times; they demonstrate the views of David Brooks and Maureen Dowd. (I'll leave it to you to determine whether a public editor falls into this category.)


    But reporters represent the standards of the entire paper's news gathering effort. It would be overkill for The Times to keep its reporters off television in all circumstances, but surely the top editors understand how publicity that can undermine reader trust is the worst kind of publicity a newspaper can get. They need to enforce a policy ensuring that no staff member will "say anything on radio, television or the Internet that could not appear under his or her byline in The Times."


    Should be easy: those words are directly from the paper's "Ethical Journalism" handbook. But mild admonition is no insurance against reporters' getting ambushed, flattered or flustered into saying something an editor would strike in an instant. The only way the Times is going solve this problem is by making it a practice to regulate its reporters' appearances, and letting the paper - the reason everyone's here - speak for itself.



    The public editor serves as the readers' representative. His opinions and conclusions are his own. His column appears at least twice monthly in this section.




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  • February 6, 2005
    EDITORIAL

    What Meat Means






    Most Americans do not want to know how the meat they eat is produced, if only so they can continue to eat it. Nearly every aspect of meat production in America is disturbing, from the way animals are raised, to inadequate inspection of the final product. When it comes to what happens in the slaughterhouse, most of us mentally avert our eyes. Yet in the past decade, the handling of livestock on their way to the killing floor has actually been one of the parts of the business that has improved most significantly. What is most alarming at the slaughterhouse is not what happens to the animals - they have already met their fate. It is what happens to the humans who work there.


    A large slaughterhouse is the truly industrial end of industrial farming. It is a factory for disassembly. Its high line speeds place enormous pressure on the workers hired to take apart the carcasses coming down the line. And because the basic job of the line is cutting flesh - hard, manual labor - the dangers are very high for meat workers, whose flesh is every bit as vulnerable as that of the pork or beef or chicken passing by.


    The problem of worker safety is compounded by the fact that meatpackers, driven by the brutal economics of the industry, always try to hire the cheapest labor they can find. That increasingly means immigrants whose language difficulties compound the risks of the job. The result, according to a new report by Human Rights Watch, is "extraordinarily high rates of injury" in conditions that systematically violate human rights.


    In fact, the report finds, some major players in the American meat industry prey upon a large population of immigrant workers who are either ignorant of their fundamental rights or are undocumented aliens who are afraid of calling attention to themselves. As a result, those workers often receive little or no compensation for injuries, and any attempt to organize is met with hostility.


    The industry has little incentive to improve conditions on its own, except a decent regard for human rights. The only reasonable prospect of improvement depends on the enforcement of federal and state law. Unfortunately, those laws at present are too weak and too riddled with loopholes to provide the regulations needed to increase worker safety and improve workers' rights. A systematic regulatory look at the meat industry, with an eye to toughening standards, is desperately needed.


    In recent years, Americans have had the habit of thinking of wide-scale workplace abuses as foreign affairs - the kind of thing that turns up in Southeast Asia, for instance. And, in a sense, the abuses found in American slaughterhouses are international matters, because so many of the workers are actually citizens of other countries. But in this case, the abuses are taking place right at home, and as part of our food chain. In a carb-conscious era, the meat processing industry should be a place of opportunity for workers who put all that protein on your plate. Right now, that is hardly the case.



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